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Portal:Architecture

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View of Florence showing the dome, which dominates everything around it. It is octagonal in plan and ovoid in section. It has wide ribs rising to the apex with red tiles in between and a marble lantern on top.
In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.

Architecture is the study and practice of designing structures, especially habitable ones. It utilizes civil engineering techniques, but is considered a visual art. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. During the Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated.

Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed. Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating. (Full article...)

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  • Image 1 Architecture at Vkhutemas, book cover by El Lissitzky, 1927 Vkhutemas (Russian: Вхутемас, IPA: [fxʊtʲɪˈmas], acronym for Высшие художественно-технические мастерские Vysshiye Khudozhestvenno-Tekhnicheskiye Masterskiye "Higher Art and Technical Studios") was the Russian state art and technical school founded in 1920 in Moscow, replacing the Moscow Svomas. The workshops were established by a decree from Vladimir Lenin with the intentions, in the words of the Soviet government, "to prepare master artists of the highest qualifications for industry, and builders and managers for professional-technical education". The school had 100 faculty members and an enrollment of 2,500 students. Vkhutemas was formed by a merger of two previous schools: the Moscow School of Painting, Sculpture and Architecture and the Stroganov School of Applied Arts. The workshops had artistic and industrial faculties; the art faculty taught courses in graphics, sculpture and architecture while the industrial faculty taught courses in printing, textiles, ceramics, woodworking, and metalworking. (Full article...)
    Architecture at Vkhutemas, book cover by El Lissitzky, 1927

    Vkhutemas (Russian: Вхутемас, IPA: [fxʊtʲɪˈmas], acronym for Высшие художественно-технические мастерские Vysshiye Khudozhestvenno-Tekhnicheskiye Masterskiye "Higher Art and Technical Studios") was the Russian state art and technical school founded in 1920 in Moscow, replacing the Moscow Svomas.

    The workshops were established by a decree from Vladimir Lenin with the intentions, in the words of the Soviet government, "to prepare master artists of the highest qualifications for industry, and builders and managers for professional-technical education". The school had 100 faculty members and an enrollment of 2,500 students. Vkhutemas was formed by a merger of two previous schools: the Moscow School of Painting, Sculpture and Architecture and the Stroganov School of Applied Arts. The workshops had artistic and industrial faculties; the art faculty taught courses in graphics, sculpture and architecture while the industrial faculty taught courses in printing, textiles, ceramics, woodworking, and metalworking. (Full article...)
  • Image 2 Charles Holden, 1946 Charles Henry Holden FRIBA MRTPI RDI (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s, the Underground Electric Railways Company of London's headquarters at 55 Broadway, for the University of London's Senate House and for Bristol Central Library. He created many war cemeteries in Belgium and northern France for the Imperial War Graves Commission. After working and training in Bolton and Manchester, Holden moved to London. His early buildings were influenced by the Arts and Crafts Movement, but for most of his career he championed an unadorned style based on simplified forms and massing that was free of what he considered to be unnecessary decorative detailing. Holden believed strongly that architectural designs should be dictated by buildings' intended functions. After the First World War, he increasingly simplified his style and his designs became pared-down and modernist, influenced by European architecture. He was a member of the Design and Industries Association and the Art Workers' Guild. He produced complete designs for his buildings including the interior design and architectural fittings. (Full article...)

    Charles Holden, 1946

    Charles Henry Holden FRIBA MRTPI RDI (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s, the Underground Electric Railways Company of London's headquarters at 55 Broadway, for the University of London's Senate House and for Bristol Central Library. He created many war cemeteries in Belgium and northern France for the Imperial War Graves Commission.

    After working and training in Bolton and Manchester, Holden moved to London. His early buildings were influenced by the Arts and Crafts Movement, but for most of his career he championed an unadorned style based on simplified forms and massing that was free of what he considered to be unnecessary decorative detailing. Holden believed strongly that architectural designs should be dictated by buildings' intended functions. After the First World War, he increasingly simplified his style and his designs became pared-down and modernist, influenced by European architecture. He was a member of the Design and Industries Association and the Art Workers' Guild. He produced complete designs for his buildings including the interior design and architectural fittings. (Full article...)
  • Image 3 East range of First Quad Oriel College (/ˈɔːriəl/) is a constituent college of the University of Oxford in Oxford, England. Located in Oriel Square, the college has the distinction of being the oldest royal foundation in Oxford (a title formerly claimed by University College, whose claim of being founded by King Alfred is no longer promoted). In recognition of this royal connection, the college has also been historically known as King's College and King's Hall. The reigning monarch of the United Kingdom (since 2022, Charles III) is the official visitor of the college. The original medieval foundation established in 1324 by Adam de Brome, under the patronage of King Edward II, was the House of the Blessed Mary at Oxford, and the college received a royal charter in 1326. In 1329, an additional royal grant of a manor house, La Oriole, eventually gave rise to its common name. The first design allowed for a provost and ten fellows, called "scholars", and the college remained a small body of graduate fellows until the 16th century, when it started to admit undergraduates. During the English Civil War, Oriel played host to high-ranking members of the king's Oxford Parliament. (Full article...)
    East range of First Quad

    Oriel College (/ˈɔːriəl/) is a constituent college of the University of Oxford in Oxford, England. Located in Oriel Square, the college has the distinction of being the oldest royal foundation in Oxford (a title formerly claimed by University College, whose claim of being founded by King Alfred is no longer promoted). In recognition of this royal connection, the college has also been historically known as King's College and King's Hall. The reigning monarch of the United Kingdom (since 2022, Charles III) is the official visitor of the college.

    The original medieval foundation established in 1324 by Adam de Brome, under the patronage of King Edward II, was the House of the Blessed Mary at Oxford, and the college received a royal charter in 1326. In 1329, an additional royal grant of a manor house, La Oriole, eventually gave rise to its common name. The first design allowed for a provost and ten fellows, called "scholars", and the college remained a small body of graduate fellows until the 16th century, when it started to admit undergraduates. During the English Civil War, Oriel played host to high-ranking members of the king's Oxford Parliament. (Full article...)
  • Image 4 John Douglas, photograph published in 1890 John Douglas (11 April 1830 – 23 May 1911) was an English architect who designed over 500 buildings in Cheshire, North Wales, and northwest England, particularly on the Eaton Hall estate. He was trained in Lancaster and practised throughout his career from an office in Chester. Initially he ran the practice on his own, but from 1884 until two years before his death he worked in partnerships with two of his former assistants. Douglas's output included new churches, restoration and renovation of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic. Douglas worked during the period of the Gothic Revival, and many of his works incorporate elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Dutch architecture. However, he is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, influenced by the black-and-white revival in Chester. Other vernacular elements he incorporated include tile-hanging, pargeting and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas's use of joinery and highly detailed wood carving. (Full article...)

    John Douglas, photograph published in 1890

    John Douglas (11 April 1830 – 23 May 1911) was an English architect who designed over 500 buildings in Cheshire, North Wales, and northwest England, particularly on the Eaton Hall estate. He was trained in Lancaster and practised throughout his career from an office in Chester. Initially he ran the practice on his own, but from 1884 until two years before his death he worked in partnerships with two of his former assistants.

