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// Workers AI · dad joke modeWhat did Edith Maryon's sculptures say? "We're molded to perfection.

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From Wikipedia, the free encyclopedia

The works of Edith Maryon (1872–1924) consist primarily of sculptures, and were made primarily in bronze and plaster. Maryon made the works in two main stages. First, from 1898 to 1912, when Maryon was living in London and approximately 26 to 40 years old, she created and exhibited numerous works.[1] After a move to Dornach in 1914 to collaborate with Rudolf Steiner and the Anthroposophical Society, her work was focused on the society, and took on esoteric forms.[2]

Maryon exhibited works frequently while in London, particularly at the Royal Academy of Arts and the Walker Art Gallery; with the former exhibition held during the summer and the latter during the autumn, many of her works were exhibited at both.[1] These works, according to her biographer Rex Raab [de], tended to fall into five categories: first, the world of external physical being; second, references to the elemental world; third, motifs reflecting the human soul; fourth, allegorical works representing spiritual forces and beings; and fifth, a combination of emotional and spiritual aspects.[3] The shift in focus away from the elemental world and towards the spiritual, he observed, appears to have taken place around 1905 to 1907.[4] Maryon exhibited little if at all after 1912.[5]

Following Maryon's 1914 move to Dornach, and until her death a decade later, she created and collaborated on anthroposophical forms of art. Among other works, she was heavily involved in creating both the monumental sculpture The Representative of Humanity, and the eurythmy figures depicting an anthroposophical form of dance.[2]

Works

[edit]

The following is an incomplete list of the works of Edith Maryon.

