Draft:Erhard Rom

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Instructions · What links here · Erhard Rom (talk: + · bio) · (log) · Copyvios report · reFill · Easy tools: Citation bot (help) | Advanced: Fix bare URLs · (Search: Google, Wikipedia) · Submitted 16 days ago by TinaMarG (talk: D · +) · Last edited 9 days ago by ~2026-51517-83

Submission declined on 13 September 2026 by Theroadislong (talk).

This draft is not written from a neutral point of view. Wikipedia articles must be written neutrally in a formal, impersonal, and dispassionate way. They should not read like a blog post, advertisement, or fan page. Rewrite the draft to remove:

promotional language: see Words to watch;
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Instead, only summarize in your own words a range of independent, reliable, published sources that discuss the subject.

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Declined by Theroadislong 19 days ago. Last edited by ~2026-51517-83 9 days ago. Reviewer: Inform author.

This draft has been resubmitted and is currently awaiting re-review.

Submission declined on 13 September 2026 by QuantumRealm (talk).

This draft's references do not show that the person meets Wikipedia's criteria for inclusion for people. The draft requires multiple published secondary sources that:

provide significant coverage: discuss the person in detail, not brief mentions or interviews lacking independent analysis;
are reliable: from reputable outlets with editorial oversight;
are independent: not connected to the person, such as interviews, press releases, the subject's own website, or sponsored content.

Please add references that meet all three of these criteria. If none exist, the subject is not yet suitable for Wikipedia.

Declined by QuantumRealm 20 days ago.

Submission declined on 2 September 2026 by Sulfurboy (talk).

This draft is not adequately supported by reliable sources. Wikipedia's verifiability policy requires that all content be supported by reliable sources.

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Replace any unreliable sources with high-quality sources. If you cannot find a reliable source for the material, it should be removed.

Declined by Sulfurboy 30 days ago.

Submission declined on 18 August 2026 by Thilsebatti (talk).

This draft's references do not show that the person meets Wikipedia's criteria for inclusion for people. The draft requires multiple published secondary sources that:

provide significant coverage: discuss the person in detail, not brief mentions or interviews lacking independent analysis;
are reliable: from reputable outlets with editorial oversight;
are independent: not connected to the person, such as interviews, press releases, the subject's own website, or sponsored content.

Please add references that meet all three of these criteria. If none exist, the subject is not yet suitable for Wikipedia.

Declined by Thilsebatti 46 days ago.

Submission declined on 23 June 2026 by ArthurTheGardener (talk).

This draft is not adequately supported by reliable sources. Wikipedia's verifiability policy requires that all content be supported by reliable sources.

Reliable sources include: reputable newspapers, magazines, academic journals, and books from respected publishers.
Unacceptable sources include: personal blogs, social media, predatory publishers, most tabloids, and websites where anyone can contribute.

Replace any unreliable sources with high-quality sources. If you cannot find a reliable source for the material, it should be removed.

Declined by ArthurTheGardener 3 months ago.

Submission declined on 22 March 2026 by ScalarFactor (talk).

This draft lacks inline citations. Wikipedia's verifiability policy requires that all content be supported by reliable sources. We require inline citations (footnotes) to show which source supports which specific statement.

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Declined by ScalarFactor 6 months ago.

Comment: Wikipedia cannot source itself. Sulfurboy (talk) 18:43, 2 September 2026 (UTC)

Comment: Please make sure that all statements are supported by inline citations before resubmitting. ArthurTheGardener (talk) 13:32, 23 June 2026 (UTC)

Comment: Please use ref tags, not inline external links. ScalarFactor (talk) 22:30, 22 March 2026 (UTC)

Erhard Rom is an American scenic designer and projection designer.^[1] He has been nominated twice for the International Opera Awards in London.^[2] Known primarily for his work in opera,^[3] his designs have been presented by opera companies and festivals in the United States and internationally, including San Francisco Opera, Royal Swedish Opera, Lyric Opera of Chicago, Seattle Opera, Washington National Opera, Los Angeles Opera, Houston Grand Opera, Wexford Festival Opera, Dallas Opera and Glimmerglass Festival.^[4]

Life and career

Rom was born in Seattle, Washington.^[5] He developed an interest in opera and theater at the age of eight after attending a live opera performance. As a child, he constructed miniature stages and scenery and used paper and plaster figures to recreate operatic productions.^[6] By the age of 13, he was staging performances using painted and costumed plaster figures operated by sticks and accompanied by recordings of operas.^[7] Rom studied music at the University of Washington,^[8] where he received an undergraduate degree. He subsequently earned an M.F.A. in scenic design from New York University's Tisch School of the Arts,^[9] where he studied with scenic designer John Conklin.

