Edge Rewrite
// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a4492b90aa33bd4a

Jump to content

Shamlu

From Wikipedia, the free encyclopedia
Likely depiction of Hoseyn Khan Shamlu seated, in the Sermon in a mosque scene of the Cartier Hafiz.[1][2]
Portrait of Ali-Qoli Khan Shamlu (aka Haji Ali Qizilbash Mazandarani) Governor of Khorassan in 1576 and chief of the armies under Shah Abbas I in 1588.[3][4]
Portrait of Zeynal Khan Shamlu, Ambassador of Shah Abbas I to the Court of the Holy Roman Emperor Rudolf II

The Shamlu tribe (Persian: ایل شاملو; Azerbaijani: Şamlı, Şamlu), also known as the Shamli tribe, was one of the seven original and the most powerful Qizilbash tribes of Turkoman origin in Iran.

Heydar Gholi Khan Ghiaï-e Chamlou II, architect, dressed as Imperial Aide de Camp (Tehran, 1973)

List of the Khans of Shamlu

[edit]

Bibliography

[edit]
  • Blair, Sheila (2014). Text and image in medieval Persian art. Edinburgh: Edinburgh University Press. ISBN 978-0748655786.
  • Yves Bomati and Houchang Nahavandi,Shah Abbas, Emperor of Persia,1587-1629, 2017, ed. Ketab Corporation, Los Angeles, ISBN 978-1595845672, English translation by Azizeh Azodi.
  • Roman Ghirshman, Persia El reino immortal, Londres, 1971, p. 141
  • J.P. Roux, " Histoire des Turcs", Paris, 1984, pp. 253–54
  • David Morgan. "Shah Isma'il and the Establishment of Shi'ism"chpt. 12 of his Medieval Persia: 1040–1797, Longman, New York, 1988, pp. 112–123.
  • Soucek, Priscilla (1990). "Sultan Muhammad Tabrizi: Painter at the Safavid Court". Persian masters: five centuries of paintings. Bombay: Marg Publications. pp. 55–58. ISBN 978-8185026107.

See also

[edit]

References

[edit]
  1. ↑ "Shaykhzada, a painter from Herat, added two of these paintings, probably in the late 1520s. A small graffito at the bottom of the painting often dubbed “Sermon in a mosque” says that it is his work; he probably also painted the polo scene, which is executed in a similar style. Priscilla Soucek suggested that the main figure in Shaykhzada’s two paintings may represent his patron, perhaps Husayn Khan Shamlu, depicted in both as a mature man with a full mustache." in Blair 2014, p. 239
  2. ↑ Soucek 1990, pp. 55–58.
  3. ↑ Necipogulu, Gulru; Roxburgh, David J. (July 2000). Muqarnas: An Annual on the Visual Culture of the Islamic World. BRILL. p. 64, fig.20. ISBN 978-90-04-11669-6.
  4. ↑ "Indo-Persian Travels in the Age of Discoveries, 1400–1800, Muzaffar Alam, University of Chicago Mars 2007, ISBN 978-0-521-78041-4
  5. ↑ "Indo-Persian Travels in the Age of Discoveries, 1400–1800, Muzaffar Alam, University of Chicago Mars 2007, ISBN 978-0-521-78041-4
  6. 1 2 Matthee, Rudi. "JĀNI BEG KHAN BIGDELI ŠĀMLU". Encyclopædia Iranica. Retrieved 2012-09-17.
  7. ↑ "Safavid Iran: Rebirth of a Persian Empire", Andrew J. Newman,Edt. I. B. Tauris 30 Mars, 2006, p.105 ISBN 1-86064-667-0
  8. 1 2 Architecture Mediterraneenne, No 55, "From father to son, a dynasty of builders", Marseille, 2001, pp. 130-60
[edit]