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Latest comment: 19 days ago by WomenArtistUpdates in topic Possible AI generated writing

Untitled

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Hey!

Bio: Very informative and precise. The citations/links worked and the sources support the claims in the article.

Education: Straight to the point and informative.

Artworks: Very descriptive and explicit without actually observing the artwork. All the sources worked, and the artwork appeared in each link. All the artwork appeared to come from the same source- was there alternative art created by Rodriguez through other sources?

Exhibitions: Good job on the research portion, there's a relevant amount of exhibitions she was involved in.

Awards: Commendable research on her awards.

Publications: Sources were reliable.

Viewpoints are represented without bias, all of the information was very clear and concise. All sources were reliable sources and were relevant to the claims written in the article. The sources are neutral sources simply reporting the artwork of Rodriguez. The article is relevant, non-biased, and the information is current and up to date.

Suggestions: I recommend that you expand on Codex- it seemed really important to her art work in the sources, along with being an important part of her progress as a women artist. Also, her Mexican and Latino community is described as a relevant motivation for her artwork, and how her history and colonization of her ancestors pushed her to create her style of art. Her inspirations and motivations surrounding her art are very critical in her art.

Beckstellez (talk) Rebecca Tellez.

Wiki Education assignment: Latinx Art and Activism

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Latest comment: 1 year ago1 comment1 person in discussion

This article was the subject of a Wiki Education Foundation-supported course assignment, between 28 August 2024 and 11 December 2024. Further details are available on the course page. Student editor(s): EldenLords (article contribs).

— Assignment last updated by Fluffsinfosheet (talk) 19:04, 6 October 2024 (UTC)Reply

Wiki Education assignment: Chicana Latina Art and Artists

[edit]
Latest comment: 1 year ago1 comment1 person in discussion

This article was the subject of a Wiki Education Foundation-supported course assignment, between 7 January 2025 and 22 March 2025. Further details are available on the course page. Student editor(s): Kasenk05 (article contribs).

— Assignment last updated by Kasenk05 (talk) 02:56, 19 March 2025 (UTC)Reply

Possible AI generated writing

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Latest comment: 19 days ago2 comments2 people in discussion

Concerns were raised previously via tag about AI-generated content in this article, which is prohibited per WP:NOLLM. This is a procedural talk page section to discuss it. There is no need to ping me in response. Read WP:AISIGNS for more information for why this is tagged; however, note that fixing the issue requires more than just changing the superficial signs.

Details: Special:Diff/1251904827 almost certainly, the 2023 addition is sus as well Gnomingstuff (talk) 15:37, 29 June 2026 (UTC)Reply

  • Hi Gnomingstuff, Wow, This artist has been included in several classes, with more malarkey added each time! I think I may have removed the LLM stuff because I really trimmed it down and did some rearranging. If you have a moment, could you run it through your AI detector :) Thanks. --WomenArtistUpdates (talk) 01:06, 22 July 2026 (UTC)Reply

moved CV material off main space

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Latest comment: 20 days ago1 comment1 person in discussion

Way too much information for an emerging artist. --WomenArtistUpdates (talk) 23:20, 21 July 2026 (UTC)Reply