After completing his graduate studies, Rom worked with regional theater and opera companies. His career subsequently focused primarily on opera.^[10]^[11] His credits include productions and world premieres of works by composers and writers including Paul Moravec, Jeanine Tesori, Tony Kushner, and Thea Musgrave. Among the works he has designed are The Shining (opera), A Blizzard on Marblehead Neck,^[12] and Pontalba.^[13]

Rom designed a production of Jake Heggie’s opera Moby-Dick (opera) that was subsequently presented by several opera companies. His work and creative process for the production were discussed in Opera News (January 2018)^[14] and Stage Directions Magazine (March 2018).^[15]^[16]

Rom has collaborated with directors such as Francesca Zambello, Tomer Zvulun, Michael Cavanagh, Lillian Groag, Leon Major, James Robinson, Louisa Muller, Colin Graham, Rhoda Levine, Nic Muni, Thaddeus Strassberger, and Tim Ocel on opera and theater productions in the United States and internationally. His designs include both scenic and projection elements.^[17]

Rom is a professor of design in the Department of Theatre and Dance at Montclair State University.^[18]

Style

Rom's scenic designs have incorporated large-scale architectural forms, combined with digital technologies. His work frequently combines physical scenery with projected imagery. ^[19]

For the Atlanta Opera's production of Wagner's Ring of the Nibelung, Rom designed a stage environment incorporating a large LED wall, scrim, and string curtain^[20]^[21]^[22]^[23] LED technology was used to integrate physical scenery with digital imagery to reinforce both the text and subtext of the story in Salome, another production he designed using the same techniques.^[24]

In 2026, Rom was involved in designing the set and creating a new dramatic structure for the Atlanta Opera's production of Puccini’s Turandot. The production altered aspects of the score, including the placement of Turandot's aria "In questa reggia" and a new ending.^[25]

Awards and honors

Rom was a finalist for Designer of the Year at the International Opera Awards in London in both 2015 and 2025^[26]^[27]^[28]^[29]

His work has been exhibited at the Prague Quadrennial of Performance Design and Space^[30] and at the National Opera Center in New York City.^[31]

In 2014, Rom designed the European premiere production of Kevin Puts's opera Silent Night (opera). The production received the Best Opera Production award and the Audience Choice Award at the 2015 Irish Times Theatre Awards.^[32] His scenic design for Silent Night received the Best Scenic Design award at the Sixth Annual Excellence in Opera Awards in 2018.^[33]

Work (selected)

Der Ring des Nibelungen (Atlanta Opera/Dallas Opera)^[34]^[35]
Cosi fan Tutte (Lyric Opera of Chicago) – 2026^[36]
Siegfried (Atlanta Opera) - 2024-2025^[37]
Semele (Atlanta Opera) - 2025^[38]
Fidelio (Washington National Opera) – 2024^[39]
Elektra (Washington National Opera) - 2022^[40]
Rigoletto (Houston Grand Opera) - 2019^[41]
The Marriage of Figaro (San Francisco Opera) - 2019^[42]^[43]
Dead Man Walking (Vancouver Opera) - 2017^[44]
Nixon in China (Royal Swedish Opera) - 2016^[45]
The Shining (Minnesota Opera) - world premiere - 2016^[46]^[47]
Semele (Seattle Opera) - 2015^[48]
The Wreckers (Bard Summerscape) - 2015^[49]^[50]
Silent Night (Wexford Festival Opera) European premiere - 2014^[51]^[52]
Susannah (San Francisco Opera) -2014^[53]
La Boheme (Seattle Opera) - 2013^[54]^[55]
A Blizzard on Marblehead Neck (Glimmerglass Festival) (world premiere - 2011)^[56]^[57]
Later the Same Evening (Manhattan School of Music) - 2008^[58]
The Two Widows (Manhattan School of Music) - 1998^[59]
The Postman Always Rings Twice (Boston Lyric Opera) - 1994^[60]
Miss Julie (Manhattan School of Music) - 1994^[61]
Die Fledermaus (Manhattan School of Music) - 2009^[62]

