Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

Jump to content

Issie Ringgold

From Wikipedia, the free encyclopedia
Issie Ringgold
Ringgold, from a 1926 newspaper
Born
Isola Ringgold

March 1887 (1887-03)
Philadelphia, Pennsylvania, U.S.
DiedMay 15, 1952(1952-05-15) (aged 65)
New York, New York, U.S.
Other nameIzzy Ringgold
OccupationsBlues singer, vaudeville performer
Years active1910s to 1940s

Isola "Issie" Ringgold (March 1887 – May 15, 1952) was an American blues singer, known for suggestive songs she performed mostly on burlesque and vaudeville programs in the 1920s and 1930s.

Early life

[edit]

Ringgold was born in Philadelphia,[1] the daughter of William A. Ringgold and Ella Chase Ringgold.[2] Her father worked for the Atlantic City Highway Department.[3] Her sisters Charlotte Ringgold and Muriel Ringgold were also entertainers.[4][5]

Career

[edit]

Ringgold was dancing and singing in Chicago by 1911,[6] and on the New York stage by 1913.[7] She appeared in a 1917 act with Jesse A. Shipp, called "Down Home Ten".[8] She was in a musical comedy in 1925, Moochin' Along, written by Jesse A. Shipp, Cecil Mack, and James Johnson.[9]

In 1926, she joined the cast of "Rarin' to Go",[10] and the act "Izzy Ringgold and the Dancing Maids" was part of the Connie's Inn Revue.[1] It was labeled "the most indecent show ever shown in Harlem", and police tried to monitor the show.[11] She headed "Flashes of 1928" in Washington, D.C. in 1928.[12] She starred in another revue, "Sunflower South", in 1929, singing "That's My Weakness", "My Mother's Eyes", and "He's Funny That Way",[13] and toured with her sisters Charlotte and Muriel, and a large cast of other vaudeville performers.[14]

Ringgold toured on burlesque programs in the 1930s, billed as "the Female Furore".[15] She sang suggestive songs, with titles including "My Handy Man" and "He's a Good Meat Cutter".[16][17] In 1930 she was in The Joy Boat, a touring revue with Moms Mabley, Jimmie Baskett, Dusty Fletcher, Johnny Hudgins, and others.[18] In 1939 she headlined "Lucky Sambo's Harlem Revue", a touring production with 70 performers.[19][20] She continued performing into the 1940s.[21]

Recordings

[edit]

Ringgold made two recordings for the Columbia Records label in 1930, "He's a Good Meat Cutter" and "Be On Your Merry Way". Those recordings have been anthologized several times, including on Blue Ladies Vol. 2 (1968), Big Mamas (1982), The Blues 1923 to 1933 (1987, BBC Records),[22][23] Jazz Classic Masterpieces III (1989), Female Blues Singers (1991), Blue Girls (1996), and Heartbreakers (2000).[24]

References

[edit]
  1. 1 2 "Critical Season Facing Actors; Miss Ringgold in Washington After a Successful Year's Run at Connie's". The Afro-American. 1927-09-17. p. 2. Retrieved 2026-02-19 via Newspapers.com.
  2. 1920 United States census, via Ancestry.
  3. "William Ringgold". Press of Atlantic City. 1947-12-09. p. 14. Retrieved 2026-02-19 via Newspapers.com.
  4. "New Managers for Crescent Theatre". The New York Age. 1913-05-22. p. 6. Retrieved 2026-02-19 via Newspapers.com.
  5. Hayes, Bob (1929-12-07). "'Home Again' Scores at the Grand Theater". The Chicago Defender. p. 11. Retrieved 2026-02-19 via Newspapers.com.
  6. Russell, Sylvester (1911-02-25). "Musical and Dramatic". The Chicago Defender. p. 4. Retrieved 2026-02-19 via Newspapers.com.
  7. "Franklin Theatre". The New York Age. 1913-03-27. p. 6. Retrieved 2026-02-19 via Newspapers.com.
  8. "Theatricals". The Nashville Globe. 1917-11-30. p. 8. Retrieved 2026-02-19 via Newspapers.com.
  9. "Stage Notes". New Pittsburgh Courier. 1925-12-19. p. 9. Retrieved 2026-02-19 via Newspapers.com.
  10. "Joins 'Rarin' to Go'". The Afro-American. 1926-04-10. p. 5. Retrieved 2026-02-19 via Newspapers.com.
  11. "Connie's Dancers Criticised, Police Picket One Performance". New Pittsburgh Courier. 1926-11-13. p. 9. Retrieved 2026-02-19.
  12. "'Flashes of 1928' Tops D.C. Shows". The Afro-American. 1927-10-29. p. 7. Retrieved 2026-02-19 via Newspapers.com.
  13. "Stage Review: 'Sunflower South'". The Afro-American. 1929-05-04. p. 13. Retrieved 2026-02-19 via Newspapers.com.
  14. "Here and There with Bob Hayes". The Chicago Defender. 1929-05-18. p. 6. Retrieved 2026-02-19 via Newspapers.com.
  15. "Issie Ringgold advertisement". Evening star. 1930-03-03. p. 32. Retrieved 2026-02-19 via Newspapers.com.
  16. "Issie Ringgold Featured Over Mutual Circuit". The Chicago Defender. 1930-03-15. p. 10. Retrieved 2026-02-19 via Newspapers.com.
  17. "New Show at Parsons's Well Liked". Hartford Courant. 1933-01-24. p. 7. Retrieved 2026-02-19 via Newspapers.com.
  18. Jr, Bernard L. Peterson (1993-10-25). A Century of Musicals in Black and White: An Encyclopedia of Musical Stage Works By, About, or Involving African Americans. Bloomsbury Publishing USA. p. 202. ISBN 978-0-313-06454-8.
  19. Kellum, David W. (1939-03-11). "Backstage with the Scribe". The Chicago Defender. p. 19. Retrieved 2026-02-19 via Newspapers.com.
  20. Seals, Ernest (Baby) (1939-03-11). "Casino Theatre Presents Six Big Harlem Acts in Mixed Revue". New Journal and Guide. p. 19. Retrieved 2026-02-19 via Newspapers.com.
  21. "Hi Hat advertisement". The Bayonne Times. 1944-01-08. p. 10. Retrieved 2026-02-19 via Newsppers.com.
  22. "The Blues 1923-1933 (BBC Records), review". Herald Express. 1988-10-05. p. 35. Retrieved 2026-02-19 via Newspapers.com.
  23. Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas (2003). All Music Guide to the Blues: The Definitive Guide to the Blues. Hal Leonard Corporation. p. 644. ISBN 978-0-87930-736-3.
  24. "Issie Ringgold". Discogs. Archived from the original on 2021-02-18. Retrieved 2026-02-19.
[edit]