    Douglas's output included new churches, restoration and renovation of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic. Douglas worked during the period of the Gothic Revival, and many of his works incorporate elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Dutch architecture. However, he is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, influenced by the black-and-white revival in Chester. Other vernacular elements he incorporated include tile-hanging, pargeting and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas's use of joinery and highly detailed wood carving. (Full article...)
  • Image 5 View from south-east St Nicholas is the Anglican parish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest. Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building. The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medieval font. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)

    View from south-east

    St Nicholas is the Anglican parish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest.

    Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building.
    The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medieval font. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)
  • Image 6 A postcard dated July 12, 1907, showing the New Orleans Mint during its last few years of operation as a branch mint facility The New Orleans Mint (French: Monnaie de La Nouvelle-Orléans) operated in New Orleans, Louisiana, as a branch mint of the United States Mint from 1838 to 1861 and from 1879 to 1909. During its years of operation, it produced over 427 million gold and silver coins of nearly every American denomination, with a total face value of over US$307 million. It was closed during most of the American Civil War and Reconstruction. After it was decommissioned as a mint, the building has served a variety of purposes, including as an assay office, a United States Coast Guard storage facility, and a fallout shelter. Since 1981 it has served as a branch of the Louisiana State Museum. Damaged by Hurricane Katrina in 2005, after over two years of repairs and renovations, the museum reopened in October 2007. The New Orleans Mint has been designated a National Historic Landmark, and it is the oldest extant structure to have served as a U.S. Mint. (Full article...)

    A postcard dated July 12, 1907, showing the New Orleans Mint during its last few years of operation as a branch mint facility

    The New Orleans Mint (French: Monnaie de La Nouvelle-Orléans) operated in New Orleans, Louisiana, as a branch mint of the United States Mint from 1838 to 1861 and from 1879 to 1909. During its years of operation, it produced over 427 million gold and silver coins of nearly every American denomination, with a total face value of over US$307 million. It was closed during most of the American Civil War and Reconstruction.

    After it was decommissioned as a mint, the building has served a variety of purposes, including as an assay office, a United States Coast Guard storage facility, and a fallout shelter. Since 1981 it has served as a branch of the Louisiana State Museum. Damaged by Hurricane Katrina in 2005, after over two years of repairs and renovations, the museum reopened in October 2007. The New Orleans Mint has been designated a National Historic Landmark, and it is the oldest extant structure to have served as a U.S. Mint. (Full article...)
  • Image 7 Mountfort around 1875 Benjamin Woolfield Mountfort (13 March 1825 – 15 March 1898) was an English emigrant to New Zealand, where he became one of the country's most prominent 19th-century architects. He was instrumental in shaping the city of Christchurch's unique architectural identity and culture, and was appointed the first official Provincial Architect of the developing province of Canterbury. Heavily influenced by the Anglo-Catholic philosophy behind early Victorian architecture, he is credited with importing the Gothic Revival style to New Zealand. His Gothic designs constructed in both wood and stone in the province are considered unique to New Zealand. Today, he is considered the founding architect of the province of Canterbury. (Full article...)

    Mountfort around 1875

    Benjamin Woolfield Mountfort (13 March 1825 – 15 March 1898) was an English emigrant to New Zealand, where he became one of the country's most prominent 19th-century architects. He was instrumental in shaping the city of Christchurch's unique architectural identity and culture, and was appointed the first official Provincial Architect of the developing province of Canterbury. Heavily influenced by the Anglo-Catholic philosophy behind early Victorian architecture, he is credited with importing the Gothic Revival style to New Zealand. His Gothic designs constructed in both wood and stone in the province are considered unique to New Zealand. Today, he is considered the founding architect of the province of Canterbury. (Full article...)
  • Image 8 West front St. Michael's Cathedral (German: Kathedrale St. Michael; simplified Chinese: 圣弥额尔主教座堂; traditional Chinese: 聖彌額爾主教座堂; pinyin: Shèng Mí'ài'ěr Dàjiàotáng), also called the Zhejiang Road Catholic Church (Chinese: 浙江路天主教堂), is a Catholic church in Qingdao (Tsingtao), Shandong Province, China, and is the seat of the bishop of the Diocese of Qingdao (Tsingtao). It is located in the oldest part of Qingdao, at 15 Zhejiang Road (formerly Bremen Straße), on the east side of Zhongshan Road (formerly Friedrich Straße) in Shinan District. Built by German missionaries, the cathedral stands at the top of a hill in the center of the old German-built part of the city. It is the largest example of Romanesque Revival architecture in the province, resembling a German cathedral of the 12th century. St. Michael's Cathedral is the product of a strong German presence in Shandong Province in the 19th and early 20th centuries. In the mid-19th century the European powers forcibly opened China to foreign trade. The Divine Word Missionaries built a church in the Jiaozhou Bay concession in Shandong in 1902, and in 1934 erected the cathedral, which remained nominally under their administration until 1964. In 1942 it came under the control of the Japanese Army, returning to Chinese control when the Japanese left Qingdao in 1945. In the early 1950s, all foreign missionaries, including the Bishop of Qingdao, were either imprisoned or expelled from China, and during the Cultural Revolution (1966–1976) the cathedral was defaced and abandoned. In 1981, it was repaired by the government and reopened for services, and in 1992 it was listed as a Provincial Historic Building by the government of Shandong Province. (Full article...)

    West front

    St. Michael's Cathedral (German: Kathedrale St. Michael; simplified Chinese: 圣弥额尔主教座堂; traditional Chinese: 聖彌額爾主教座堂; pinyin: Shèng Mí'ài'ěr Dàjiàotáng), also called the Zhejiang Road Catholic Church (Chinese: 浙江路天主教堂), is a Catholic church in Qingdao (Tsingtao), Shandong Province, China, and is the seat of the bishop of the Diocese of Qingdao (Tsingtao). It is located in the oldest part of Qingdao, at 15 Zhejiang Road (formerly Bremen Straße), on the east side of Zhongshan Road (formerly Friedrich Straße) in Shinan District. Built by German missionaries, the cathedral stands at the top of a hill in the center of the old German-built part of the city. It is the largest example of Romanesque Revival architecture in the province, resembling a German cathedral of the 12th century.

    St. Michael's Cathedral is the product of a strong German presence in Shandong Province in the 19th and early 20th centuries. In the mid-19th century the European powers forcibly opened China to foreign trade. The Divine Word Missionaries built a church in the Jiaozhou Bay concession in Shandong in 1902, and in 1934 erected the cathedral, which remained nominally under their administration until 1964. In 1942 it came under the control of the Japanese Army, returning to Chinese control when the Japanese left Qingdao in 1945. In the early 1950s, all foreign missionaries, including the Bishop of Qingdao, were either imprisoned or expelled from China, and during the Cultural Revolution (1966–1976) the cathedral was defaced and abandoned. In 1981, it was repaired by the government and reopened for services, and in 1992 it was listed as a Provincial Historic Building by the government of Shandong Province. (Full article...)
  • Image 9 El Lissitzky in a 1924 self-portrait El Lissitzky (Russian: Эль Лиси́цкий; born Lazar Markovich Lissitzky [Ла́зарь Ма́ркович Лиси́цкий, ]; 23 November [O.S. 11 November] 1890 – 30 December 1941) was a Russian and Soviet artist, active as a painter, illustrator, designer, printmaker, photographer, and architect. He was an important figure of the avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. Lissitzky began his career illustrating Yiddish children's books in an effort to promote Jewish culture. He started teaching at the age of 15, maintaining his teaching career for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he moved to Weimar Republic. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. (Full article...)