References

External links

[1] ttps://www.earrelevant.net/2024/04/ahead-of-the-atlanta-operas-die-walkure-set-and-projection-designer-erhard-rom-discusses-his-craft/

[2] ttps://operaawards.org/archive/2025/

[3] ttps://www.sfexaminer.com/culture/a-larger-than-life-show-stopping-sculpted-head-moves-to-the-war-memorial-opera-house/article_d57cf528-e098-11ec-9daa-ef523fd19e71.html

[4] ttps://www.dallasobserver.com/arts-culture/the-dallas-opera-sets-the-stage-for-wagners-das-rheingold-with-locally-built-scenery-15825592/

[5] ttps://www.kennedy-center.org/artists/r/ro-rz/erhard-rom/

[6] ttps://mohai.org/collections-and-research/search/item/2000.107/-.19730103.1%23.06/

[7] ttps://mohai.org/collections-and-research/search/item/2000.107/-.19730103.1%23.06/

[8] ttps://www.montclair.edu/faculty-staff/erhard-rom

[9] ttps://www.scribd.com/document/879429894/2024-Alumni-Report-6-1-2-2

[10] ttps://www.sfopera.com/about/bios/production/erhard-rom/

[11] ttps://www.laopera.org/performances/2025/cosi-fan-tutte

[12] ttps://www.concertonet.com/scripts/review.php?ID_review=7773

[13] ttps://www.nytimes.com/2003/10/07/arts/critic-s-notebook-new-orleans-celebrates-itself-quite-sensibly.html

[14] Matthew Sigman (January 2018) “Spotlight, Minor Scale” OPERA NEWS (p.16-17)

[15] ttps://timeless.mydigitalpublication.com/publication/?i=476729&p=0&view=issueViewer

[16] ttps://plsn.com/category/stage-directions/ (Stage Directions Magazine is now called PLSN)

[17] ttps://mnopera.org/biography/erhard-rom/

[18] ttps://www.montclair.edu/faculty-staff/erhard-rom

[19] ttps://www.seattleoperablog.com/2015/02/meet-our-artists-erhard-rom-scenic.html

[20] ttps://www.dallasobserver.com/arts-culture/the-dallas-opera-sets-the-stage-for-wagners-das-rheingold-with-locally-built-scenery-15825592/

[21] ttps://www.earrelevant.net/2024/04/ahead-of-the-atlanta-operas-die-walkure-set-and-projection-designer-erhard-rom-discusses-his-craft/

[22] ttps://www.earrelevant.net/2026/06/the-atlanta-opera-completes-its-historic-ring-cycle-with-a-monumental-twilight-of-the-gods/

[23] ttps://www.youtube.com/watch?v=iSSR3dtGYw0

[24] ttps://www.earrelevant.net/2020/01/review-atlanta-operas-salome-is-nonstop-psychological-thriller/

[25] ttps://operawire.com/the-atlanta-opera-2025-26-review-turandot/

[26] ttps://operaawards.org/archive/2025/

[27] Opera Magazine https://reader.exacteditions.com/issues/151022/page/18?term=erhard%20rom

[28] ttps://operaawards.org/archive/2015/

[29] Opera Magazine https://reader.exacteditions.com/issues/41497/page/12?term=erhard%20rom

[30] ttp://pq15.usitt.org/exhibition/scenery/double-bill-glimmerglass-festival-a-blizzard-on-marblehead-neck-later-the-same-evening-erhard-rom/

[31] ttps://www.operaamerica.org/media/u3ehrhc2/winter-2012_compressed.pdf (pages 38-39)

[32] ttps://gaietyschool.com/gsa-graduate-success-at-2015-irish-times-irish-theatre-awards/

[33] ttps://www.wqxr.org/story/sixth-annual-excellence-opera-freddie-awards-fred-plotkin/

[34] ttps://www.dallasnews.com/arts-entertainment/performing-arts/2023/02/11/the-dallas-operas-impressive-new-das-rheingold-has-theft-fraud-fratricide-and-magic/

[35] Opera Magazine https://reader.exacteditions.com/issues/121536/page/46?term=erhard%20rom

