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// Workers AI · dad joke modeWho did Carol MacClintock take to the dance? A mac to match her clintock.

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Carol MacClintock
Born(1910-11-19)November 19, 1910
St. Joseph, Missouri, U.S.
DiedJanuary 3, 1989(1989-01-03) (aged 78)
Bloomington, Indiana, U.S.
Occupations
  • Musicologist
  • editor
  • classical singer
AwardsGuggenheim Fellowship (1962)
Academic background
Alma mater
ThesisThe Five-Part Madrigals of Giaches de Wert (1955)
Willi Apel
Academic work
DisciplineMusicology
Sub-discipline
Italian renaissance music
Institutions

Mildred Carol Cook MacClintock (née Cook; November 19, 1910 – January 3, 1989) was an American musicologist and editor. Originally a soprano singer trained at Juilliard School, she had a decades-long career as a music professor, including at the Indiana University School of Music, Southern Illinois University, University of Cincinnati – College-Conservatory of Music. A 1962 Guggenheim Fellow, she published edited collections of Italian renaissance music, including the work of Flemish composer Giaches de Wert, and she published in musicology and was a widely-known expert in de Wert.

Biography

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Early life

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Mildred Carol Cook[1] was born on November 19, 1910, in St. Joseph, Missouri,[2] daughter of Ernest Farnham Cook.[3] Originally studying music, she studied at the University of Chicago (1928–1930), before obtaining her BMus at the University of Illinois Urbana-Champaign in 1932 and her MMus at the University of Kansas in 1935.[4] She also spent some time abroad studying music, including at the American Conservatory, as well as at Juilliard School.[4][2] Among her piano teachers were Coenraad V. Bos, Robert Casadesus, and Camille Decreus, and Lucien Muratore taught her in singing.[2]

She originally had a career as a classical singer, particularly as a soprano, and she performed at concerts at the premises of Southern Illinois University.[5][6][7][8][9][10][11] She also presented song recitals at SIU.[12][13]

Teaching career

[edit]

She worked as a professor of music at Colorado Women's College (1936–1940) and Stephens College (1940–1941), before working as a music instructor at the University of Illinois (1941–1944) and, beginning in 1944, Indiana University Bloomington,[4] particularly at the School of Music.[14] She was promoted to assistant professor in 1946,[4] before moving to Southern Illinois University in 1959,[5] where she became associate professor of music.[4][2]

In 1964, she moved to the University of Cincinnati – College-Conservatory of Music as associate professor of music,[15] where she also worked as the director of UC's Collegium Museum.[16] Other activities she assisted in at UC included the inception of their music doctoral program.[2] She was a visiting professor at the Stanford University Department of Music during the 1968–1969 academic year,[17] and she also returned to IU sometimes as a lecturer.[4] She was also a member of Sigma Alpha Iota.[3] In 1976, she retired from UC and became professor emeritus.[18]

Musicological and editing career

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She obtained her PhD in musicology from Indiana University School of Music in 1955; her doctoral dissertation, The Five-Part Madrigals of Giaches de Wert, was supervised by Willi Apel.[2][19] In 1962,[20] she was appointed a Guggenheim Fellow to do research on Giaches de Wert,[4] which she did as part of a research trip in Europe.[21] In 1966, she published Giaches de Wert (1535-1596), Life and Works, a monograph on de Wert.[22] By 1976, she was widely known as an expert on de Wert.[18] In 1979, she published Readings in the History of Music in Performance, an edited collection on the history of musical performance.[23]

In 1959, she edited Musica Liturgica's version of Paolo Isnardi's Missa Angelus Domini.[24] She and Melvin Bernstein co-edited seventeen volumes featuring Giaches de Wert music from 1961 to 1977.[25] In 1965, she edited The Bottegari Lutebook, the Wellesley Edition's eighth volume, featuring Italian renaissance music, particularly from Cosimo Bottegari.[26] She transcribed De Wert's music for Music from the Court of Mantua, a classical album released from Vanguard Records.[27][28] In 1970, one sheet music collection she edited was published by Karl Heinrich Möseler Verlag [de].[29] In 1973, she published an edited collection of solo music called The Solo Song: 1580-1730.[30]

She transcribed and edited Daniel Purcell's score of The Judgment of Paris, which she had originally discovered during a visit to the British Museum,[31] for that work's first performance since 1701; reportedly one of the first in English, it occurred at UC's Patricia Corbett Theater on May 20, 1973.[32][14]

