Edge Rewrite
// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a4019fe47e56c60e

Jump to content

Draft:Roni Chadash

From Wikipedia, the free encyclopedia


Roni Chadash
Roni Chadash
Born (1990-10-21) October 21, 1990 (age 35)
Websitehttps://www.ronichadash.com

Roni Chadash (born October 21, 1990) is an Israeli choreographer and dancer.

Biography

[edit]

Born in 1990, she grew up in Kfar Shmaryahu and graduated with honors from the dance department at Hayovel High School in Herzliya. In 2009, she enlisted in the Israel Defense Forces and served in Unit 8200.

Career

[edit]

Following her military service, Chadash studied for one year in the dancers' training workshop of the Vertigo Dance Company, followed by one year in the dancers' training workshop in Ga'aton. In 2015, Chadash created her first video work, Spineless, as well as her first solo for the stage, Ani-Ma, as part of the Shades in Dance Festival.

Since 2015, Chadash has worked as an independent choreographer. Her first stage work, Ani-Ma, premiered at the 2015 Shades in Dance Festival, where it won the Jury Prize. Following that, she created the solo Gufi as part of the Tel Aviv Dance Festival. Both solos won numerous awards at various competitions around the world and were invited to perform in Israel and abroad.

In 2018, she began collaborating with other dancers, creating works such as Victims & Images, Chapters of Joy, Body #1, and other productions. Her works have been performed in Israel at festivals[1] such as Curtain Up ,[2] Zirat Mahol, Shades in Dance, and Tel Aviv Dance. Some of these works were invited to perform in Germany, Belgium, Spain, Portugal, Peru, New York, Greece,[3] Cyprus, Slovenia, Slovakia, Serbia, Switzerland, Hungary, Romania, Croatia, Poland, Czech Republic, England, and Lithuania.

Chadash has also been invited to conduct workshops in Italy, Portugal, Austria, Slovakia, Greece, and Belgium. Following the success of her works, they received support through residencies in Israel and abroad, including in the Czech Republic, Greece, Denmark, Hungary, Thailand, and Spain.

In 2021, she was invited to create for TANZ KASSEL at Staatstheater Kassel in Germany.

In 2023–2024, Chadash created perFORMing LOVE, a work for eight dancers created for the Curtain Up Festival. In 2024, she created Lots of Movements, a work for seven dancers for the Pfalztheater Kaiserslautern in Germany. In 2025–2026, she created Separations for the Batsheva Ensemble, and in 2025, she returned to her earlier work Victims & Images, further developing it as Victims & Images: Vol 2.

Her works have also received support from the Israeli Ministry of Culture and Sport, the Yehoshua Rabinovich Foundation, Mifal HaPayis,the Independent Creators Fund, MART, the Tel Aviv-Yafo Municipality, the Israeli Choreographers Association, and the Suzanne Dellal Centre.

Alongside her creations, Chadash teaches contemporary dance and repertoire in schools in Israel and abroad, and collaborates with various institutions, including the dance department at Ironi Alef High School for the Arts in Tel Aviv, the Bikurei Ha'Itim Dancers Training Program, the Ga'aton Dancers Training Workshop, the Vertigo Dancers Training Workshop, Thelma Yellin, Studio Naim, HaKvutza, Research, Anton Bruckner Private University in Linz, Austria, NOD in Turin, Italy, the Jerusalem Academy High School, the Jerusalem Academy of Music and Dance, Practice by Machol Shalem, and Kibbutzim College.

As a professional dancer, Chadash collaborated with choreographers in Israel and abroad, including Niv Sheinfeld and Oren Laor, Maya Brinner, Odelya Kuperberg, Louise Marfaing, Elias Lazaridis, and Satoshi Kudo. In her work as a choreographer, she was responsible for the choreography in the music video Da by singer Shai Tsabari.

In 2020, she joined the Israeli Choreographers Association.[4]

Selected works

[edit]

Ani-Ma

[edit]

Roni's first solo for the stage was presented at the Shades in Dance Festival and won the Jury Prize.[5] The solo won numerous prizes around the world (MASDANZA, SOLODUO, FKM, BCDC)[6] and was also invited to perform at theaters and festivals in Germany, Belgium, Spain, Greece, Cyprus, Serbia, Hungary, Romania, New York, and Poland.[7]

Gufi

[edit]

The second solo for the stage was presented at the 2016 Tel Aviv Dance Festival. The solo also received recognition around the world and won the Jury Prize at the MASDANZA Festival in the Canary Islands. Throughout the solo, Roni dances with her head dropped backward and unseen by the audience, creating an illusion and transforming the body from human into creature-like/material form while raising questions about the autonomy each person has over their body, as women and as dancers.[8]

The solo was invited to perform in the Czech Republic, Germany, Belgium, Spain, Portugal, Peru, New York, Greece, Cyprus, Slovenia, Slovakia, England, Thailand, and Lithuania.

