Edge Rewrite
// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a28d6042b951b7b5

Jump to content

Tapfuma Gutsa

From Wikipedia, the free encyclopedia
Tapfuma Gutsa
Born1956 (age 6970)
CitizenshipZimbabwe
Alma materCity and Guilds of London Art School
Occupationssculptor, installation artist
Era1985 - 2011
Websitehttp://www.tapfumagutsa.com/

Genesis by Tapfuma Gutsa (2010)

Tapfuma Gutsa (born 1956) is a Zimbabwean stone sculptor.[1][2][3]

Background

[edit]

A native of Harare, Gutsa studied sculpture with Cornelius Manguma at the Driefontein Mission School,[4] later becoming the first Zimbabwean recipient of a British Council award. His sculptures draw on Shona cultural traditions as well as Western influences, such as Pablo Picasso.[5] The scholarship allowed him to study in London from 1982 until 1985, where he received a diploma in sculpture from City and Guilds of London Art School.[6][7]

Gutsa is unusual among Zimbabwean stone sculptors for the breadth of materials he uses in his work; his sculptures incorporate metal, paper, wood, and other foreign materials.[8][9][10] His winning sculpture at the Nedlaw exhibition, 1987, comprised smouldering grass engulfing a wooden bird.[11] He is the cousin of Dominic Benhura, who studied with him.[citation needed]

In 2007, Gutsa was one of eleven international artists commissioned by the Victoria and Albert Museum, London, to produce work for an exhibition titled 'Uncomfortable Truths: The Shadow of Slave Trading on Contemporary Art'.[12][13]

Awards

[edit]
  • 1987 Nedlaw award for sculpture, National Gallery of Zimbabwe[11]

See also

[edit]

References

[edit]
  1. Mawdsley, Joceline (1994). Zimbabwe stone sculpture: the second generation. Harare, Zimbabwe: Chapungu Sculpture Park.
  2. Stanislaus, Grace (1992). "Frozen spirit: Zimbabwean stone sculpture". Sculpture. 11 (1). Washington, DC: 44–47.
  3. Sultan, Olivier (1992). Life in stone: Zimbabwean sculpture; birth of a contemporary art form. Harare, Zimbabwe: Baobab Books.
  4. Marunya, Kundai (9 January 2015). "Meet Visual Artist, Tapfuma Gutsa". Harare News. Archived from the original on 4 November 2021. Retrieved 19 November 2018.
  5. Appiah, Anthony; Gates, Henry Louis (2010). Encyclopedia of Africa, Volume 2. Oxford University Press. p. 545. ISBN 9780195337709. Retrieved 19 November 2018.
  6. Winter-Irving, Celia (1991). Stone sculpture in Zimbabwe: context, content and form. Harare: Roblaw Publishers.
  7. Morton, Elizabeth (2013). "Patron and Artist in Zimbabwean Art". In Salami, Gitti; Visona, Monica Blackmun (eds.). A Companion to Modern African Art (Blackwell Companions to Art History). John Wiley & Sons. pp. 248–251. ISBN 9781444338379.
  8. Contemporary art in Zimbabwe. Amsterdam: Artoteek Amsterdam Zuidoost. 1998.
  9. Cousins, Jane (1991). "The making of Zimbabwean sculpture". Third Text; Third World Perspectives on Contemporary Art and Culture (13): 31–42.
  10. Chikukwa, Raphael (2005). Visions of Zimbabwe. Manchester: Manchester Art Gallery.
  11. 1 2 Zimbabwe heritage 1987. Harare, Zimbabwe: National Gallery of Zimbabwe. 1987.
  12. Whitley, Zoe (2007). "'Uncomfortable Truths', installation by various artists". Victoria and Albert Museum. Retrieved 19 November 2018.
  13. Guchu, Wonder (5 June 2007). "Zimbabwe: Gutsa in Slave Trade Exhibition". Zimbabwe Herald. Harare. Retrieved 19 November 2018.
[edit]
  • Bio
  • Tapfuma Gutsa biography on Artnet