Personal life and death

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On March 18, 1945, she married Lander MacClintock, a French professor at Indiana University Bloomington.[3] Her husband died on February 16, 1980,[33] while MacClintock herself died on January 3, 1989 in Bloomington, Indiana.[2]

Bibliography

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References

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  1. ↑ McDonald, Edwin W. (September 3, 1961). "Symphony Begins Weekly Practice Monday, Sept. 11". St. Joseph News-Press. p. 6O – via Newspapers.com.
  2. 1 2 3 4 5 6 7 Parisi, Susan. "MacClintock, Carol Cook". MGG Online. Retrieved February 6, 2025.
  3. 1 2 3 "Miss Carol Cook, Dr. MacClintock". The Evening Courier. March 23, 1945. p. 4 – via Newspapers.com.
  4. 1 2 3 4 5 6 7 Reports of the President and the Treasurer. John Simon Guggenheim Memorial Foundation. 1961. p. 124. Archived from the original on September 16, 2024. Retrieved February 7, 2025.
  5. 1 2 "New SIU Lecturer to Give Recital". Southern Illinoisan. October 22, 1959. p. 3 – via Newspapers.com.
  6. ↑ "Jarvis Sings In SIU Concert". The De Soto Press. December 7, 1959. p. 5 – via Newspapers.com.
  7. ↑ "Christmas Concert At SIU Sunday". Southern Illinoisan. December 4, 1959. p. 3 – via Newspapers.com.
  8. ↑ "Area Oratorio Society Plans Concert Sunday". Southern Illinoisan. March 10, 1960. p. 9 – via Newspapers.com.
  9. ↑ Ades, John I. (April 2, 1960). "A Few Brave the Weather To Hear Miss MacClintock". Alton Evening Telegraph. p. 2 – via Newspapers.com.
  10. ↑ "Christmas Oratorio Set Sunday At SIU". Southern Illinoisan. December 1, 1960. p. 2 – via Newspapers.com.
  11. ↑ "Homemade Harpsichord In SIU Christmas Concert". The Edwardsville Intelligencer. November 25, 1961. p. 5 – via Newspapers.com.
  12. ↑ "Carol MacClintock Recital Friday". St. Louis Globe-Democrat. March 29, 1960. p. 4A – via Newspapers.com.
  13. ↑ "Song Recital Scheduled At Local SIU Campus". Alton Evening Telegraph. March 31, 1960. p. 20 – via Newspapers.com.
  14. 1 2 "Carol MacClintock dies; had been on IU music faculty". The Indianapolis Star. January 4, 1989. p. C3 – via Newspapers.com.
  15. ↑ "Author Joins Music Faculty". The Cincinnati Post. June 23, 1964. p. 24 – via Newspapers.com.
  16. ↑ "UC 'Collegium'". The Cincinnati Enquirer. May 20, 1967. p. 25 – via Newspapers.com.
  17. ↑ "Big changes slated in music school at Stanford". Palo Alto Times. August 23, 1968. p. 14 – via Newspapers.com.
  18. 1 2 Malitz, Nancy (June 5, 1976). "Musicologist MacClintock Honored On Retirement". The Cincinnati Enquirer. p. B10.
  19. ↑ "Carol Cook MacClintock: The Five-Part Madrigals of Giaches de Wert". Doctoral Dissertations in Musicology. American Musicological Society. Archived from the original on July 8, 2024. Retrieved February 6, 2025.
  20. ↑ "Carol Cook MacClintock". Archived from the original on March 27, 2025. Retrieved February 6, 2025.
  21. ↑ "Tribute to Local Composers". St. Joseph News-Press. November 3, 1965. p. 15A – via Newspapers.com.
  22. 1 2 Steinhardt, Milton (1967). "Review of Giaches de Wert (1535–1596), Life and Works". The Musical Quarterly. 53 (4): 585–589. ISSN 0027-4631. JSTOR 741235.
  23. 1 2 Pruett, James W. (1980). "Review of Music Through Sources and Documents; Readings in the History of Music in Performance". Notes. 36 (4): 892–893. doi:10.2307/939755. ISSN 0027-4380. JSTOR 939755.