ImageTitle/DescriptionDateDimensionsLocationComments
Modelled head from life1898Displayed at the Camden School of Art, where it won both a National Bronze Medal and a Queen's Prize, and where Maryon won a £40 (equivalent to £5,600 in 2024) School of Art Scholarship.[6] Maryon's brother Herbert Maryon also won a prize, for a wrought metal casket, as well as a scholarship.[6]
Panel for screen1899Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[7]
Black-and-white photograph of a modeled figure by Edith MaryonModeled figure1899Displayed at the 1899 National Art Competition in South Kensington, where it won a bronze medal.[8]
Religion1900Sketch model of a figure for a public building. Possibly exhibited in January 1899 at the Glasgow Art Galleries Sculpture Competition, where a sculpture by Maryon on the subject "Religion" was commended.[9] Exhibited at the Royal Academy of Arts from 7 May to 6 August 1900,[10] with the catalogue quoting Ephesians 6:11, "Put on the whole armour of God."[11] Exhibited at the Thirtieth Autumn Exhibition at the Walker Art Gallery from 17 September 1900 to 5 January 1901, priced at £15 15s (equivalent to £2,200 in 2024), and with the catalogue quoting the same line from Ephesians.[12] Displayed at the Leeds City Art Gallery for the 1901 spring exhibition, also priced at £15 15s (equivalent to £2,200 in 2024).[13] Said by Marion Spielmann to "show taste and elegance" and be "full of promise".[14]
Black and white photograph of a sculpture by Edith MaryonModel of a figure from the nude1900Displayed at the Victoria and Albert Museum as part of the 1900 National Competition of Schools of Art and Art Classes, where it won a gold medal.[15] Maryon won one of two Princess of Wales scholarships.[15][16] Pictured in The Magazine of Art in 1901.[17] Maryon was pictured in The Ladies' Field afterwards.[16]
Black and white photograph of a plaster relief by Edith MaryonPlaster relief1900Displayed at the 1900 exhibition of the Royal College of Art's South Kensington Sketch Club, where Maryon (possibly for this piece) won an award offered by The Artist for an adaptation of the human figure to some applied art object.[18]
Black and white photograph of Edith Maryon's sculpture A Sketch in ClayA Sketch in Clay1900Displayed at the 1900 exhibition of the Royal College of Art's South Kensington Sketch Club, where it won an award for modelling offered by Édouard Lantéri.[19]
Black and white photograph of Edith Maryon's relief May MorningMay Morning1901Relief, portion of a fireplace.[20] Exhibited at the Royal Academy of Arts from 6 May to 5 August 1901,[21] with the catalogue quoting William Wordsworth, "When youths and maids At peep of dawn would rise, And wander forth, in forest glades Thy birth to solemnize."[22][23][24][25] Pictured in a review of the exhibition in The Builder, with the magazine terming it a "spirited panel in relief".[26] Exhibited at the Thirty-first Autumn Exhibition at the Walker Art Gallery from 16 September 1901 to 4 January 1902, priced at £52 10s (equivalent to £7,300 in 2024), and with the catalogue quoting the same lines by Wordsworth.[27] Pictured in Marion Spielmann's 1901 book British Sculpture and Sculptors of Today, and said to "show taste and elegance" and be "full of promise";[14] in The Magazine of Art, he wrote that it was "somewhat ambitious in design, although a little conventional perhaps; it is frankly student's work, but full of cleverness, grace, and distinction, and even fuller of promise, for the lady is working in a good school".[28]
Portrait medallion1901Metal in relief. Exhibited at the Royal Academy of Arts from 6 May to 5 August 1901.[29][23][21]
Joan d'Arc1901Relief. Exhibited at the 1901 Glasgow International Exhibition.[30][31]
Mother and child1901Group. Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903.[32][33][23][34] Said by Marion Spielmann to "show taste and elegance" and be "full of promise".[14]
Auf Weidersehn1902Displayed at the Leeds City Art Gallery for the 1902 spring exhibition, priced at £12 12s (equivalent to £1,800 in 2024).[35]
Cupid and Psyche1902Clasp, silver enamel. Exhibited at the Royal Academy of Arts from 5 May to 4 August 1902.[36][23][37]
Francis, son of Sir Rennell and Lady Rodd1902Medallion. Exhibited at the Royal Academy of Arts from 5 May to 4 August 1902.[38][23][37]