    El Lissitzky in a 1924 self-portrait

    El Lissitzky (Russian: Эль Лиси́цкий; born Lazar Markovich Lissitzky [Ла́зарь Ма́ркович Лиси́цкий, ]; 23 November [O.S. 11 November] 1890 – 30 December 1941) was a Russian and Soviet artist, active as a painter, illustrator, designer, printmaker, photographer, and architect. He was an important figure of the avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union.

    Lissitzky began his career illustrating Yiddish children's books in an effort to promote Jewish culture. He started teaching at the age of 15, maintaining his teaching career for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he moved to Weimar Republic. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. (Full article...)
  • Image 10 7 World Trade Center from 3 World Trade Center, in 2022 7 World Trade Center (7 WTC, WTC-7, or Tower 7) is an office building constructed as part of the new World Trade Center in Lower Manhattan, New York City. The tower is located on a city block bounded by Greenwich, Vesey, Washington, and Barclay Streets on the east, south, west, and north, respectively. 7 World Trade Center was developed by Larry Silverstein, who holds a ground lease for the site from the Port Authority of New York and New Jersey, and designed by Skidmore, Owings & Merrill. The building was constructed to replace the original structure on the site, part of the original World Trade Center. The previous structure, completed in 1987, was destroyed in the September 11 attacks in 2001. Construction of the new 7 World Trade Center began in 2002 and was completed on May 23, 2006. The building is 52 stories tall (plus one underground floor), making it the 64th-tallest in New York. It is built on a smaller footprint than the original; a small park across Greenwich Street occupies space that was part of the original building's footprint. (Full article...)

    7 World Trade Center from 3 World Trade Center, in 2022

    7 World Trade Center (7 WTC, WTC-7, or Tower 7) is an office building constructed as part of the new World Trade Center in Lower Manhattan, New York City. The tower is located on a city block bounded by Greenwich, Vesey, Washington, and Barclay Streets on the east, south, west, and north, respectively. 7 World Trade Center was developed by Larry Silverstein, who holds a ground lease for the site from the Port Authority of New York and New Jersey, and designed by Skidmore, Owings & Merrill.

    The building was constructed to replace the original structure on the site, part of the original World Trade Center. The previous structure, completed in 1987, was destroyed in the September 11 attacks in 2001. Construction of the new 7 World Trade Center began in 2002 and was completed on May 23, 2006. The building is 52 stories tall (plus one underground floor), making it the 64th-tallest in New York. It is built on a smaller footprint than the original; a small park across Greenwich Street occupies space that was part of the original building's footprint. (Full article...)
  • Image 11 Oregon State Capitol, view from Capitol Mall The Oregon State Capitol is the building that houses the state legislature and the offices of the governor, secretary of state, and treasurer of the U.S. state of Oregon. Built from 1936 to 1938 and expanded in 1977, it is the third building to house the Oregon state government in Salem, the state capital. Fires destroyed earlier capitols in 1855 and 1935. Its Art Deco stripped classical design and its largely marble interior and exterior were conceived by New York architects Trowbridge & Livingston with Francis Keally. The central portion of the building, including a cupola of 166 feet (51 m), was erected at a cost of $2.5 million—partially financed by the federal government's Depression-era Public Works Administration. (Full article...)

    Oregon State Capitol, view from Capitol Mall

    The Oregon State Capitol is the building that houses the state legislature and the offices of the governor, secretary of state, and treasurer of the U.S. state of Oregon. Built from 1936 to 1938 and expanded in 1977, it is the third building to house the Oregon state government in Salem, the state capital. Fires destroyed earlier capitols in 1855 and 1935.

    Its Art Deco stripped classical design and its largely marble interior and exterior were conceived by New York architects Trowbridge & Livingston with Francis Keally. The central portion of the building, including a cupola of 166 feet (51 m), was erected at a cost of $2.5 million—partially financed by the federal government's Depression-era Public Works Administration. (Full article...)
  • Image 12 Belton House, south front Belton House is a Grade I listed country house in the parish of Belton near Grantham in Lincolnshire, England, built between 1685 and 1687 by Sir John Brownlow, 3rd Baronet. It is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, said to be the only truly vernacular style of architecture that England had produced since the Tudor period. It is considered to be a complete example of a typical English country house; the claim has even been made that Belton's principal façade was the inspiration for the modern British motorway signs which give directions to stately homes. For about three centuries until 1984, Belton House was the seat of the Brownlow family, which had first acquired land in the area in the late 16th century. Their heirs, the Cust family, were created Baron Brownlow in 1776. Despite his great wealth Sir John Brownlow, 3rd Baronet, chose to build a comparatively modest house rather than one of the grand Baroque palaces being built by others at the time. The contemporary, if provincial, Carolean style was the selected choice of design. Nevertheless, the new house was fitted with the latest innovations, such as sash windows for the principal rooms, and followed the latest thinking on house-planning, in seeking to separate those parts of the building that were for the use of the family from the areas where servants carried out their domestic duties. Successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. (Full article...)
    see caption
    Belton House, south front


    Belton House is a Grade I listed country house in the parish of Belton near Grantham in Lincolnshire, England, built between 1685 and 1687 by Sir John Brownlow, 3rd Baronet. It is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, said to be the only truly vernacular style of architecture that England had produced since the Tudor period. It is considered to be a complete example of a typical English country house; the claim has even been made that Belton's principal façade was the inspiration for the modern British motorway signs which give directions to stately homes.

    For about three centuries until 1984, Belton House was the seat of the Brownlow family, which had first acquired land in the area in the late 16th century. Their heirs, the Cust family, were created Baron Brownlow in 1776. Despite his great wealth Sir John Brownlow, 3rd Baronet, chose to build a comparatively modest house rather than one of the grand Baroque palaces being built by others at the time. The contemporary, if provincial, Carolean style was the selected choice of design. Nevertheless, the new house was fitted with the latest innovations, such as sash windows for the principal rooms, and followed the latest thinking on house-planning, in seeking to separate those parts of the building that were for the use of the family from the areas where servants carried out their domestic duties. Successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. (Full article...)
  • Image 13 1749 portrait Matthew Brettingham (1699 – 19 August 1769), sometimes called Matthew Brettingham the Elder, was an English architect who supervised the construction of Holkham Hall, and became one of the best-known architects of his generation, despite coming from modest origins. Much of his principal work has since been demolished, particularly his work in London, where he revolutionised the design of the grand townhouse. As a result, he is often overlooked today, remembered principally for his Palladian remodelling of numerous country houses, many of them situated in the East Anglia area of Britain. As Brettingham neared the pinnacle of his career, Palladianism began to fall out of fashion and neoclassicism was introduced, championed by the young Robert Adam. Born in Norwich, into a family of craftsmen, Brettingham worked initially as a surveyor, gaining experience through jobs for the city's civic authorities. Work included restorations at Norwich Cathedral, at the castle, at the local prison and the shire hall. His professional ascent began in 1743 with his appointment to the post of Clerk of Works at Holkham. The succeeding decades saw many aristocratic commissions, predominantly in East Anglia, but including work at Kedleston Hall in Derbyshire. (Full article...)