Victims & Images

[edit]

The duet was presented as part of Curtain Up 2018 together with dancer Carmel Ben Asher,[9] under the artistic direction of Itzik Galili and Mate Moray.[10] The duet examines the way dancers sacrifice their bodies for the sake of image/entertainment/aesthetics and raises questions and criticism concerning their love/hate relationship with the audience.[11]

Original music: Noa Ayali. Rehearsal direction: Dana Shoval. Dramaturgy: Yael Biagon Citron. Artistic consultation: Maya Brinner. The duet was invited to perform in Belgium and Germany.[12]

Chapters of Joy

[edit]

A work for five dancers presented at Curtain Up 2020[13] under the artistic direction of Dana Ruttenberg and Oded Graf. The work celebrates the living body in all its liveliness, vitality, and grace, and is performed to the third English Suite by Bach, in an attempt to breathe new life into it.[14]

Dancers: Tamar Honig/Tamar Kish, Carmel Ben Asher, Amit Zaretsky, Itay Bibas, and Dan Burstein. Rehearsal direction: Dana Shoval. Artistic consultation/dramaturgy: Maya Brinner, Yael Biagon Citron.

Body #1

[edit]

A duet for Maya Schwartz and Ido Barak that was independently presented at Habait Theatre in 2020. The duet deals with a simple physical limitation and requires the dancers to remain connected to one another at the pelvis throughout most of the work.[15] The duet was invited to perform in Croatia, Greece, Switzerland, Italy, Spain, and Slovakia.[16]

Body #whatever

[edit]

The work was created for TANZ KASSEL, the new company of Staatstheater Kassel, in 2021. A work for eight dancers that constructs and deconstructs clichéd images of love and intimacy.

Lots of Movements

[edit]

A work for seven dancers, created for the Pfalztheater Kaiserslautern under the direction of Luisa Sanchez Escanero. The work premiered on April 19, 2024.

Performers: Teade Abma, Camilla Marcati, Maayan Goren, Gal Fridman, Shelley Stolpner, Maxime Boel, and Yan Jun Chin. Rehearsal manager: Romi Lahav. Costume design: Roni Chadash and Romi Lahav. Lighting design: Harald Zidek. Set design: Ofer Laufer. Dramaturgy: Annabelle Köhler.

perFORMing LOVE

[edit]

A work for eight dancers, presented as part of the 2023–2024 Curtain Up Festival. The work explores the complexities of how love, intimacy, and romance are represented in our society, and how these concepts are imprinted on our bodies.

Dancers: Romi Lahav, Inbar Buchbinder, Tom Nissim, Yankalle Filtser, Tamir Golan, Shira Ben Uriel, Matheus Moreira, and Gil Amishai/Ahinoam Chai. Rehearsal directors: Amit Zaretsky and Tal Adler. Sound and costume design: Roni Chadash. Lighting design: Nadav Barnea. Lighting operator: Ofer Laufer.

The work was supported by the MART Foundation, the Rabinovich Foundation for the Arts, Mifal HaPais, Kelim Choreography Center, the Tel Aviv Municipality, and the Ironi Alef Dance Department.

S  E  P  A  R  A  T  I  O  N  S

[edit]

A work for the dancers of the Batsheva Ensemble, 2025–2026 season. In Separations, Chadash examines the act of separation and the mechanisms of separation that also operate within the social sphere. Through a physical language that fragments the body and allows each part to act independently, the work explores the tension between the private and social body, examining how definitions, classifications, and labels organize reality while simultaneously reducing and fragmenting it.

Dancers and co-creators: Batsheva Ensemble, 2025–2026 season. Rehearsal directors: Tal Adler and Doron Raz Avraham. Dramaturgy: Maya Brinner. Artistic advice: Romi Lahav and Tal Adler. Costume design: Ahinoam Chai. Lighting and stage design: Ofer Laufer. Video: Roee Shalti. Soundtrack editing: Noam Chadash and Matan Daskal.

