Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.
This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourcedmust be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page.
This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography
This article is within the scope of WikiProject United States, a collaborative effort to improve the coverage of topics relating to the United States of America on Wikipedia. If you would like to participate, please visit the project page, where you can join the ongoing discussions.
Latest comment: 10 months ago1 comment1 person in discussion
"In February, 2025, Heineman's play, "Terror is the Order of the Day: A Tragedy of the French Revolution," was performed at the Flea Theater in New York City. Directed by Tea Alagic, the play covers one of the most dramatic and consequential periods in modern history: the downfall of King Louis XVI to the founding the First Republic to popular insurrections driving the Revolution to violence to implementation of the Terror to the downfall and execution of Robespierre. The play is a "societal" tragedy--the devolution of France from idealism to death and destruction---and an "ensemble" tragedy where the Revolution devours its children in execution and suicide driven by hatreds and rivalries carried out in the name of lawless law. The play has resonance for today's embittered and challenging political culture."