    1749 portrait

    Matthew Brettingham (1699 – 19 August 1769), sometimes called Matthew Brettingham the Elder, was an English architect who supervised the construction of Holkham Hall, and became one of the best-known architects of his generation, despite coming from modest origins. Much of his principal work has since been demolished, particularly his work in London, where he revolutionised the design of the grand townhouse. As a result, he is often overlooked today, remembered principally for his Palladian remodelling of numerous country houses, many of them situated in the East Anglia area of Britain. As Brettingham neared the pinnacle of his career, Palladianism began to fall out of fashion and neoclassicism was introduced, championed by the young Robert Adam.

    Born in Norwich, into a family of craftsmen, Brettingham worked initially as a surveyor, gaining experience through jobs for the city's civic authorities. Work included restorations at Norwich Cathedral, at the castle, at the local prison and the shire hall. His professional ascent began in 1743 with his appointment to the post of Clerk of Works at Holkham. The succeeding decades saw many aristocratic commissions, predominantly in East Anglia, but including work at Kedleston Hall in Derbyshire. (Full article...)
  • Image 14 Speer in 1933 Berthold Konrad Hermann Albert Speer (/ʃpɛər/; German: [ˈʃpeːɐ̯] ⓘ; 19 March 1905 – 1 September 1981) was a German architect who served as Minister of Armaments and War Production in Nazi Germany during most of World War II. A close friend and ally of Adolf Hitler, he was convicted at the Nuremberg trials and served 20 years in prison. An architect by training, Speer joined the Nazi Party in 1931. His architectural skills made him increasingly prominent within the Party, and he became a member of Hitler's inner circle. Hitler commissioned him to design and construct structures, including the Reich Chancellery and the Nazi Party rally grounds in Nuremberg. In 1937, Hitler appointed Speer as General Building Inspector for Berlin. In this capacity he was responsible for the Central Department for Resettlement that evicted Jewish tenants from their homes in Berlin. In February 1942, Speer was appointed as Reich Minister of Armaments and War Production. Using misleading statistics, he promoted himself as having performed an armaments miracle that was widely credited with keeping Germany in the war. In 1944, Speer established a task force to increase production of fighter aircraft. It became instrumental in exploiting slave labor for the benefit of the German war effort. (Full article...)

    Speer in 1933

    Berthold Konrad Hermann Albert Speer (/ʃpɛər/; German: [ˈʃpeːɐ̯] ⓘ; 19 March 1905 – 1 September 1981) was a German architect who served as Minister of Armaments and War Production in Nazi Germany during most of World War II. A close friend and ally of Adolf Hitler, he was convicted at the Nuremberg trials and served 20 years in prison.

    An architect by training, Speer joined the Nazi Party in 1931. His architectural skills made him increasingly prominent within the Party, and he became a member of Hitler's inner circle. Hitler commissioned him to design and construct structures, including the Reich Chancellery and the Nazi Party rally grounds in Nuremberg. In 1937, Hitler appointed Speer as General Building Inspector for Berlin. In this capacity he was responsible for the Central Department for Resettlement that evicted Jewish tenants from their homes in Berlin. In February 1942, Speer was appointed as Reich Minister of Armaments and War Production. Using misleading statistics, he promoted himself as having performed an armaments miracle that was widely credited with keeping Germany in the war. In 1944, Speer established a task force to increase production of fighter aircraft. It became instrumental in exploiting slave labor for the benefit of the German war effort. (Full article...)
  • Image 15 The Chicago Board of Trade Building was Chicago's tallest from 1930 until 1965. The Chicago Board of Trade Building is a 44-story, 604-foot (184 m) Art Deco skyscraper located in the Chicago Loop, standing at the foot of the LaSalle Street "canyon". Built in 1930 for the Chicago Board of Trade (CBOT), it has served as the primary trading venue of the CBOT and later the CME Group, formed in 2007 by the merger of the CBOT and the Chicago Mercantile Exchange. In 2012, the CME Group sold the CBOT Building to a consortium of real estate investors, including GlenStar Properties LLC and USAA Real Estate Company. The CBOT has been located at the site since 1885. A building designed by William W. Boyington stood at the location from 1885 to 1929, being the tallest building in Chicago from its construction until its clock tower was removed in 1895. The Boyington building became unsound in the 1920s and was demolished in 1929, replaced by the current building designed by Holabird & Root. The current building was itself Chicago's tallest until 1965, when it was surpassed by the Richard J. Daley Center. (Full article...)

    The Chicago Board of Trade Building was Chicago's tallest from 1930 until 1965.

    The Chicago Board of Trade Building is a 44-story, 604-foot (184 m) Art Deco skyscraper located in the Chicago Loop, standing at the foot of the LaSalle Street "canyon". Built in 1930 for the Chicago Board of Trade (CBOT), it has served as the primary trading venue of the CBOT and later the CME Group, formed in 2007 by the merger of the CBOT and the Chicago Mercantile Exchange. In 2012, the CME Group sold the CBOT Building to a consortium of real estate investors, including GlenStar Properties LLC and USAA Real Estate Company.

    The CBOT has been located at the site since 1885. A building designed by William W. Boyington stood at the location from 1885 to 1929, being the tallest building in Chicago from its construction until its clock tower was removed in 1895. The Boyington building became unsound in the 1920s and was demolished in 1929, replaced by the current building designed by Holabird & Root. The current building was itself Chicago's tallest until 1965, when it was surpassed by the Richard J. Daley Center. (Full article...)
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César Pelli's Ratner Athletic Center uses cables and masts as load-bearing devices

Architectural engineering or architecture engineering, also known as building engineering, is a discipline that deals with the engineering and construction of buildings, such as environmental, structural, mechanical, electrical, computational, embeddable, and other research domains. It is related to Architecture, Mechatronics Engineering, Computer Engineering, Aerospace Engineering, and Civil Engineering, but distinguished from Interior Design and Architectural Design as an art and science of designing infrastructure through these various engineering disciplines, from which properly align with many related surrounding engineering advancements.

From reduction of greenhouse gas emissions to the construction of resilient buildings, architectural engineers are at the forefront of addressing several major challenges of the 21st century. They apply the latest scientific knowledge and technologies to the design of buildings. Architectural engineering as a relatively new licensed profession emerged in the 20th century as a result of the rapid technological developments. Architectural engineers are at the forefront of two major historical opportunities that today's world is immersed in: (1) that of rapidly advancing computer-technology, and (2) the parallel revolution of environmental sustainability. (Full article...)