Further reading

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  • García, Carmen. "Sandy Rodriguez's Maps of Survival: Documenting Indigenous Knowledge." Artforum, November 10, 2021.
  • Latorre, Guisela. "Indigenous Cartographies and the Politics of Representation in Sandy Rodriguez's Art." Chicana/Latina Studies 19, no. 2 (2020): 45-65.
  • Sandy Rodriguez: You Will Not Be Forgotten. Los Angeles: Los Angeles County Museum of Art, 2019.
  • Simpson, Jennifer. Art and Activism: Contemporary Indigenous Voices in American Art. Albuquerque: University of New Mexico Press, 2021.
  • Montoya, Daniel. "Sandy Rodriguez: Visualizing Histories of Resistance in Southern California." Latin American and Latinx Visual Culture 3, no. 1 (2022): 55-74.
  • Pérez, Laura E. "Decolonial Aesthetics in the Work of Sandy Rodriguez." Latinx Spaces, March 15, 2020. https://www.latinxspaces.com.
  • Diaz, Ella Maria. “The Art of Telling: Toward a Genealogy of Testimoniadoras”. Label Me Latina/o 13 (Spring 2023): 1-20.
  • Leibsohn, Dana. "Foreword". Colonial Latin American Review 31.4 (December 2022): 475-78.
  • Hsu, Husan. L, & Vázquez, David. J. “The Materials of Art and the Legacies of Colonization: A Conversation with Beatrice Glow and Sandy Rodriguez”. Journal of Transnational American Studies (2022) 13.1.[1]
  • Diaz, Ella Maria. “Exhibition review: Traitor, survivor, icon: The legacy of La Malinche”. Latino Studies (November 2022).[2]
  • Martin, Deborah. “Things to know about 'The Legacy of Malinche," the San Antonio Museum of Art's big fall exhibit”. San Antonio Express News. October 12, 2022.[3]
  • Stromberg, Matt. “A new dawn: the Huntington makes progress”. Apollo. July/August 2022.
  • Miranda, Carolina A. “She's been branded a traitor. A new exhibition says Mexican icon Malinche was anything but”. Los Angeles Times. May 3, 2022.[4]
  • Escalante-De Mattei, Shanti. “LACMA Exhibits Subvert the Totalizing Myths of Colonial Conquest”. ARTNews. February 18, 2022.
  • Loic, Erika.  “The Once and Future Histories of the Book: Decolonial Interventions into the Codex, Chronicle, and Khipu”. Latin American and Latinx Visual Culture 4.1 (2022): 9-26.[5]
  • Green, Tyler. "Interview: Sandy Rodriguez, In American Waters". Modern Art Notes podcast.  Jan 13, 2022. Episode 532.
  • Knight, Christopher (2021-12-28). "Review: The conquered rather than the conquerors are given the stage in LACMA's two new 'Mixpantli' exhibits". Los Angeles Times. Retrieved 2023-01-19.
  • "Sandy Rodriguez unveils new pandemic-inspired works on paper in exhibition at the Amon Carter Museum of American Art". Artdaily. December 18, 2021. Retrieved 2023-01-19.
  • Mitter, Siddhartha (2021-09-14). "Seeking Art That Expands the Possibilities for a Troubled World". The New York Times. ISSN 0362-4331. Retrieved 2023-01-19.
  • Longazel, Jaimie and Miranda Cady Hallett, eds. Mortality: Social Death, Dispossession, and Survival in the Americas. Philadelphia: Temple University Press, 2021.[6]
  • Hubber, Laura. “Sandy Rodriguez: When art, geography and politics collide”. BBC World Service. October 2021.[7]
  • Travers, Julia. “You Will Not Be Forgotten: Artist Sandy Rodriguez Calls Us to Witness and Act”. IMM-PRINT. May 4, 2020.[8]
  • Miranda, Carolina A. “Experimentation. Reflection. Wild ensembles. Photos show 5 L.A. artists working under quarantine”. Los Angeles Times. April 3, 2020.[9]
  • Miranda, Carolina A. “How a vital record of Mexican indigenous life was created under quarantine”. Los Angeles Times. March 6, 2020.[10]
  • Soto, Daniel. “A Remarkable Project Remembers Child Migrants Who Died in Custody”. Hyperallergic. March 3, 2020.[11]
  • Cohen-Aponte, Ananda, and Ella Maria Diaz. “Painting Prophecy: Mapping a Polyphonic Chicana Codex Tradition in the Twenty-First Century”. English Language Notes (2019) 57 (2): 22–42.[12]
  • Trujillo, Maria (2019-11-10). "Sandy Rodriguez: an artist honoring the land and confronting immigration". Art Critique. Retrieved 2023-01-19.
  • Villaseñor-Black, Charlene. “Art and Migration”. Aztlan: A Journal of Chicano Studies 44, no. 1 (2019): 1–16.
  • Miranda, Carolina A. (December 2, 2018). "How artist Sandy Rodriguez tells today's fraught immigration story with pre-Columbian painting tools". Los Angeles Times. Retrieved 2023-01-19.
  • "Exploring Boundaries with HERE – A Group Show at LA Municipal Art Gallery". Art and Cake. 2018-12-13. Archived from the original on Mar 24, 2023. Retrieved June 11, 2023.