Miss Mildred Maryon1903Plaster bust.[39] Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903.[32][23][34] Exhibited at the Thirty-third Autumn Exhibition at the Walker Art Gallery from 14 September 1903 to 2 January 1904, not priced for sale.[39] Pictured in Raab 1993, abb. 15.
Rev. Canon Rawnsley1903Keswick Museum[40]Bronze relief. Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903.[32][23][34]
Black and white photograph of Edith Maryon's sculpture Evelyn and Gloria, children of Sir Rennell and Lady Rodd"Listen!" Evelyn and Gloria, children of Sir Rennell and Lady Rodd1903Marble.[41] Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903,[42][43][34] and again from 2 May to 1 August 1904 under the name Evelyn and Gloria: children of Sir Rennell and Lady Rodd.[44][45][46][23] Exhibited under the latter name at the Thirty-fourth Autumn Exhibition at the Walker Art Gallery from 12 September 1904 to 7 January 1905, not priced for sale.[41] According to Raab, these are different works.[47]
Black and white photograph of Edith Maryon's sculpture The Messenger of DeathThe Messenger of Death1904Exhibited at the Royal Academy of Arts from 2 May to 1 August 1904,[48] with line "One shall be taken, the other left".[49][50][51][23] According to The Graphic, the sculpture "proves that a lady sculptor of real strength and individuality has arisen amongst us".[52]
Black and white photograph of Edith Maryon's sculpture The Triumph of PeaceThe Triumph of Peace1904Exhibited at the New Gallery in 1904.[53][54] According to Raab, the same work as Peace and War.[47]
Miss Rose Gough, daughter of the Hon. Mrs. Denison1904Marble bust. Exhibited at the Royal Academy of Arts from 2 May to 1 August 1904.[32][23][48]
St. Michael1904 or 1905Plaster statuette.[55][56] Exhibited at the Thirty-fifth Autumn Exhibition at the Walker Art Gallery from 18 September 1905 to 6 January 1906, priced at £15 15s (equivalent to £2,200 in 2024).[56] Pictured in Raab 1993, abb. 16.
Peace and War1905Sketch model for a frieze. Exhibited at the Royal Academy of Arts from 1 May to 7 August 1905.[57][58] Exhibited at the Thirty-fifth Autumn Exhibition at the Walker Art Gallery from 18 September 1905 to 6 January 1906, priced at £10 10s (equivalent to £1,500 in 2024).[59] According to Raab, the same work as The Triumph of Peace.[47]
The Singer1905
Sleep1905[60]
Black and white photograph of Edith Maryon's sculpture The Pixies' RingThe Pixies' Ring1906Versions in plaster and marble.[61] Exhibited at the Royal Academy of Arts from 7 May to 6 August 1906.[62][63][64] Exhibited at the Thirty-sixth Autumn Exhibition at the Walker Art Gallery from 17 September 1906 to 5 January 1907, priced at £50 in plaster (equivalent to £7,000 in 2024) and £300 in marble (equivalent to £41,700 in 2024).[61] According to The Gentlewoman, a work "of considerable ambition and excellent workmanship".[65]
Black and white photograph of Edith Maryon's sculpture A Poet of UmbriaA Poet of Umbria1907[66]
Black and white photograph of Edith Maryon's portrait of Bishop Alfred TuckerPortrait of Bishop Alfred Tucker1908 or earlier[67][68]
Black and white photograph of Edith Maryon's sculpture The Enchanted GardenThe Enchanted Garden1908Exhibited at the Royal Academy of Arts from 4 May to 3 August 1908.[69][70][71]
A future Darwin1908Bust. Exhibited at the Royal Academy of Arts from 4 May to 3 August 1908.[72][71]
Black and white photograph of Edith Maryon's sculpture The Passing of WinterThe Passing of Winter—Miss Maud Allan as Spring1909Plaster group.[73][74][75] Exhibited at the Forty-first Autumn Exhibition at the Walker Art Gallery from 23 September 1911 to 6 January 1912, priced at £200 (equivalent to £27,800 in 2024).[73]
Colour photograph of Edith Maryon's sculpture The Dance of AnitraThe Dance of AnitraFebruary 190953 cm high; 19.5 x 16 cm wide (base)Private collectionBronze statuette. Depicts Maud Allan performing Anitra's dance from Act IV of Peer Gynt.[76][77] Exhibited at the Royal Academy of Arts from 3 May to 2 August 1909,[76][78][79][80][81] and at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at £12 12s (equivalent to £1,800 in 2024).[82][83][84] Auctioned for £4,200 in 2025, attributed to a private collection in Wiltshire.[85]