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  • Image 1 The Pritzker Architecture Prize is an international award presented annually "to honor a living architect or architects whose built work demonstrates a combination of those qualities of talent, vision and commitment which has produced consistent and significant contributions to humanity and the built environment through the art of architecture". Founded in 1979 by Jay A. Pritzker and his wife Cindy, the award is funded by the Pritzker family and sponsored by the Hyatt Foundation. It is considered to be one of the world's premier architecture prizes, and is often referred to as the Nobel Prize of architecture. (Full article...)
    The Pritzker Architecture Prize is an international award presented annually "to honor a living architect or architects whose built work demonstrates a combination of those qualities of talent, vision and commitment which has produced consistent and significant contributions to humanity and the built environment through the art of architecture". Founded in 1979 by Jay A. Pritzker and his wife Cindy, the award is funded by the Pritzker family and sponsored by the Hyatt Foundation. It is considered to be one of the world's premier architecture prizes, and is often referred to as the Nobel Prize of architecture. (Full article...)
  • Image 2 Himeji Castle is the most visited castle in Japan and a UNESCO World Heritage Site. The Japanese Sengoku period from the mid-15th to early 17th century was a time of nearly continual military conflict. Powerful military lords known as daimyōs, such as Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu, struggled to unify Japan. During the Sengoku period, because of constant warfare, many fortifications and castles were built. Archetypal Japanese castle construction is a product of the Momoyama period and early Edo period. A new era of castle construction began when the daimyo Nobunaga built Azuchi Castle from 1576 to 1579. Earlier fortifications of the Kamakura and Muromachi periods were crude large-scale structures; Azuchi, however, with rich ornamentation and a keep rising seven stories high, became the prototype for castle construction of the period. The style of Azuchi Castle marked a shift in the function of the castles from a place that was merely a fortress and military garrison to a political, cultural and economic center. The newer style castles functioned as home to the daimyōs, his family, and his most loyal retainers. Because of the expense of building such a lavish structure, castles in the style of Azuchi, functioned also to highlight the power and prestige of the daimyōs. These new castles were built of wood and plaster on a stone foundation. Generally the main keep or tenshu was positioned at the highest point, surrounded by a series of interlocking baileys with walls, small towers and pathways. Residential buildings were located in one of the outer circles. The daimyō conducted his business in the citadel. (Full article...)
    A white castle with one large five-storied tower and two smaller towers, all built on a stone base.
    Himeji Castle is the most visited castle in Japan and a UNESCO World Heritage Site.

    The Japanese Sengoku period from the mid-15th to early 17th century was a time of nearly continual military conflict. Powerful military lords known as daimyōs, such as Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu, struggled to unify Japan. During the Sengoku period, because of constant warfare, many fortifications and castles were built. Archetypal Japanese castle construction is a product of the Momoyama period and early Edo period.

    A new era of castle construction began when the daimyo Nobunaga built Azuchi Castle from 1576 to 1579. Earlier fortifications of the Kamakura and Muromachi periods were crude large-scale structures; Azuchi, however, with rich ornamentation and a keep rising seven stories high, became the prototype for castle construction of the period. The style of Azuchi Castle marked a shift in the function of the castles from a place that was merely a fortress and military garrison to a political, cultural and economic center. The newer style castles functioned as home to the daimyōs, his family, and his most loyal retainers. Because of the expense of building such a lavish structure, castles in the style of Azuchi, functioned also to highlight the power and prestige of the daimyōs. These new castles were built of wood and plaster on a stone foundation. Generally the main keep or tenshu was positioned at the highest point, surrounded by a series of interlocking baileys with walls, small towers and pathways. Residential buildings were located in one of the outer circles. The daimyō conducted his business in the citadel. (Full article...)
  • Image 3 The Strat tower is the tallest observation tower in the United States The city of Las Vegas, Nevada and its surrounding unincorporated communities in the Las Vegas Valley are the sites of more than 160 high-rises, 42 of which stand taller than 400 feet (122 m). The tallest structure in the city is the Strat tower, which rises 1,149 feet (350 m) just north of the Las Vegas Strip. The tower is also the tallest observation tower in the United States. However, the Strat is not considered a building because the vast majority of the tower is not habitable. The tallest building in Las Vegas is the Fontainebleau Las Vegas, which rises 735 feet (224 m) and was topped out in November 2008. This building remained unfinished for several years due to the late-2000s recession and opened in December 2023. The second tallest habitable building in the city is the 59-story Resorts World, which rises 673 feet (205 m) and was completed in 2021. Beginning in the 1960s, high-rise hotels began to become more concentrated on the Las Vegas Strip. The first high-rise hotel and casino resort to rise higher than 492 feet (150 m) was the 529-foot (161 m) New York-New York Hotel & Casino, completed in 1997. Las Vegas entered into a skyscraper-building boom in the late 1990s that has continued to the present; of the city's 40 tallest skyscrapers, 39 were completed after 1997. As of 2025, the skyline of Las Vegas is ranked 66th in the world and 18th in the United States with 176 completed high-rises.In what is being dubbed a "Manhattanization wave", there are over 30 skyscrapers that are proposed, approved or under construction in the city that are planned to rise over 400 feet (122 m) in height. The tallest building approved for the city is the World Jewelry Center, which is planned for construction in Downtown Las Vegas. The 815-foot (248 m) tower is part of a proposal to construct a hub for the world's jewelry industry, across from World Market Center Las Vegas. The tallest building in Las Vegas is the Fontainebleau Las Vegas, which has also been the tallest building in the city since its topping out in November 2008; construction on the building was suspended in mid-2009. Following numerous delays, the building opened in late 2023. (Full article...)
    The Strat tower is the tallest observation tower in the United States

    The city of Las Vegas, Nevada and its surrounding unincorporated communities in the Las Vegas Valley are the sites of more than 160 high-rises, 42 of which stand taller than 400 feet (122 m). The tallest structure in the city is the Strat tower, which rises 1,149 feet (350 m) just north of the Las Vegas Strip. The tower is also the tallest observation tower in the United States. However, the Strat is not considered a building because the vast majority of the tower is not habitable. The tallest building in Las Vegas is the Fontainebleau Las Vegas, which rises 735 feet (224 m) and was topped out in November 2008. This building remained unfinished for several years due to the late-2000s recession and opened in December 2023. The second tallest habitable building in the city is the 59-story Resorts World, which rises 673 feet (205 m) and was completed in 2021.

    Beginning in the 1960s, high-rise hotels began to become more concentrated on the Las Vegas Strip. The first high-rise hotel and casino resort to rise higher than 492 feet (150 m) was the 529-foot (161 m) New York-New York Hotel & Casino, completed in 1997. Las Vegas entered into a skyscraper-building boom in the late 1990s that has continued to the present; of the city's 40 tallest skyscrapers, 39 were completed after 1997. As of 2025, the skyline of Las Vegas is ranked 66th in the world and 18th in the United States with 176 completed high-rises.In what is being dubbed a "Manhattanization wave", there are over 30 skyscrapers that are proposed, approved or under construction in the city that are planned to rise over 400 feet (122 m) in height. The tallest building approved for the city is the World Jewelry Center, which is planned for construction in Downtown Las Vegas. The 815-foot (248 m) tower is part of a proposal to construct a hub for the world's jewelry industry, across from World Market Center Las Vegas. The tallest building in Las Vegas is the Fontainebleau Las Vegas, which has also been the tallest building in the city since its topping out in November 2008; construction on the building was suspended in mid-2009. Following numerous delays, the building opened in late 2023. (Full article...)
  • Image 4 John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. Perhaps his best-known design is that for the Eastgate Clock in Chester. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival much of his output incorporates elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe, and frequently included elements of French, German, and Netherlandish architecture. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, in which he was influenced by the black-and-white revival in Chester. Other vernacular elements he employed included tile-hanging, pargeting, and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving. John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
    Old grainy photograph of the head and shoulders of a bearded man wearing a three-piece suit, tie and high collar
    John Douglas in late middle age


    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. Perhaps his best-known design is that for the Eastgate Clock in Chester. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival much of his output incorporates elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe, and frequently included elements of French, German, and Netherlandish architecture. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, in which he was influenced by the black-and-white revival in Chester. Other vernacular elements he employed included tile-hanging, pargeting, and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving.