[36] ttps://stageandcinema.com/2026/02/04/review-cosi-fan-tutte-lyric-opera/

[37] ttps://operawire.com/the-atlanta-opera-2024-25-review-siegfried/

[38] Opera Magazine https://reader.exacteditions.com/issues/137272/page/51?term=erhard%20rom

[39] ttps://www.earrelevant.net/2024/10/beethovens-fidelio-resonates-with-resistance-and-freedom-at-washington-national-opera/

[40] ttps://dctheaterarts.org/2022/10/31/electrifying-elektra-at-washington-national-opera/

[41] ttps://texasclassicalreview.com/2019/10/19/a-stellar-cast-carries-houston-grand-operas-flashy-gangland-rigoletto/

[42] ttps://www.culturaldaily.com/figaro-delivers-sweet-singing/

[43] ttps://seenandheard-international.com/2019/10/an-american-figaro-in-san-francisco-and-it-works/

[44] ttps://www.vanclassicalmusic.com/dead-man-walking-successfully-takes-the-opera-festival-to-serious-fare

[45] ttps://bachtrack.com/review-royal-swedish-opera-adams-nixon-in-china-october-2016

[46] ttps://www.yourclassical.org/story/2016/05/08/shining-minnesota-opera

[47] ttps://www.wsj.com/articles/the-shining-and-the-scarlet-letter-reviews-1463432951?gaa_at=eafs&gaa_n=AWEtsqfHkwa1V_iZNAOe_uYqOVGGQKLzDToOIPfVVSGa06G5S7JSLe_-1bYmSY3tPDc%3D&gaa_ts=69bb1e06&gaa_sig=940MIz8j5UyzghRe0kCOxzZD22tJlctV5W88i32Upxn4eTLtLuQTmzUCf0cE8bISbNXzBgWcHCsC7pQ9J54q7Q%3D%3D

[48] ttps://www.seattletimes.com/entertainment/classical-music/semele-is-a-sensuous-feast-for-eyes-ears/

[49] ttps://www.wsj.com/articles/performances-resurrect-two-musical-mavericks-1438036249?gaa_at=eafs&gaa_n=AWEtsqek3a-ZCU4AMzoZynUz5HIjZyC3_KIboyJk5tAuMJIvMhQlWJPdtkaRcOjvKy0%3D&gaa_ts=69bb1ff6&gaa_sig=Ksj4XtfgdJi9bYhDJKbmmwmzZah4k4CbS9Y2t9rv0kuof3o-PrimytZnb_TEsgcM8WDkqjShqkGy4h267aIEXQ%3D%3D

[50] ttps://www.nytimes.com/2015/07/28/arts/music/review-the-wreckers-a-tale-of-piracy-love-and-betrayal.html

[51] ttps://www.telegraph.co.uk/culture/music/opera/11192714/silent-night-wexford-festival-opera-chad-johnson-ian-beadle-scott-wilde-matthew-worth-christian-carion-joyeux-noel-tomer-zvulun-david-agler.html

[52] ttps://www.nytimes.com/2018/08/01/arts/music/glimmerglass-west-side-story.html

[53] ttps://theclassicalreview.com/2014/09/san-francisco-opera-delivers-a-powerful-and-visually-striking-susannah/

[54] ttps://sunbreakmagazine.com/2013/02/27/a-la-boheme-at-the-seattle-opera-thats-to-die-for/

[55] ttps://www.seattletimes.com/entertainment/at-seattle-opera-a-must-see-lsquola-bohmersquo/

[56] ttps://www.wsj.com/articles/SB10001424053111903520204576482081305973392

[57] ttps://www.nytimes.com/2011/08/03/arts/music/a-new-opera-at-the-glimmerglass-festival.html

[58] ttps://www.nytimes.com/2008/12/16/arts/music/16manh.html

[59] ttps://www.nytimes.com/1998/04/29/arts/opera-review-friendly-plot-marry-widow.html

[60] ttps://www.nytimes.com/1994/03/11/arts/review-opera-adultery-murder-and-the-consequences.html

[61] ttps://www.nytimes.com/1994/12/09/arts/opera-review-miss-julie-to-rorem-s-music.html

[62] ttps://www.nytimes.com/2009/04/24/arts/music/24msmo.html

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