Black and white photograph of Edith Maryon's sculpture To the Witches' RevelsTo the Witches' Revels190937 cm highPrivate collectionPatinated bronze, signed and dated in the cast. Exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at £15 15s (equivalent to £2,200 in 2024).[82] Auctioned for £3,400 in 2015 (equivalent to £4,500 in 2024).[86][87][88][89]
Psyche190943 cm highPrivate collectionBronze statuette. Exhibited in plaster at the Thirty-ninth Autumn Exhibition at the Walker Art Gallery from 20 September 1909 to 8 January 1910, with bronze version, which sold during the exhibition, priced at £12 12s (equivalent to £1,800 in 2024).[90][91] Exhibited at the Royal Academy of Arts from 2 May to 6 August 1910.[92][93] Auctioned by Christie's in 1993 with an estimate of £1,000–1,500 (equivalent to £2000–3000 in 2024), but was bought in.[94][95] Sold by Tennants in 2004 for £850 (equivalent to £1,400 in 2024), against an estimate of £300–500 (equivalent to £500–800 in 2024).[96][97]
The Order of the Bath1909Exhibited in plaster at the Thirty-ninth Autumn Exhibition at the Walker Art Gallery from 20 September 1909 to 8 January 1910, with bronze version priced at £2 2s (equivalent to £300 in 2024).[98]
Miss Ruth Franklin1910Statuette. Exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at £10 10s (equivalent to £1,500 in 2024).[99]
Colour photograph of a bronze figurine of an infant by Edith MaryonMeditation19108 cm highPrivate collectionBronze. Exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at 10s 10d (equivalent to £100 in 2024).[82] Sold by East Bristol Auctions in February 2019.[100][101] A version in gilt plaster purchased by William Lever, 1st Viscount Leverhulme and displayed at the Lady Lever Art Gallery, but no longer part of the collection.[102]
Fairy Luck19107.5 cm highVersions in bronze and gilt plaster.[82][103] Bronze version exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at 10s 10d (equivalent to £100 in 2024), and sold during the exhibition.[82] Gilt-plaster version purchased by William Lever, 1st Viscount Leverhulme and displayed at the Lady Lever Art Gallery, but no longer part of the collection.[104][102]
Black and white photograph of Edith Maryon's sculpture Priestess of IsisPriestess of Isis, Sistrum Lady of Isis, Nekhta Aukh1911Exhibited at the Royal Academy of Arts from 1 May to 7 August 1911.[105][106][107] Exhibited in plaster at the Forty-first Autumn Exhibition at the Walker Art Gallery from 23 September 1911 to 6 January 1912, priced at £50 (equivalent to £7,000 in 2024).[73]
Black and white photograph of Edith Maryon's sculpture The PriestThe Priest1911[108]
Echo191129.8 cm high; 33.7 cm wide (plinth)Walker Art GalleryBronze statuette. Exhibited at the Royal Academy of Arts from 1 May to 7 August 1911.[105][107] Exhibited at the Forty-first Autumn Exhibition at the Walker Art Gallery from 23 September 1911 to 6 January 1912, priced at £10 10s (equivalent to £1,500 in 2024).[109] Purchased at the close of the exhibition by the Walker Art Gallery for its permanent collection.[109][110]
Black and white photograph of Edith Maryon's sculpture The seeker of Divine wisdomThe seeker of Divine wisdom1912Exhibited at the Royal Academy of Arts from 6 May to 5 August 1912,[111] with the catalogue including the line "The seeker kneels before Wisdom; behind him stand Religion, Knowledge, Purity, Change; on the left side Natural Law or Science, Love, Inspiration or Prayer; seated figures Contemplation or Research."[112][113]
The Skylark1912Oxydised silver-plated.[114] Exhibited at the Forty-second Autumn Exhibition at the Walker Art Gallery from 5 October 1912 to 4 January 1913, priced at £2 2s (equivalent to £300 in 2024).[114]
Die Spröde1919Castings offered for sale by the Ita Wegman Institut.[115]
Color photograph of Edith Maryon's relief In Memory of Theo FaissIn Memory of Theo Faiss192171.5 cm (version 1) or 67 cm (version 2) high; 33.5 cm widePrivate collectionsRelief in plaster and bronze. Two versions made. Memorial to Theo Faiss.
Nude relief860mm high; 560mm wide; 35mm deep; 13.6 kgdestroyedSold on eBay on 11 October 2021 for £111; destroyed by Parcelforce.[116]
Plaster casts of eurythmy figuresPrivate collection[117]

