Catalina Berroa
Catalina Berroa Ojea (28 February 1849 – 23 November 1911) was a Cuban pianist, music teacher and composer. Cuba's first female conductor.[1] She was the first female conductor in Cuba and mastered seven instruments.
Life and career
[edit]Catalina Berroa was born in Trinidad, Las Villas, and studied with local teachers to master several instruments. She operated a music academy in Trinidad where she taught students including her nephew, pianist and composer Lico Jimenez.[citation needed] She also worked as organist in the Church of St. Francis of Assisi, and as organist and choir conductor of the Holy Trinity Church.[2]
Berroa played cello in a trio with Manuel Jimenez on violin and Ana Luisa Vivanco on piano. She also performed as violinist of the Brunet Theater orchestra.[3]
Works
[edit]Berroa composed songs, guarachas, hymns and liturgical and sacred music.[4] Selected works include:
- Song The Trinity, 1867
- Song, Song of Belisa and Josefa, 1902
- Condemned, The Talisman, Consciousness, The appeal, Rosa Gentile, all voice and guitar
- Guaracha Cerro De La Habana, cat's dinner
- Conchita March
- May Flowers Church Music, for horn and piano
- The Virgin of Cuba, for chorus
- Osalutaris, for voice and organ
- Save for two voices, for voice and organ
- Cecilia Waltz for piano and band
- The black Michael and Flowers, for piano
Her music has been recorded and issued on media, including:
- Vocal Recital: Provedo, Lucy - Palau, R.L./Sanchez, J.P./De Blanck, H./Anckermann, C./Aguero, G./Jimenez, J.M. (La Perla) Colibri CD-091
References
[edit]- ↑ "Catalina Berroa, primera directora de orquesta en Cuba". 30 November 2011. Archived from the original on 2019-12-08. Retrieved 2019-12-08.
- ↑ Sadie, Julie Anne; Samuel, Rhian (1994). The Norton/Grove dictionary of women composers. W. W. Norton & Company. ISBN 9780393034875. Retrieved 26 January 2011.
- ↑ Orovio, Helio (2004). Cuban music from A to Z.
- ↑ "Catalina Berroa". Archived from the original on 18 July 2011. Retrieved 26 January 2011.