Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a410c68a0bbf7fd8

Jump to content

Tilang

From Wikipedia, the free encyclopedia

Tilang
ThaatKhamaj[1]
TypeAudava-Audava[1]
Time of day2nd Prahar of the night[1]
ArohanaS G M P N Ṡ[1]
AvarohanaS Ṉ P M G S[1]
VadiG[1]
SamavadiN[1]
SimilarJog

Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat.[2][1][3]

Scale

[edit]

This raga has a lowered seventh, Ṉ (Hindi: कोमल नी, romanized: komala nī) in the descending scale.[2][1]

Its defining characteristics are: P Ṡ N Ṡ Ṉ P, P Ṡ N Ṡ P Ṉ P. Some performers add a Re to create the following pattern: Ṡ Ṙ N Ṡ P Ṉ P.

Vādī and Samvādī

[edit]

In Carnatic music

[edit]

This raga originated in Hindustani classical music and has been taken into Carnatic music.[4] It is derived from the 28th Melakarta (parent scale) Harikambhoji.[4] It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure.[5]

Scale similarities

[edit]
  • Gambhiranata raga is a symmetrical Carnatic raga with N3 (Kakali Niṣāda) in both ascending and descending scales,[2] while Tilang uses Kaisiki Niṣāda (N2) in descending scale.
  • Savitri raga is a symmetrical Carnatic raga with N2 (Kaisiki Niṣāda) in both ascending and descending scales,[2] while Tilang uses Kakali Niṣāda (N3) in ascending scale.

Tilang therefore has the Arohana (ascending scale) of Gambhiranata, and Avrohana (descending scale) of Savitri.[2]

Notes

[edit]
  1. ↑ Alternate notations:
    • Hindustani: S G M P N Ṡ
    • Western: C E F G B C
  2. ↑ Alternate notations:
    • Hindustani: Ṡ Ṉ P G S
    • Western: C B♭ G F E C

References

[edit]
  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 "Raag Tilang – Indian Classical Music – Tanarang.com". www.tanarang.com. 8 January 2024.
  2. 1 2 3 4 5 6 7 Rao, B.Subba (1996). Raganidhi: A Comparative Study Of Hindustani And Karnatak Ragas. Volume Four (Q to Z). Madras: The Music Academy. pp. 181–182.
  3. ↑ Singha, H.S. (2000). The Encyclopedia of Sikhism (over 1000 Entries). Hemkunt Publishers. p. 10. ISBN 978-81-7010-301-1. Retrieved 26 May 2021.
  4. 1 2 Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  5. ↑ Katz, J. (1992). The Traditional Indian Theory and Practice of Music and Dance. Panels of the VIIth World Sanskrit Conference / World Sanskrit Conference 7, 1987, Leiden: Panels of the VIIth World Sanskrit Conference. E.J. Brill. p. 19. ISBN 978-90-04-09715-5. Retrieved 27 May 2021.