Awards and honors

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  • 2023, Jacob Lawrence Award, American Academy of Arts and Letters
  • 2023, Hermitage Greenfield Prize, Hermitage Art Retreat, Florida [13]
  • 2022, Mapping the Early Modern World, an NEH summer institute, Newberry Library, Chicago, IL [withdrew]
  • 2021, Migrations initiative, Mellon Foundation Just Futures Initiative and Global Cornell [14]
  • 2021, Creative Capital Award 2021-2024 [15]
  • 2020, Caltech-Huntington Art + Research Residency, California Institute of Technology (Caltech) and The Huntington Library, Art Museum, and Botanical Gardens, Los Angeles, CA [16]
  • 2020, Alma Ruiz Artist Fellowship, Joshua Tree Highlands Artist Residency, Joshua Tree, CA [17]
  • 2019, City of Los Angeles (COLA) Master Artist Fellow, Department of Cultural Affairs, Los Angeles, CA [18]
  • 2018, National Recognition to the Best in Public Art Projects Annually, Public Art Network Year in Review, American for the Arts, New York, NY [19]
  • 2017, Trailblazer Award, Department of Cultural Affairs, City of Los Angeles, CA
  • 2017, Artist-in-Residence, Los Angeles County Arts Commission's Civic Art [20]
  • 2016, Program, Martin Luther King Jr. Community Hospital, Recuperative Care Center (RCC), Los Angeles, CA
  • 2014-2015, Artist-in-Residence, Art+Practice, Los Angeles, CA[21]

Publications, including exhibition catalogs

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  • Rodriguez, Sandy, and Laura Ortman. “Where Process Meets Sensorium”. New Suns 4 (2022).[22]
  • Lyall, Victoria I., and Terezita Romo, eds. Traitor, Survivor, Icon: The Legacy of La Malinche and the Conquest of Mexico. [Exhibition catalog]. New Haven and London: Yale University Press, 2021.
  • Lyall, Victoria I., and Jorge F. Rivas, eds. ReVisión: A new look at Art in the Americas [in conjunction with exhibition]. Munich: Hirmer, 2021.
  • Magaloni Kerpel, Diana. COLA 2019 Individual Artist Fellowships. [Exhibition catalog]. Los Angeles, 2019: 68-73.
  • Rodriguez, Sandy; texts by Diana Magaloni Kerpel and Anuradha Vikram. Sandy Rodriguez: You Will Not Be Forgotten. [Exhibition catalog]. Los Angeles, 2019.
  • Wingate, Timothy, ed.; texts by Ananda Cohen-Aponte, Ella Maria Diaz, Charlene Villaseñor Black, and Adolfo Guzman-Lopez. Sandy Rodriguez: Codex Rodriguez-Mondragón. [Exhibition catalog]. Riverside, CA: Riverside Art Museum, 2018.
  • Rodriguez, Sandy. “Artist's Communiqué: Keeping the Home Fires Burning”. Aztlán: A Journal of Chicano Studies. (Fall 2017) 42 (2): 287-300.[23]
  • Rodriguez, Sandy and Isabelle Lutterodt. “Studio75: A Place We Call Home: East of La Cienega and South of Stocker”. Los Angeles County Arts Commission, Some Place Chronicles, Los Angeles, CA.[24]