References

[edit]
  1. 1 2 Raab 1993, pp. 40–41, 52–53.
  2. 1 2 Raab 1993, pp. 137–180, 203–206, 212–213, 268–287.
  3. ↑ Raab 1993, pp. 41–42.
  4. ↑ Raab 1993, p. 42.
  5. ↑ Raab 1993, pp. 40–41.
  6. 1 2 "Camden School of Art". The Holloway & Hornsey Press. No. 1, 351. Holloway, London. 16 December 1898. p. 5. Archived from the original on 20 February 2023. Retrieved 20 February 2023.
  7. ↑ Arts & Crafts Exhibition Catalogue 1899, p. 136.
  8. ↑ Benn 1899, pp. 148–149.
  9. ↑ "Glasgow Art Galleries Sculpture Competition". The British Architect. LI: 58. 27 January 1899. Open access icon
  10. ↑ Valentine, Helen (30 May 2018). "1900: "She put a spell on me", or the Enchantment of George Frampton's Lamia". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Archived from the original on 21 April 2025. Retrieved 3 December 2025. Free access icon
  11. ↑ Royal Academy of Arts 1900, p. 63.
  12. ↑ Thirtieth Autumn Exhibition Catalogue 1900, p. 107.
  13. ↑ "Religion". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 21 June 2024. Retrieved 3 December 2025. Free access icon
  14. 1 2 3 Spielmann 1901a, p. 163.
  15. 1 2 The Artist National Competition 1900–1901, p. 86.
  16. 1 2 G. 1900, p. 26.
  17. ↑ The Magazine of Art National Competitions 1901, p. 39.
  18. ↑ K. 1900–1901, pp. 193, 195.
  19. ↑ K. 1900–1901, pp. 194–195.
  20. ↑ Koch 1901, p. 85.
  21. 1 2 Pomeroy, Mark (30 May 2018). "1901: The Policeman Painter". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 3 December 2025. Free access icon
  22. ↑ Royal Academy of Arts 1901, p. 63.
  23. 1 2 3 4 5 6 7 8 9 10 Graves 1906, p. 208.
  24. ↑ Wordsworth, William (1870). "Ode, Composed on May Morning". The Poetical Works of William Wordsworth. Vol. IV. London: E. Moxon, Son, & Co. pp. 272–274. Archived from the original on 14 March 2023. Retrieved 13 March 2020. Open access icon
  25. ↑ The Ladies' Field 1901, p. 10.
  26. ↑ The Builder 1901, pp. 577–578.
  27. ↑ Thirty-first Autumn Exhibition Catalogue 1901, p. 106.
  28. ↑ Spielmann 1901b, p. 506.
  29. ↑ Royal Academy of Arts 1901, p. 64.
  30. ↑ International Exhibition Glasgow Catalogue 1901, p. 113.
  31. ↑ "Joan D'Arc". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 7 June 2020. Retrieved 8 March 2020. Free access icon
  32. 1 2 3 4 Royal Academy of Arts 1903, p. 62.
  33. ↑ The Magazine of Art 1903, p. 439.
  34. 1 2 3 4 Fletcher, Pamela (30 May 2018). "1903: The Prodigal Daughter and the Problem Picture". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Archived from the original on 21 March 2025. Retrieved 4 December 2025. Free access icon
  35. ↑ "Auf Weidersehn". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 6 June 2020. Retrieved 8 March 2020. Free access icon
  36. ↑ Royal Academy of Arts 1902, p. 54.
  37. 1 2 Prettejohn, Elizabeth (30 May 2018). "1902: Royalty for a New Century". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Archived from the original on 25 April 2026. Retrieved 4 December 2025. Free access icon
  38. ↑ Royal Academy of Arts 1902, p. 55.
  39. 1 2 Thirty-third Autumn Exhibition Catalogue 1903, p. 104.
  40. ↑ "Decorative Art: Arts and Craft Movement". Keswick Museum. Archived from the original on 14 March 2023. Retrieved 13 March 2023. Free access icon