  24. ↑ Tangeman, Robert (1963). "Review of Missa Sine Nomine, for Five Equal Voices; Missa Angelus Domini. SATTB; Missa pro defunctis, Robert J. Snow; Missa pro defunctis. From the Valladolid Codex. Mixed Voices, a cappella, Marie Sagues, Sr.; Musica in introitus missarum (Nos. 1–4 & 5–8), Robert J. Snow; Hinnario secondo l'vso della chiesa Romana et Fiorentina (Nos. 1–5 & 6–10); Passio Jesu Christi secundum Joannem". Notes. 20 (2): 312–315. doi:10.2307/894760. ISSN 0027-4380. JSTOR 894760.
  25. ↑ "Publications 2024: Medieval, Renaissance, and Baroque Music" (PDF). American Institute of Musicology. Retrieved February 8, 2025.
  26. 1 2 Porter, William V. (April 1, 1967). "Review: 'The Bottegari Lutebook' by Carol MacClintock". Journal of the American Musicological Society. 20 (1): 126–131. doi:10.2307/830460. ISSN 0003-0139. JSTOR 830460. Archived from the original on August 1, 2021. Retrieved February 7, 2025.
  27. ↑ Henahan, Donal. "In 1600, Revolution Was in the Air". New York Times. p. 89. ProQuest 118851974.
  28. ↑ McDonald, Edwin W. (February 7, 1971). "Research by Musicologist From Here Draws Praise". St. Joseph News-Press. p. 9C – via Newspapers.com.
  29. 1 2 C., J. A. (1972). "Review of Vier Madrigale und drei Kanzonetten". Music & Letters. 53 (2): 223. ISSN 0027-4224. JSTOR 733640.
  30. 1 2 McClelland, Louise (1973). "Review of The Solo Song, 1580–1730". American Music Teacher. 22 (6): 45. ISSN 0003-0112. JSTOR 43534224.
  31. ↑ Krebs, Betty Dietz. "Young Musicians 'Dig' an Ancient Opera". Dayton Daily News. p. 14 – via Newspapers.com.
  32. ↑ Hughes, Allen (May 22, 1973). "After 272 Years, an Opera Is Revived". New York Times. p. 46. ProQuest 119887194.
  33. ↑ "Memorial Resolution: Lander MacClintock October 31, 1889 – February 16, 1980)". Indiana University Bloomington Faculty Council Minutes. Retrieved February 8, 2025.
  34. ↑ Bridgman, Nanie (1966). "Review of The Bottegari Lutebook". Revue de Musicologie. 52 (2): 251–253. doi:10.2307/927592. ISSN 0035-1601. JSTOR 927592.
  35. ↑ L., D. (1967). "Review of The Bottegari Lutebook". Music & Letters. 48 (2): 170. ISSN 0027-4224. JSTOR 731647.
  36. ↑ Poulton, Diana (1966). MacClintock, Carol (ed.). "Bottegari". The Musical Times. 107 (1482): 704. doi:10.2307/953145. ISSN 0027-4666. JSTOR 953145.
  37. ↑ Radke, Hans (1968). "Review of The Bottegari Lutebook (The Wellesley Edition. 8)". Die Musikforschung. 21 (1): 135–136. ISSN 0027-4801. JSTOR 41106998.
  38. ↑ Sutton, Julia (1969). "Review of Preludes, Chansons, and Dances for Lute; The Bottegari Lutebook". Notes. 25 (3): 579–582. doi:10.2307/895376. ISSN 0027-4380. JSTOR 895376.
  39. ↑ Gallico, Claudio (1969). "Review of Giaches De Wert (1535–1596). Life and Works, (Musicological Studies and Documents 17)". Rivista Italiana di Musicologia. 4: 141–142. ISSN 0035-6867. JSTOR 24315876.
  40. ↑ Brenner, Daniel Josef (1976). "Review of 'The Solo Song: 1580–1730, A Norton Anthology'". The Choral Journal. 16 (9): 34–35. ISSN 0009-5028. JSTOR 23544857.
  41. ↑ Donington, Robert (1980). "Review of Readings in the History of Music in Performance". Early Music. 8 (3): 383–387. ISSN 0306-1078. JSTOR 3126244.
  42. ↑ D.Z.K. (1981). "Review of Readings in the History of Music in Performance". American Music Teacher. 30 (5): 48–49. ISSN 0003-0112. JSTOR 43538433.
  43. ↑ Paine, Gordon (1982). "Review of Readings in the History of Music in Performance". The Choral Journal. 22 (5): 35–38. ISSN 0009-5028. JSTOR 24315876.
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