Victims & Images: Vol 2

[edit]

A work for two dancers that further develops the duet Victims & Images, which premiered at the 2018 Curtain UpFestival, performed by Roni Chadash and Carmel Ben Asher. In the new version, Chadash returned to the work with dancers Shira Ben Uriel and Romi Lahav, seeking to revisit and expand on the themes explored in the original piece. The work explores the relationship between the performing body and the images it is asked to serve. It examines how cultural expectations and images, particularly those associated with femininity, are inscribed on the body, addressing the tension between autonomy and representation and the possibility of existing beyond the images embedded in the body.

Performers: Shira Ben Uriel and Romi Lahav. Original performance and creation: Roni Chadash and Carmel Ben Asher. Choreography: Roni Chadash. Music: Noa Ayali. Photography: Sonya Levina and Vojtěch Brtnický.

Awards and grants

[edit]
  • 2016:
    • Jury Prize, Shades in Dance, Suzanne Dellal[5]
    • Third place, International Choreography Competition, Machol Shalem[17]
    • Alexander Izrailovsky Award for Innovation and Audience Award, FKM, Serbia[18]
    • Best Performance Award, Audience Award, BCDC, Belgium[19][20]
    • Best Performance Award, SOLODUO, Germany
    • Minister of Culture Award for Young Creators 2016
    • Best Performance Award, MASDANZA, Spain
  • 2018:
    • Best Solo Award, MASDANZA Festival, Spain[21]
  • 2019:
  • 2021:
    • Minister of Culture Award for Young Creators[22]
  • 2024:
    • Minister of Culture Award for Young Creators

Education

[edit]
  • 2011–2012 – Vertigo dancers' training workshop
  • 2012–2013 – Ga'aton dancers' training workshop

Other works

[edit]
  1. Ani-Ma, Shades in Dance Festival[5]
  2. The Restlessness (I HaSheket), From Jaffa to Agripas Festival, Mahane Yehuda Market, October 22, 2017. A site-specific solo work created for the 2017 From Jaffa to Agripas Festival, under the artistic direction of Elad Schechter.[23]
  3. Peels (Klipot), Zirat Mahol Festival, Hansen House, Jerusalem, August 2, 2017. A duet presented as part of the 2017 Zirat Mahol Festival under the artistic direction of Sahar Azimi, together with dancer Noa Tanna.[24]
  4. NO-BODY, International Dance Week, Machol Shalem, Gérard Behar Center, December 2, 2018. A stage adaptation of the 2016 video work NO-BODY, which was presented at Machol Shalem's International Dance Week and was invited to perform in Bangkok and the Czech Republic.
  5. Me and All This Body, Curtain Up, Ga'aton, November 15, 2019. Another solo performed by Roni, created for the Curtain Up Festival under the artistic direction of Itzik Galili and Mate Moray.[25]
  6. The Same Sea, Beit Avi Chai, April 2, 2019. A short solo work created for a tribute evening at Beit Avi Chai to Amos Oz's book The Same Sea, curated by Roi Ravitzky.[26]
  7. Video works:
    1. SPINELESS, 2015[27]
    2. NO-BODY, 2015[28]
    3. ME, 2016[29]
    4. HEAD-ON, 2016[30]
  8. Choreography for music videos:
    1. 2021, Da, Shai Tsabari[31]
[edit]
  • Official website
  • Wikimedia Commons logo Media related to Roni Chadash at Wikimedia Commons
  • Roni Chadash – Israeli Choreographers Association
  • Anat Zecharia (2018-02-03). ""Birdcage" by Roni Chadash". anatzecharia.com.
  • Ora Brafman (February 3, 2018). "Roni Chadash - "Birdcage". Tmuna Theatre, February 1, 2018". dancetalk.co.il.
  • Steffen Georgi (2019-05-30). "tragedy and image". www.tanznetz.de.
  • Barak Levy (November 22, 2018). "Curtain Up 2018 / Dance Review by Ruth Eshel". www.israeldance-diaries.co.il.
  • Ora Brafman (January 7, 2021). "DanceTalk". dancetalk.co.il|Discussion about dance, culture, society.
  • Oded Graf (April 19, 2021). "ABANDONING "BEAUTY": A Conversation with Roni Chadash". creativewriting.me.
  • Roni Chadash. "Roni Chadash / Pitch / Jerusalem International Dance Week 2020". YouTube.
  • Ora Brafman (November 18, 2019). "Curtain Up 2019, Suzanne Dellal, November 14-16 'Curtain Up' events, Suzanne Dellal". dancetalk.co.il.
  • Brafman, Ora (November 18, 2018). "'Curtain Up' premieres Suzanne Dellal Center for Dance and Theater". The Jerusalem Post.
  • Idit Suslik (November 20, 2019). "Moving Shapes, Dancing People". www.the-contemporary-eye.com.
  • Brown, Ran (November 26, 2019). "The Best Works of the "Curtain Up" Dance Festival". Haaretz.
  • Anat Zecharia. ""Curtain Up" 2019".
  • Anat Zecharia (2022-05-23). ""Chapters of Joy" by Roni Chadash". anatzecharia.com.
  • Brown, Ran (February 20, 2024). "The Work perFORMing LOVE Presents Untamable Passion". Haaretz.
  • Michal Montag (July 19, 2017). "Talking Hands - Contemporary Dance". www.design-playground.co.il.
  • "SCHWANENSEE". YouTube|ZWANENMEER|… // Premiere am 26. September 2021 im.
  • "Roni Chadash". neu.staatstheater-kassel.de.