  41. 1 2 Thirty-fourth Autumn Exhibition Catalogue 1904, p. 120.
  42. ↑ Royal Academy of Arts 1903, p. 64.
  43. ↑ The Magazine of Art 1903, pp. 438–439.
  44. ↑ Royal Academy of Arts 1904, p. 61.
  45. ↑ Koch 1904, p. 125.
  46. ↑ Koch 1908, p. 9.
  47. 1 2 3 Raab 1993, p. 41.
  48. 1 2 Tromans, Nicholas (30 May 2018). "1904: Physical Energy". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Archived from the original on 10 December 2024. Retrieved 4 December 2025. Free access icon
  49. ↑ Royal Academy of Arts 1904, p. 59.
  50. ↑ Koch 1904, p. 130.
  51. ↑ Koch 1908, p. 14.
  52. ↑ "The Royal Academy: The Sculpture". The Graphic. Vol. LXIX, no. 1, 798. London. 14 May 1904. pp. 648, 650. Archived from the original on 18 April 2026 – via Newspapers.com. Open access icon
  53. ↑ Koch 1904, p. 122.
  54. ↑ Koch 1908, p. 6.
  55. ↑ Raab 1993, pp. 41–42, 47, 148.
  56. 1 2 Thirty-fifth Autumn Exhibition Catalogue 1905, p. 80.
  57. ↑ Royal Academy of Arts 1905, p. 59.
  58. ↑ Shaw, Samuel (30 May 2018). "1905: John Singer Sargent "In Full Sail"". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Archived from the original on 22 January 2025. Retrieved 4 December 2025. Free access icon
  59. ↑ Thirty-fifth Autumn Exhibition Catalogue 1905, p. 81.
  60. ↑ Billcliffe 1992, p. 197.
  61. 1 2 Thirty-sixth Autumn Exhibition Catalogue 1906, p. 81.
  62. ↑ Royal Academy of Arts 1906, p. 58.
  63. ↑ Koch 1908, p. 79.
  64. ↑ Feather, Jessica (30 May 2018). "1906: A New Era for Printmakers?". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Archived from the original on 23 December 2025. Retrieved 4 December 2025. Free access icon
  65. ↑ "Art and Artists". The Gentlewoman. Vol. 32, no. 829. London. 26 May 1906. p. 792.
  66. ↑ Koch 1908, p. 127.
  67. ↑ Tucker 1908, pp. iii, xv.
  68. ↑ Forrer 1930, p. 33.
  69. ↑ Royal Academy of Arts 1908, p. 56.
  70. ↑ Koch 1908, p. 158.
  71. 1 2 Barringer, Tim (30 May 2018). "1908: Deep in the Maze of Summer Woods". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Archived from the original on 18 December 2024. Retrieved 4 December 2025. Free access icon
  72. ↑ Royal Academy of Arts 1908, p. 59.
  73. 1 2 3 Forty-first Autumn Exhibition Catalogue 1911, p. 116.
  74. ↑ Koch 1909, p. 91.
  75. ↑ Koch 1912, p. 11.
  76. 1 2 Royal Academy of Arts 1909, p. 62.
  77. ↑ Raab 1993, pp. 41 & n.15.
  78. ↑ "Theatrical Gossip". The Era. Vol. 72, no. 3, 685. London. 8 May 1909. p. 16.
  79. ↑ St. George (9 June 1909). "Sculpture, Silverware, Medals, Etc., Exhibited at the Royal Academy of Arts, London". The Jewelers' Circular. Vol. LVIII, no. 19. New York. p. 53.
  80. ↑ Steiner 1990, p. 254.
  81. ↑ Shaw, Samuel (30 May 2018). "1909: George Clausen and the Woman Reading". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Archived from the original on 12 December 2025. Retrieved 4 December 2025. Free access icon
  82. 1 2 3 4 5 Fortieth Autumn Exhibition Catalogue 1910, p. 121.
  83. ↑ Bare 1911a, p. 231.
  84. ↑ Bare 1911b, p. 231.
  85. ↑ "Edith Maryon (1872–1924), A Bronze Figure of Maud Allan- Dance of Anitra, Dated 1909". Dreweatts. 11 September 2025. Archived from the original on 11 September 2025. Retrieved 11 September 2025. Free access icon