References

  1. ↑ Hsu, Hsuan L.; Vázquez, David J. (2022). "The Materials of Art and the Legacies of Colonization: A Conversation with Beatrice Glow and Sandy Rodriguez". Journal of Transnational American Studies. 13 (1). doi:10.5070/T813158585. S2CID 251856198.
  2. ↑ Diaz, Ella Maria (2022-11-29). "Traitor, survivor, icon: The legacy of La Malinche". Latino Studies. doi:10.1057/s41276-022-00395-y. ISSN 1476-3443. S2CID 254353353.
  3. ↑ Martin, Deborah (2022-10-12). "Things to know about the San Antonio Museum of Art's big La Malinche exhibit". San Antonio Express-News. Retrieved 2023-01-19.
  4. ↑ "She's been branded a traitor. A Denver exhibition says Malinche was anything but". Los Angeles Times. 2022-05-03. Retrieved 2023-01-19.
  5. ↑ Loic, Erika (1 January 2022). "The Once and Future Histories of the Book". online.ucpress.edu. Latin American and Latinx Visual Culture. pp. 9–26. doi:10.1525/lavc.2022.4.1.9. Archived from the original on February 10, 2022. Retrieved 11 June 2023.
  6. ↑ "Temple University Press". tupress.temple.edu. Retrieved 2023-01-19.
  7. ↑ "BBC World Service - In the Studio, Sandy Rodriguez: When art, geography and politics collide". BBC. Archived from the original on August 14, 2022. Retrieved 2023-01-19.
  8. ↑ "You Will Not Be Forgotten: Artist Sandy Rodriguez Calls Us to Witness and Act". IMM Print. 2020-05-04. Retrieved 2023-01-19.
  9. ↑ "Experimentation. Reflection. Wild ensembles. Photos show 5 L.A. artists working under quarantine". Los Angeles Times. 2020-04-03. Retrieved 2023-01-19.
  10. ↑ Miranda, Carolina A. (2020-03-26). "How a vital record of Mexican indigenous life was created under quarantine". Los Angeles Times. Archived from the original on Jan 19, 2023. Retrieved June 11, 2023.
  11. ↑ Soto, Daniel (2020-03-03). "A Remarkable Project Remembers Child Migrants Who Died in Custody". Hyperallergic. Retrieved 2023-01-19.
  12. ↑ Cohen-Aponte, Ananda; Diaz, Ella Maria (1 October 2019). Mallipeddi, Ramesh; Silva, Cristobal (eds.). "Painting Prophecy". English Language Notes. 57 (2): 22–42. doi:10.1215/00138282-7716125. Archived from the original on Nov 10, 2021. Retrieved 11 June 2023.
  13. ↑ "Hermitage Retreat unveils two Greenfield Prize commissions for 15th anniversary". Sarasota Herald-Tribune. Retrieved 2023-01-19.
  14. ↑ Eicher, Aimee; LaHaye, Roman (2022-04-24). "Artist and Researcher Sandy Rodriguez to Give Keynote Presentation". The Cornell Daily Sun. Retrieved 2023-01-19.
  15. ↑ "Book 13: After the Conquest – Codex Rodriguez Mondragon". Creative Capital. Retrieved 2023-01-19.
  16. ↑ "Earth Tones". Division of the Humanities and Social Sciences. 2021-01-27. Retrieved 2023-01-19.
  17. ↑ "The Alma Ruiz Artist Fellowship". JOSHUA TREE HIGHLANDS ARTIST RESIDENCY. Retrieved 2023-01-19.
  18. ↑ "LAMAGLearnTête-à-Tête with Fran Siegel and Sandy RodriguezSaturday, December 15 from 1:30 – 3:30 PM – Los Angeles Municipal Art Gallery". Retrieved 2023-01-19.
  19. ↑ "Martin Luther King Junior, Recuperative Care Center Project". Americans for the Arts. 2019-05-15. Retrieved 2023-01-19.
  20. ↑ "Artist in Residence at MLK Hospital: Evaluation and Lessons Learned". LA County Department of Arts and Culture. 2017-12-26. Retrieved 2023-01-19.
  21. ↑ "IN CONVERSATION: SANDY RODRIGUEZ AND ISABELLE LUTTERODT – Art + Practice". Retrieved 2023-01-19.
  22. ↑ "Sandy Rodriguez & Laura Ortman - Where Process Meets Sensorium". New Suns. 2022-02-16. Retrieved 2023-01-19.
  23. ↑ Sandy, Rodriguez (15 September 2017). "Keeping the Home Fires Burning". Aztlán: A Journal of Chicano Studies. 42 (2): 287–300. Retrieved 2023-01-19.
  24. ↑ "Los Angeles Neighborhoods in Transition: Some Place Chronicles Explore the Past and Present of Unincorporated South LA". CalArts. Retrieved 2019-04-29.
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