    John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
  • Image 5 John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving. Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work on houses was in Cheshire and North Wales, although some was further afield, in Lancashire, Merseyside, Greater Manchester, Warwickshire, Herefordshire, Worcestershire, Derbyshire, Surrey, and Scotland. (Full article...)
    The head and shoulders of a bearded man wearing a three-piece suit, tie and high collar
    John Douglas in late middle age

    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving.

    Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work on houses was in Cheshire and North Wales, although some was further afield, in Lancashire, Merseyside, Greater Manchester, Warwickshire, Herefordshire, Worcestershire, Derbyshire, Surrey, and Scotland. (Full article...)
  • Image 6 Downtown Detroit from the Detroit River in 2025 Detroit is the largest city in the U.S state of Michigan, with a metropolitan area population of 4.4 million. As of 2026, Detroit is home to 39 buildings taller than 300 feet (91 m), nine of which are skyscrapers with a height of 492 ft (150 m) or more. Detroit has one of the largest skylines in the Midwestern United States, with the third most skyscrapers above 492 ft (150 m) in the region, after Chicago and Minneapolis. The tallest skyscraper in Detroit is the 70-story Detroit Marriott at the Renaissance Center, which rises 727 ft (221.5 m) along the Detroit International Riverfront in the city's downtown.[A] The skyscraper is one of seven towers in the Renaissance Center complex, which served as the headquarters of General Motors from 1996 to 2026, reflecting the city's role in the automotive industry. The Detroit Marriott is the tallest building in Michigan and was the tallest hotel building in the world upon completion in 1977; it is currently the second tallest in all of North America. Detroit's history of skyscrapers began in 1889, with completion of the historic 10-story Hammond Building—considered the city's first steel-framed skyscraper. Detroit grew to become the fourth-largest city in the United States by the 1920s, and witnessed a massive building boom during the Roaring Twenties. Many ornate skyscrapers were built during this period, including the Penobscot, Guardian, Fisher, Buhl, and David Stott buildings. This resulted in Detroit having one of the world's largest skylines at the time outside of New York City and Chicago. By 1930, the city had thirteen 300-foot buildings. The Great Depression brought an end to the boom. (Full article...)

    Downtown Detroit from the Detroit River in 2025

    Detroit is the largest city in the U.S state of Michigan, with a metropolitan area population of 4.4 million. As of 2026, Detroit is home to 39 buildings taller than 300 feet (91 m), nine of which are skyscrapers with a height of 492 ft (150 m) or more. Detroit has one of the largest skylines in the Midwestern United States, with the third most skyscrapers above 492 ft (150 m) in the region, after Chicago and Minneapolis. The tallest skyscraper in Detroit is the 70-story Detroit Marriott at the Renaissance Center, which rises 727 ft (221.5 m) along the Detroit International Riverfront in the city's downtown.[A] The skyscraper is one of seven towers in the Renaissance Center complex, which served as the headquarters of General Motors from 1996 to 2026, reflecting the city's role in the automotive industry. The Detroit Marriott is the tallest building in Michigan and was the tallest hotel building in the world upon completion in 1977; it is currently the second tallest in all of North America.

    Detroit's history of skyscrapers began in 1889, with completion of the historic 10-story Hammond Building—considered the city's first steel-framed skyscraper. Detroit grew to become the fourth-largest city in the United States by the 1920s, and witnessed a massive building boom during the Roaring Twenties. Many ornate skyscrapers were built during this period, including the Penobscot, Guardian, Fisher, Buhl, and David Stott buildings. This resulted in Detroit having one of the world's largest skylines at the time outside of New York City and Chicago. By 1930, the city had thirteen 300-foot buildings. The Great Depression brought an end to the boom. (Full article...)
  • Image 7 Charles Holden by Benjamin Nelson, 1910 Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928. Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
    Charles Holden by Benjamin Nelson, 1910

    Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928.

    Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
  • Image 8 The Miami skyline as seen from Watson Island Miami is the second-most populous city in the U.S. state of Florida, while its metropolitan area, with a population of 6.4 million, is the largest in the state. Miami has the third-largest skyline in the United States, after New York City and Chicago, and the fourth largest in North America, trailing behind Toronto. It has over 400 high-rises, 72 of which are taller than 492 feet (150 m) as of 2026, with seven more that are topped out. The tallest completed building in the city is the 85-story Panorama Tower, completed in 2017, which rises 868 feet (265 m) in Miami's Brickell district. Cipriani Residences Miami, at 940 ft (287 m) tall, topped out in 2026 and is set to be completed in 2028. The top ten tallest buildings in Florida are located in Miami, and the top twenty are all in the city's metropolitan area. The first significant tall building in Miami is considered to be the six-story Burdine's Department Store, built in 1912, while the 17-story, Mediterranean Revival Freedom Tower, completed in 1925, is the city's best-known early skyscraper. For much of the 20th century, Miami had a relatively modest skyline compared to other major American cities. Beginning in the mid-1990s, Miami underwent a large residential high-rise boom that transformed its skyline, and expanded it to the Brickell and Edgewater neighborhoods. Development accelerated in the mid-2000s, until the Great Recession brought an end to the boom. The skyscraper boom resumed in the mid-2010s, owing to the city's continued population growth and investment, with Miami overtaking Houston as the city with the largest skyline in the southern United States, and has continued into the 2020s. (Full article...)

    The Miami skyline as seen from Watson Island

    Miami is the second-most populous city in the U.S. state of Florida, while its metropolitan area, with a population of 6.4 million, is the largest in the state. Miami has the third-largest skyline in the United States, after New York City and Chicago, and the fourth largest in North America, trailing behind Toronto. It has over 400 high-rises, 72 of which are taller than 492 feet (150 m) as of 2026, with seven more that are topped out. The tallest completed building in the city is the 85-story Panorama Tower, completed in 2017, which rises 868 feet (265 m) in Miami's Brickell district. Cipriani Residences Miami, at 940 ft (287 m) tall, topped out in 2026 and is set to be completed in 2028. The top ten tallest buildings in Florida are located in Miami, and the top twenty are all in the city's metropolitan area.

