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List of Chitpavan Brahmins

From Wikipedia, the free encyclopedia

This is a list of notable members of the Chitpavan Brahmin community.

MILIND Soman : Actor , Vidyadhar Gokhale : Artist. Ramkrishna Buva Vaze : classical VOCAL Musician. Senapati BAPAT : Freedom Fighter.



References

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  1. Gokhale, B.G. (1998). The Fiery Quill: Nationalism and Literature in Maharashtra. Popular Prakashan. p. 40. ISBN 978-81-7154-805-7.
  2. Chaurasia, R.S. (2004). History of the Marathas. New Delhi: Atlantic Publishers & Distributors. p. 9. ISBN 9788126903948.
  3. Gordon, Stewart (1 February 2007). The Marathas 1600-1818. Cambridge University Press. ISBN 9780521033169 via Google Books.
  4. O'Hanlon, Rosalind (2002), Caste, Conflict and Ideology: Mahatma Jotirao Phule and Low Caste Protest in Nineteenth-Century Western India, Cambridge South Asian Studies, Cambridge University Press, p. 27-28, ISBN 978-0-521-52308-0
  5. Kavlekar, K., 1983. Politics of Social Reform in Maharashtra. Political Thought and Leadership of Lokmanya Tilak, p.202
  6. Bal Ram Nanda (1977). Gokhale: The Indian Moderates and the British Raj. Princeton University Press. p. 17. ISBN 9781400870493. His[Deshmukh's] family of Chitpavan Brahmans, one of the greatest beneficiaries of the Peshwa regime...
  7. Jones, Kenneth W. (January 1992). Religious Controversy in British India: Dialogues in South Asian Languages. SUNY Press. p. 238. ISBN 9780791408278. Retrieved 14 September 2020.
  8. Wolpert, Stanley A. (April 1991). Tilak and Gokhale: Revolution and Reform in the Making of Modern India. Oxford: Oxford University Press. p. 32. ISBN 978-0195623925.
  9. Wolpert, Stanley A. (April 1991). Tilak and Gokhale: Revolution and Reform in the Making of Modern India. Oxford: Oxford University Press. p. 9. ISBN 978-0195623925.
  10. Bayly, Susan (2000). Caste, society and politics in India from the eighteenth century to the modern age (1st, Indian ed.). Cambridge [u.a.]: Cambridge Univ. Press. p. 236. ISBN 978-0-5217-9842-6. The true nature of these groups, said fearful Bombay officials, had been revealed in 1879 in the response of the region's politically active intelligentsia to the actions of W.B.Phadke, a chitpavan ex-government clerk from Pune.
  11. Hansen, Thomas Blom (2001). Wages of Violence: Naming and Identity in Postcolonial Bombay. Princeton University Press. p. 29. ISBN 978-0-69108-840-2.
  12. Wolpert, Stanley A. (April 1991). Tilak and Gokhale: Revolution and Reform in the Making of Modern India. Oxford: Oxford University Press. p. 19. ISBN 978-0195623925.
  13. Keshavsut, Prabhakar Machwe, Indian Literature, Vol. 9, No. 3 (July–September 1966), pp. 43–51
  14. Cashman, Richard I. (14 June 2024). The Myth of the Lokamanya: Tilak and Mass Politics in Maharashtra. Univ of California Press. p. 222. ISBN 978-0-520-41485-3.
  15. Karve, Dinakar D. (1963). The New Brahmans: Five Maharashtrian Families (1st ed.). Berkeley, CA: University of California Press. p. 13.
  16. Wolpert, Stanley A. (April 1991). Tilak and Gokhale: Revolution and Reform in the Making of Modern India. Oxford: Oxford University Press. p. 2. ISBN 978-0195623925.
  17. Sri Narasimha Chintaman "Alias" Tatyasaheb Kelkar, K. N. Watve, Annals of the Bhandarkar Oriental Research Institute, Vol. 28, No. 1/2 (January–April 1947), pp. 156-158, published by Bhandarkar Oriental Research Institute
  18. Wolf, Siegfried O. "Vinayak Damodar Savarkar: Public Enemy or national Hero?" (PDF). Retrieved 3 May 2016.
  19. Wolf, Siegfried, ed. (2009). Heidelberg Student papers, Vinayak Damodar Savarkar:: Public Enemy or national Hero (PDF). Dresden: Heidelberg University. p. 10. ISBN 978-3-86801-076-3.
  20. Jain, Kajri (2007). Gods in the Bazaar: The Economies of Indian Calendar Art. Duke University Press Books. p. 151. ISBN 978-0822389736.
  21. Richard I. Cashman (25 September 2018). The Myth of the Lokamanya: Tilak and Mass Politics in Maharashtra. University of California Press. p. 222. ISBN 9780520303805. Retrieved 25 September 2018.
  22. Kulkarni, A.R., 2002. Trends in Maratha Historiography: Vishwanath Kashinath Rajwade (1863–1926). Indian Historical Review, 29(1–2), pp.115–144.
  23. 1 2 Ruby Maloni; Mariam Dossal, eds. (1999). State intervention and popular response : western India in the nineteenth century. Mumbai: Popular Prakashan. p. 87. ISBN 9788171548552.
  24. Jaffrelot, Christophe (1999). The Hindu Nationalist Movement and Indian Politics: 1925 to the 1990s : Strategies of Identity-building, Implantation and Mobilisation (with Special Reference to Central India). Penguin Books India. p. 42. ISBN 978-0-14-024602-5.
  25. Patricia Uberoi; Nandini Sundar; Satish Deshpande (2008). Anthropology in the East: founders of Indian sociology and anthropology. Seagull. p. 367. ISBN 9781905422784. In this general atmosphere of reform and women's education, and coming from a professional Chitpavan family, neither getting a education nor going into a profession like teaching would for someone like Irawati Karve have been particularly novel.
  26. 1 2 Alex Damm, ed. (2017). Gandhi in a Canadian Context: Relationships between Mahatma Gandhi and Canada. Wilfrid Laurier University Press. p. 54. ISBN 9781771122603. Moreover, the two principal conspirators behind Gandhi's assassination, who were hung for their actions – Nathuram Godse and Narayan Apte – were both Chitpavan Brahmins from Maharashtra as was Savarkar, their ideological mentor. The Chitpavans had a long history of supporting violence against the alleged enemies of Brahminical Hinduism.
  27. Thomas Blom Hansen (1999). The Saffron Wave: Democracy and Hindu Nationalism in Modern India. Princeton University Press. Gandhi's assassin Naturam Godse, a Chitpavan brahmin from Pune, had been a member of the RSS for some years, as well as a member of the Hindu Mahasabha. In the early 1940s Godse left the RSS to form a militant organization, Hindu Rashtra Dal, aimed at militarizing the mind and conduct of Hindus, to make them "more assertive and aggressive" (interview with Naturam Godse's brother Gopal Godse, still a member of the Hindu Mahasabha, in Pune, 3 February 1993)
  28. "Shah Rukh is not a good dancer but has charisma: Madhuri". Times of India. Also, we both come from similar backgrounds and are Kokanastha brahmins and have had typical Maharashtrian upbringing that makes us culturally similar.