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Talk:Daniel Kramer

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**Request to add post-2019 directing credits (sourced)**

[edit]

> I am Daniel Kramer, the subject of this article, and following Wikipedia's conflict-of-interest guidance I'm proposing sourced additions here rather than editing the article directly. The current "Career" section ends around my time at ENO (2016–2019) and does not reflect several major productions since. I've listed each with independent published sources below. I'd be grateful if an editor could review and add whatever is appropriate.


> Since leaving ENO, Kramer has directed a number of large-scale international productions. In 2018 he directed the UK premiere staging of Benjamin Britten's *War Requiem* at ENO, with designs by Turner Prize-winning artist Wolfgang Tillmans — Tillmans' first work as an opera designer — later revived at the Gran Teatre del Liceu, Barcelona, in 2021.[1][2][3] In 2022 he directed a new production of Puccini's *Turandot* for the Grand Théâtre de Genève, with scenography by the art collective teamLab in their first opera design credit, subsequently presented at Tokyo Bunka Kaikan in 2023.[4][5][6] In 2023 he directed Korngold's *Die tote Stadt* at Deutsche Oper am Rhein, Düsseldorf.[7] In 2026 he directed the Swiss premiere of Frank Zappa's *200 Motels* at the Grand Théâtre de Genève.[8][9][10] His earlier work as director of *Tristan und Isolde* for ENO, designed by Anish Kapoor, is already noted in the article.


1. Creative Review, "Wolfgang Tillmans on his set design for the ENO's War Requiem" — https://www.creativereview.co.uk/wolfgang-tillmans-on-his-set-design-for-the-enos-war-requiem/ 2. Frieze, "Wolfgang Tillmans Delves into the Inherited Violence of Britten's 'War Requiem'" — https://www.frieze.com/article/wolfgang-tillmans-delves-inherited-violence-brittens-war-requiem 3. Ópera Latinoamérica, on the Liceu revival — https://www.operala.org/en/war-requiem-de-benjamin-britten-llega-al-liceu-con-una-produccion-escenificada-firmada-por-daniel-kramer-y-la-mirada-del-artista-visual-wolfgang-tillmans/ 4. Pace Gallery journal, teamLab interview on the Turandot collaboration — https://www.pacegallery.com/journal/teamlab-members-discuss-their-latest-exhibition-pace-and-their-scenography-debut-turandot-opera-and-collaborative-art-making-today/ 5. STIRworld, "teamLab creates an immersive operatic experience for Puccini's 'Turandot'" — https://www.stirworld.com/see-features-teamlab-creates-an-immersive-operatic-experience-for-puccini-s-turandot 6. Tokyo Art Beat, on the Tokyo Bunka Kaikan transfer — https://www.tokyoartbeat.com/en/articles/-/teamlab-makes-scenographic-debut-with-giacomo-puccinis-turandot 7. Bachtrack review, Die tote Stadt, Deutsche Oper am Rhein — https://bachtrack.com/review-tote-stadt-kramer-kober-welch-stefanoff-deutsche-oper-rhein-dusseldorf-april-2023 8. Bachtrack review, 200 Motels, Grand Théâtre de Genève — https://bachtrack.com/critique-200-motels-zappa-kramer-lux-nikvashvili-engel-rae-ireland-grand-theatre-geneve-juin-2026 9. RTS (Radio Télévision Suisse), on the Geneva production — https://www.rts.ch/info/culture/musiques/2026/article/a-geneve-l-opera-rock-200-motels-de-frank-zappa-fait-sensation-29282270.html 10. Grand Théâtre de Genève, official production page — https://www.gtg.ch/en/2025-2026-season/200-motels/ Biocheck77 (talk) 06:51, 2 September 2026 (UTC)Reply