    The first significant tall building in Miami is considered to be the six-story Burdine's Department Store, built in 1912, while the 17-story, Mediterranean Revival Freedom Tower, completed in 1925, is the city's best-known early skyscraper. For much of the 20th century, Miami had a relatively modest skyline compared to other major American cities. Beginning in the mid-1990s, Miami underwent a large residential high-rise boom that transformed its skyline, and expanded it to the Brickell and Edgewater neighborhoods. Development accelerated in the mid-2000s, until the Great Recession brought an end to the boom. The skyscraper boom resumed in the mid-2010s, owing to the city's continued population growth and investment, with Miami overtaking Houston as the city with the largest skyline in the southern United States, and has continued into the 2020s. (Full article...)
  • Image 9 Downtown Los Angeles in 2019 Los Angeles is the second largest city in the United States, and the largest in California, with a metropolitan area population of over 12 million. Los Angeles has the largest skyline in California and the West Coast, with over 800 high-rise buildings. Despite being the country's second largest city, Los Angeles ranks fifth in the United States in terms of skyscrapers taller than 492 feet (150 m), with 31 as of 2026, after New York City, Chicago, Miami, and Houston. Los Angeles has two supertall skyscrapers, buildings rising above 984 feet (300 m) in height: Wilshire Grand Center, the tallest building in the city and in California, and the U.S. Bank Tower. Upon its completion in 1989, the US Bank Tower, at 1,018 feet (310 m), remained the tallest building in the city until Wilshire Grand Center was built in 2017 to a height of 1,100 feet (335.3 m). The skyline can be seen from many locations around the Greater Los Angeles Area, including from as far as San Gorgonio Mountain, 82 miles away. The history of skyscrapers in Los Angeles began with the 1903 completion of the 13-story Braly Building, which is often regarded as the first high-rise in the city. The Braly building has since been converted from a commercial structure to a residential tower and is now known as the "Continental Building". The growth of Los Angeles' skyline during the early 20th century was hampered by a height restriction imposed in 1904, prohibiting the construction of any building taller than 150 feet (46 m), effectively limiting the height of buildings to 13 stories. An exception was made for Los Angeles City Hall, built in 1928, which dominated the skyline for over three decades. (Full article...)

    Downtown Los Angeles in 2019

    Los Angeles is the second largest city in the United States, and the largest in California, with a metropolitan area population of over 12 million. Los Angeles has the largest skyline in California and the West Coast, with over 800 high-rise buildings. Despite being the country's second largest city, Los Angeles ranks fifth in the United States in terms of skyscrapers taller than 492 feet (150 m), with 31 as of 2026, after New York City, Chicago, Miami, and Houston. Los Angeles has two supertall skyscrapers, buildings rising above 984 feet (300 m) in height: Wilshire Grand Center, the tallest building in the city and in California, and the U.S. Bank Tower. Upon its completion in 1989, the US Bank Tower, at 1,018 feet (310 m), remained the tallest building in the city until Wilshire Grand Center was built in 2017 to a height of 1,100 feet (335.3 m). The skyline can be seen from many locations around the Greater Los Angeles Area, including from as far as San Gorgonio Mountain, 82 miles away.

    The history of skyscrapers in Los Angeles began with the 1903 completion of the 13-story Braly Building, which is often regarded as the first high-rise in the city. The Braly building has since been converted from a commercial structure to a residential tower and is now known as the "Continental Building". The growth of Los Angeles' skyline during the early 20th century was hampered by a height restriction imposed in 1904, prohibiting the construction of any building taller than 150 feet (46 m), effectively limiting the height of buildings to 13 stories. An exception was made for Los Angeles City Hall, built in 1928, which dominated the skyline for over three decades. (Full article...)
  • Image 10 The City of London skyline in 2024 London is the capital and largest city of the United Kingdom. It has 133 completed buildings that are at least 100 metres (328 feet) tall as of 2026, 42 of which have a height greater than 150 metres (492 ft). London has one of the largest skylines in Europe; it has the most skyscrapers taller than 150 m (492 ft) in the United Kingdom and in Western Europe, and the third most of any city in Europe overall, after Moscow and Istanbul. London's skyline has undergone immense transformation in the early 21st century. Since 2013, the tallest building in London and the United Kingdom has been The Shard, London's only supertall skyscraper. The pyramid-shaped building in Southwark rises to a height of 306 m (1,004 ft). London has two primary skyscraper clusters: the City of London in central London, and Canary Wharf with the Isle of Dogs in East London, alongside numerous smaller groupings throughout Greater London. For two centuries since 1710, St Paul's Cathedral was the tallest structure in London. While early skyscrapers sprouted in the late 19th and early 20th century in the United States, London—then the world's largest city—avoided this trend. In 1894, after work on the 12-storey Queen Anne's Mansions, the London Building Act imposed a height limit of 30 m (98 ft) or less across the city. This restriction was lifted in the 1950s, permitting the construction of high-rises taller than St Paul's. The destruction during The Blitz allowed more room for modern development. Early skyscrapers were built on the west side of central London, most notably the BT Tower in Fitzrovia in 1965. A concentration of tall buildings arose in the City of London, including office towers such as St Helen's and Tower 42, and Barbican Estate, a three-towered residential complex that is a prominent example of brutalism. The London Docklands in the Isle of Dogs, which had become disused in the 1960s, underwent a significant redevelopment plan in the 1980s, resulting in the financial district of Canary Wharf. Among the first skyscrapers built there was One Canada Square in 1991. At 236 m (774 ft), it surpassed Tower 42 to be London's tallest building; it is currently the city's third-tallest building and still the tallest in Canary Wharf. (Full article...)

    The City of London skyline in 2024

    London is the capital and largest city of the United Kingdom. It has 133 completed buildings that are at least 100 metres (328 feet) tall as of 2026, 42 of which have a height greater than 150 metres (492 ft). London has one of the largest skylines in Europe; it has the most skyscrapers taller than 150 m (492 ft) in the United Kingdom and in Western Europe, and the third most of any city in Europe overall, after Moscow and Istanbul. London's skyline has undergone immense transformation in the early 21st century. Since 2013, the tallest building in London and the United Kingdom has been The Shard, London's only supertall skyscraper. The pyramid-shaped building in Southwark rises to a height of 306 m (1,004 ft). London has two primary skyscraper clusters: the City of London in central London, and Canary Wharf with the Isle of Dogs in East London, alongside numerous smaller groupings throughout Greater London.
    For two centuries since 1710, St Paul's Cathedral was the tallest structure in London. While early skyscrapers sprouted in the late 19th and early 20th century in the United States, London—then the world's largest city—avoided this trend. In 1894, after work on the 12-storey Queen Anne's Mansions, the London Building Act imposed a height limit of 30 m (98 ft) or less across the city. This restriction was lifted in the 1950s, permitting the construction of high-rises taller than St Paul's. The destruction during The Blitz allowed more room for modern development. Early skyscrapers were built on the west side of central London, most notably the BT Tower in Fitzrovia in 1965. A concentration of tall buildings arose in the City of London, including office towers such as St Helen's and Tower 42, and Barbican Estate, a three-towered residential complex that is a prominent example of brutalism. The London Docklands in the Isle of Dogs, which had become disused in the 1960s, underwent a significant redevelopment plan in the 1980s, resulting in the financial district of Canary Wharf. Among the first skyscrapers built there was One Canada Square in 1991. At 236 m (774 ft), it surpassed Tower 42 to be London's tallest building; it is currently the city's third-tallest building and still the tallest in Canary Wharf. (Full article...)
  • Image 11 John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering. Of particular importance to Douglas' church furniture is his use of joinery and highly detailed wood carving. John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
    Head and shoulders of a bearded man wearing a three-piece suit, tie and high collar
    John Douglas in late middle age

    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering. Of particular importance to Douglas' church furniture is his use of joinery and highly detailed wood carving.

