Caroline Sawath

Caroline Sawath (mid 19th century) was a German composer of piano pieces.^[1]^[2]^[3]^[4]^[5]^[6] She performed in at least one concert in 1848 and taught at the Mitternast Piano School in Vienna from 1855 to 1863.^[7] Her compositions were published by H. F. Muller Witwe^[8] and by C. A. Spina.^[9]

Hofmeister (probably German music bibliographer Friedrich Hofmeister) listed 16 works composed by Sawath between 1853 and 1860.^[7] Her compositions for piano include:

Kleine Tonstucke, opus 9^[10]

Mailied, opus 16^[11]

Schafers Morgenlied Romanze, opus 3^[7]

Download Schafers Morgenlied Romanze opus 3 for piano by Caroline Sawath

References

↑ Cohen, Aaron I. (1987). International encyclopedia of women composers. 2: Sai - Zyb, Appendices (2. ed., revised and enl ed.). New York: Books & Music. p. 618. ISBN 978-0-9617485-1-7.
↑ Elson, Arthur (1903). Woman's Work in Music: Being an Account of Her Influence on the Art, in Ancient as Well as Modern Times; a Summary of Her Musical Compositions, in the Different Countries of the Civilized World; and an Estimate of Their Rank in Comparison with Those of Men. L.C. Page. p. 253.
↑ Laurence, Anya (1978). Women of Notes: 1,000 Women Composers Born Before 1900. New York: Richards Rosen Press Inc. p. 73.
↑ Stewart-Green, Miriam (1980). Women composers: A checklist of works for the solo voice. A reference publication in women's studies. Boston, Mass: Hall. p. 137. ISBN 978-0-8161-8498-9.
↑ Stern, Susan (1978). Women composers: a handbook. Metuchen London: the Scarecrow press. p. 147. ISBN 978-0-8108-1138-6.
↑ Wier, Albert E. (1938). The Macmillan Encyclopedia of Music and Musicians. New York: Macmillan Company. p. 1648.
1 2 3 "Sawath, Caroline". imslp.org. Retrieved 2023-07-02.
↑ "Caroline Sawath". lib.umich.edu. Retrieved 2023-07-02.
↑ "Spina". imslp.org. Retrieved 2023-07-02.
↑ "Das Wiedersehen". lib.umich.edu. Retrieved 2023-07-02.
↑ "Mailied". lib.umich.edu. Retrieved 2023-07-02.

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[1] Cohen, Aaron I. (1987). International encyclopedia of women composers. 2: Sai - Zyb, Appendices (2. ed., revised and enl ed.). New York: Books & Music. p. 618. ISBN 978-0-9617485-1-7.

[2] Elson, Arthur (1903). Woman's Work in Music: Being an Account of Her Influence on the Art, in Ancient as Well as Modern Times; a Summary of Her Musical Compositions, in the Different Countries of the Civilized World; and an Estimate of Their Rank in Comparison with Those of Men. L.C. Page. p. 253.

[3] Laurence, Anya (1978). Women of Notes: 1,000 Women Composers Born Before 1900. New York: Richards Rosen Press Inc. p. 73.

[4] Stewart-Green, Miriam (1980). Women composers: A checklist of works for the solo voice. A reference publication in women's studies. Boston, Mass: Hall. p. 137. ISBN 978-0-8161-8498-9.

[5] Stern, Susan (1978). Women composers: a handbook. Metuchen London: the Scarecrow press. p. 147. ISBN 978-0-8108-1138-6.

[6] Wier, Albert E. (1938). The Macmillan Encyclopedia of Music and Musicians. New York: Macmillan Company. p. 1648.

[:0-7] 1 2 3 "Sawath, Caroline". imslp.org. Retrieved 2023-07-02.

[8] "Caroline Sawath". lib.umich.edu. Retrieved 2023-07-02.

[9] "Spina". imslp.org. Retrieved 2023-07-02.

[10] "Das Wiedersehen". lib.umich.edu. Retrieved 2023-07-02.

[11] "Mailied". lib.umich.edu. Retrieved 2023-07-02.

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