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Draft:Charles Bound

From Wikipedia, the free encyclopedia

Charles Bound

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Charles Bound
Charles Bound with Untitled (large plates). Welshpool, Powys, Wales. Photos: The Author
Born (1939-06-30) 30 June 1939 (age 87)
New York
EducationUnion College
Known forCeramic art, Sculpture
MovementAbstract ceramist

Charles Bound (b.1939) is a U.S. potter and artist resident in Welshpool, Powys, Wales. Born in New York City, he spent much of his life in Africa, before moving to England in 1983 and studying ceramics at Jacob Kramer Art College (now Leeds Arts University).[1] His work is found in the Fitzwilliam Museum, Cambridge, and the Sainsbury Centre for Visual Arts, Norwich.[2][3] Bound is represented by several commercial galleries including Contemporary Ceramics in London and Fire and Flux, Norwich.[4] Preferring ash glazes to slips, his pottery – non-functional vessels as well as expressive, sculptural forms -- are brown to black in hue, with other additional (accidental) color highlights.[5] His urns, amphora and bottles (some over three meters high) recall functional pottery made by women of the Gwari community in Nigeria as well as Japanese Tanba and Tsubo storage jars from the 14th Century.[6] The rusticity, imperfection and expressivity of his pottery thus engages the traditional mingei or folk aesthetic of wabi-sabi.[7]

In addition to vessel forms, Bound creates tall stelae, influenced he has said, by the American potter/sculptor Stephen De Staebler. Bound’s large plates or chargers recall similar forms by Peter Voulkos, the key figure in the California Clay Movement (American Clay Revolution), that pushed ceramics away from function and toward Abstract Expressionism and Art Informel.[7]

Charles Bound is also a painter. A selection of these works – all gestural abstractions -- were exhibited at Contemporary Ceramics in London in September 2024.[8]

References

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  1. Charles, Bound. "Official Website". Charles Bound. Retrieved 2026-08-12.{{cite web}}: CS1 maint: url-status (link)
  2. "Details for Bound, Charles: List of objects and artworks". The Fitzwilliam Museum, Cambridge. Retrieved 2026-08-12.
  3. "Vessel, Charles Bound". Sainsbury Centre. Retrieved 2026-08-12.{{cite web}}: CS1 maint: url-status (link)
  4. Jones, David (2027). "Marked by Fire – Wood Fire and Anagama". Firing: Philosophies Within Contemporary Ceramic Practice. Marlborough, Wiltshire: The Crowood Press. ISBN 9781861269355.
  5. Waller, Jane (2001). The Human Form in Clay. The Crowood Press. pp. 169–71.
  6. Hess, Andre (Jan–Feb 2024). "Know No Bounds". Ceramic Review. pp. 36–41.{{cite news}}: CS1 maint: date format (link)
  7. 1 2 Eisenman, Stephen F. (2026-06-30). "Art of the Formless". Ceramics Now.{{cite news}}: CS1 maint: url-status (link)
  8. "Official Website". Contemporary Ceramics. Retrieved 2026-08-12.
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Charles Bound “Comment: Getting It Right - Thoughts on just criticism”. Ceramic Review Issue 192. November/December 2001

Hess, Andre Hess “Knows No Bounds”. Ceramic Review Issue 325. January/February 2024

Stephen F. Eisenman “Art of the Formless: The Ceramics of Charles Bound”. Ceramics Now, July 30, 2026. Category:Potters Category:Living people