    John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
  • Image 12 The skyline of Providence as viewed from across the Providence River The U.S. state of Rhode Island is home to 27 buildings over 175 feet (53 m) in height. Five of these buildings are taller than 300 feet (91 m), all of which are located in the state's capital and largest city, Providence. The tallest skyscraper in the city and state is the Industrial National Bank Building at 111 Westminster Street in Downtown Providence, which rises 26 floors and 428 feet (130 m). The Industrial National Bank Building, nicknamed the "Superman Building" due to its resemblance to the fictional Daily Planet building from the 1950s TV series, Adventures of Superman, is also the sixth-tallest building in New England outside of Boston. The second-tallest building in Providence is One Financial Plaza, which rises 30 floors and 410 feet (125 m) and was completed in 1973. (Full article...)

    The skyline of Providence as viewed from across the Providence River

    The U.S. state of Rhode Island is home to 27 buildings over 175 feet (53 m) in height. Five of these buildings are taller than 300 feet (91 m), all of which are located in the state's capital and largest city, Providence.

    The tallest skyscraper in the city and state is the Industrial National Bank Building at 111 Westminster Street in Downtown Providence, which rises 26 floors and 428 feet (130 m). The Industrial National Bank Building, nicknamed the "Superman Building" due to its resemblance to the fictional Daily Planet building from the 1950s TV series, Adventures of Superman, is also the sixth-tallest building in New England outside of Boston. The second-tallest building in Providence is One Financial Plaza, which rises 30 floors and 410 feet (125 m) and was completed in 1973. (Full article...)
  • Image 13 Center City in 2024 Philadelphia is the largest city in the U.S. state of Pennsylvania, with a metropolitan area population of 6.3 million as of 2024. Philadelphia is home to more than 350 completed high-rise buildings, 86 of which are 300 feet (91 m) or taller, as of 2026. Philadelphia has the largest skyline in Pennsylvania, and has the fourth most skyscrapers taller than 492 ft (150 m) in the Northeastern United States after New York City, Boston, and Jersey City. Seven of the ten tallest buildings in Pennsylvania are in Philadelphia; the remainder are in Pittsburgh. The tallest building in Philadelphia is the Comcast Technology Center, the city's sole supertall skyscraper, and the tallest building in the United States outside of New York City and Chicago. The 1,113 ft (339 m), 59-story building was opened in 2018. Philadelphia has an extensive history of tall structures, generally thought to have begun with the 1754 addition of the steeple to Christ Church. The Philadelphia City Hall was the first building in the world to surpass a height of 500 ft (152 m) when it topped out in 1894, and remained the world's tallest building until 1908. Philadelphia had one of the largest pre-war construction booms in the United States, having built 18 buildings taller than 300 ft (91 m) by the early 1930s, the most of any city in the world besides New York City and Chicago. The Great Depression and World War II halted skyscraper development until the late 1950s. From the 1960s to 1980s, Philadelphia added a large number of office buildings to its skyline in a second boom. For most of the 20th century, a "gentlemen's agreement" imposed an unofficial height limit, restricting the height of any new skyscraper below that of the 548-foot (167 m) Philadelphia City Hall. (Full article...)

    Center City in 2024

    Philadelphia is the largest city in the U.S. state of Pennsylvania, with a metropolitan area population of 6.3 million as of 2024. Philadelphia is home to more than 350 completed high-rise buildings, 86 of which are 300 feet (91 m) or taller, as of 2026. Philadelphia has the largest skyline in Pennsylvania, and has the fourth most skyscrapers taller than 492 ft (150 m) in the Northeastern United States after New York City, Boston, and Jersey City. Seven of the ten tallest buildings in Pennsylvania are in Philadelphia; the remainder are in Pittsburgh. The tallest building in Philadelphia is the Comcast Technology Center, the city's sole supertall skyscraper, and the tallest building in the United States outside of New York City and Chicago. The 1,113 ft (339 m), 59-story building was opened in 2018.

    Philadelphia has an extensive history of tall structures, generally thought to have begun with the 1754 addition of the steeple to Christ Church. The Philadelphia City Hall was the first building in the world to surpass a height of 500 ft (152 m) when it topped out in 1894, and remained the world's tallest building until 1908. Philadelphia had one of the largest pre-war construction booms in the United States, having built 18 buildings taller than 300 ft (91 m) by the early 1930s, the most of any city in the world besides New York City and Chicago. The Great Depression and World War II halted skyscraper development until the late 1950s. From the 1960s to 1980s, Philadelphia added a large number of office buildings to its skyline in a second boom. For most of the 20th century, a "gentlemen's agreement" imposed an unofficial height limit, restricting the height of any new skyscraper below that of the 548-foot (167 m) Philadelphia City Hall. (Full article...)
  • Image 14 Bath and North East Somerset shown within Somerset and England Bath and North East Somerset (commonly referred to as BANES or B&NES) is a unitary authority created on 1 April 1996, following the abolition of the county of Avon, which had existed since 1974. Part of the ceremonial county of Somerset, Bath and North East Somerset occupies an area of 220 square miles (570 km2), two-thirds of which is green belt. It stretches from the outskirts of Bristol, south into the Mendip Hills and east to the southern Cotswold Hills and Wiltshire border. The city of Bath is the principal settlement in the district, but BANES also covers Keynsham, Midsomer Norton, Radstock and the Chew Valley. The area has a population of 170,000, about half of whom live in Bath, making it 12 times more densely populated than the rest of the area. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, strict limitations are imposed on the modifications allowed to a building's structure or fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. (Full article...)
    Bath and North East Somerset shown within Somerset and England

    Bath and North East Somerset (commonly referred to as BANES or B&NES) is a unitary authority created on 1 April 1996, following the abolition of the county of Avon, which had existed since 1974. Part of the ceremonial county of Somerset, Bath and North East Somerset occupies an area of 220 square miles (570 km2), two-thirds of which is green belt. It stretches from the outskirts of Bristol, south into the Mendip Hills and east to the southern Cotswold Hills and Wiltshire border. The city of Bath is the principal settlement in the district, but BANES also covers Keynsham, Midsomer Norton, Radstock and the Chew Valley. The area has a population of 170,000, about half of whom live in Bath, making it 12 times more densely populated than the rest of the area.

    In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, strict limitations are imposed on the modifications allowed to a building's structure or fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. (Full article...)
  • Image 15 Taunton Deane is a former local government district with borough status in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. The district of Taunton Deane Area covers a population of approximately 100,000 in an area of 462 square kilometres (178 sq mi). It is centred on the town of Taunton, where around 60,000 of the population live and the council are based, and includes surrounding suburbs and villages. (Full article...)
    Taunton Deane is a former local government district with borough status in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations.

    The district of Taunton Deane Area covers a population of approximately 100,000 in an area of 462 square kilometres (178 sq mi). It is centred on the town of Taunton, where around 60,000 of the population live and the council are based, and includes surrounding suburbs and villages. (Full article...)
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