9 Scripts from a Nation at War
| 9 Scripts from a Nation at War | |
|---|---|
| Artist |
|
| Year | 2007 |
| Medium | Ten-channel video installation |
| Subject | War |
| Location |
|
| Owner | MoMA |
| Accession | 12.2011.1-10 |
| Runtime | 8 hours, 53 minutes, 45 seconds |
9 Scripts from a Nation at War is a ten-channel video installation by Andrea Geyer, Sharon Hayes, Ashley Hunt, Katya Sander, and David Thorne.[1] The work focuses on the war on terror and the Iraq War and addresses the roles of language, speech, and subjectivity in war.[2] It features actors and interview subjects reading from various scripts drawn from Guantanamo military commission proceedings, interviews, and blog posts.[3]
9 Scripts was created for and first exhibited in 2007 at the documenta 12 art exhibition in Kassel, Germany.[4] It consists of ten videos with a total run time of 8 hours, 53 minutes, and 45 seconds.[1] It is shown across ten channels by video projection and speakers, and on individual screens built into seated displays with headphones.[5]
References
[edit]- 1 2 Bee et al. 2013, p. 363.
- ↑ Bee et al. 2013, p. 363; Derksen 2013, p. 73; White 2008, p. 102.
- ↑ Bee et al. 2013, p. 363; Derksen 2013, p. 73; McCarthy 2015, p. 179.
- ↑ Bee et al. 2013, p. 363; Derksen 2013, p. 73; White 2008, p. 101.
- ↑ Bee et al. 2013, p. 363; White 2008, p. 102.
Sources
[edit]- Bee, Harriet Schoenholz; Heliczer, Cassandra; McFadden, Sarah, eds. (2013). MoMA Highlights: 350 Works from the Museum of Modern Art, New York (3rd rev. ed.). New York: Museum of Modern Art. ISBN 978-0-87070-846-6.
- Derksen, Jeff (2013). "Ends of Culture". In Dobson, Kit; McGlynn, Áine (eds.). Transnationalism, Activism, Art. Toronto: University of Toronto Press. pp. 54–80. ISBN 978-1-4426-4319-2.
- McCarthy, David (2015). American Artists Against War, 1935–2010. Oakland, California: University of California Press. ISBN 978-0-520-28670-2.
- White, Ian (2008). "One Script for 9 Scripts from a Nation at War". Afterall (18): 100–107. doi:10.1086/aft.18.20711701 – via University of Chicago Press.
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