References

[edit]
  1. Conversation with Roni Chadash, retrieved 2023-06-27
  2. Anat Zecharia (2013-12-11). "Curtain Up 2013". Anat Zecharia. Retrieved 2023-07-06.
  3. "Grace, beauty - and self-discovery". Bangkok Post. Bangkok Post Public Company Limited. Retrieved 2023-07-06.
  4. "Choreographers » Roni Chadash". Retrieved 2023-07-04.
  5. 1 2 3 "Theatre - Shades in Dance 2015 - First Steps". www.habama.co.il. Retrieved 2023-06-27.
  6. "Dance - Shades in Dance 2015 - First Steps". www.habama.co.il. Retrieved 2023-06-27.
  7. "Roni Chadash". Wild Thinking Man. Retrieved 2023-06-27.
  8. Guy Duplat (2023-06-26). "Belles découvertes aux Brigittines". La Libre.be (in French). Retrieved 2023-06-27.
  9. "The best of 2018". DanceTalk. Retrieved 2023-07-06.
  10. Brafman, Ora (November 18, 2018). "'Curtain Up' premieres Suzanne Dellal Center for Dance and Theater". The Jerusalem Post.
  11. "'Curtain Up' 2018". DanceTalk. Retrieved 2023-06-27.
  12. Levin, Tal (November 25, 2018). "At the "Curtain Up" Festival, the Body Finally Returned to Center Stage". Haaretz (in Hebrew).
  13. "Spotlight|Roni Chadash, Ofir Yudilevitch and Noya Shagiv (in collaboration with "Curtain Up" Festival)|Hanukkah 2020". Retrieved 2023-07-06.
  14. "Dancing Outside of Time". the-contemporary-eye. 2021-08-20. Retrieved 2023-07-06.
  15. "A Body Looking at Itself". the-contemporary-eye. 2021-05-10. Retrieved 2023-06-27.
  16. "Dance Without a Head". www.culbyt.com (in Russian). Retrieved 2023-06-27.
  17. "The Most Worthwhile Dances Were Chosen as Part of International Dance Week". 2016-12-04. Retrieved 2023-06-27.
  18. "20. FKM 2016 - Festival koreografskih minijatura: announcement and program" (in Serbian). Retrieved 2023-06-27.
  19. "Israel in Belgium Tweet". Twitter. Retrieved 2023-06-27.
  20. "21MASDANZA". Retrieved 2023-07-06.
  21. "24MASDANZA".
  22. "Winners of the 2021 Minister of Culture and Sport Awards for Artistic Dance Announced". GOV.IL. Retrieved 2023-06-27.
  23. "The Restlessness • c.a.t.a.m.o.n". c.a.t.a.m.o.n. Retrieved 2023-07-06.
  24. "Arenas of Research and Search". the-contemporary-eye. 2017-08-09. Retrieved 2023-07-06.
  25. "Curtain Up 2019". calameo.com. Retrieved 2023-07-06.
  26. "Beit Avi Chai". www.bac.org.il. Retrieved 2023-07-06. {{cite web}}: Text "Original Show" ignored (help); Text "Soon the Bird" ignored (help)
  27. Spineless by Roni Chadash, retrieved 2023-07-06
  28. "No-Body" by Roni Chadash, retrieved 2023-07-06
  29. 4 Me by Roni Chadash, retrieved 2023-07-06
  30. Head-on (Teaser) by Roni Chadash, retrieved 2023-07-06
  31. Shai Tsabari - Da, retrieved 2023-07-06