  86. ↑ Koch 1909, p. 94.
  87. ↑ Koch 1912, p. 14.
  88. ↑ "Louisa Edith Maryon (1872–1924)". Woolley & Wallis. 2015. Archived from the original on 5 July 2019. Retrieved 7 July 2019. Free access icon
  89. ↑ Faxneld 2017, pp. 239, 241–242.
  90. ↑ Thirty-ninth Autumn Exhibition Catalogue 7th ed. 1909, p. 116.
  91. ↑ Thirty-ninth Autumn Exhibition Catalogue 8th ed. 1909, p. 116.
  92. ↑ Royal Academy of Arts 1910, p. 60.
  93. ↑ O'Neill, Morna (30 May 2018). "1910: The Politics of Portraiture". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 4 December 2025. Free access icon
  94. ↑ The Nineteenth Century: The Properties of the late Sir Basil Fraser, 2nd Baronet of Cromarty; Clare, Duchess of Sutherland; and from various sources. London: Christie, Manson & Woods Ltd. 1993. OCLC 171301145.
  95. ↑ "Psyche, 1909, by Edith C. Maryon". ArtPrice. Archived from the original on 14 March 2023. Retrieved 20 February 2020.
  96. ↑ Tennants Catalogue Sale 2004, p. 177.
  97. ↑ "E Maryon: A Bronze Figure of a Standing Nude Young Woman, 1909". The Saleroom. 24 November 2004. Archived from the original on 30 April 2024. Retrieved 30 April 2024. Free access icon
  98. ↑ Thirty-ninth Autumn Exhibition Catalogue 8th ed. 1909, p. 117.
  99. ↑ Fortieth Autumn Exhibition Catalogue 1910, p. 125.
  100. ↑ "Rare Louisa Edith Church Maryon Bronze Figurine of an Infant". East Bristol Auctions. Archived from the original on 11 September 2025. Retrieved 11 September 2025. Free access icon
  101. ↑ "Rare Louisa Edith Church Maryon Bronze Figurine of an Infant". The Saleroom. 26 February 2019. Archived from the original on 21 February 2020. Retrieved 21 February 2020. Free access icon
  102. 1 2 Clay et al. 1999, p. 81.
  103. ↑ Yarrington 2005, p. 105.
  104. ↑ Yarrington 2005, pp. 105 & n.42.
  105. 1 2 Royal Academy of Arts 1911, p. 58.
  106. ↑ Koch 1912, p. 70.
  107. 1 2 Yordanov, Vassil Vesselinov (30 May 2018). "1911: Formalism and Naturalism". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Archived from the original on 11 December 2025. Retrieved 4 December 2025. Free access icon
  108. ↑ Koch 1912, p. 71.
  109. 1 2 Forty-first Autumn Exhibition Catalogue 1911, p. 115.
  110. ↑ "Echo". Art UK. Archived from the original on 23 October 2023. Retrieved 22 October 2023. Free access icon
  111. ↑ Law, Jonathan (30 May 2018). "1912: Henry Scott Tuke and the Erotics of Display". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Archived from the original on 4 January 2026. Retrieved 4 December 2025. Free access icon
  112. ↑ Royal Academy of Arts 1912, p. 61.
  113. ↑ Koch 1912, p. 115.
  114. 1 2 Forty-second Autumn Exhibition Catalogue 1912, p. 88.
  115. ↑ "The Models of the First and Second Goetheanum on a Scale of 1:500, and Other Castings". Ita Wegman Institut. Archived from the original on 12 April 2026. Retrieved 12 April 2026. Free access icon
  116. ↑ "Edith Maryon Large Decorative Bas Relief Plaster Sculpture of Nude Male". eBay. 11 October 2021. Archived from the original on 28 November 2021. Retrieved 28 November 2021. Free access icon
  117. ↑ "GIPS". Mirum. Archived from the original on 23 December 2022. Retrieved 23 December 2022. Free access icon

Bibliography

[edit]

Royal Academy of Arts exhibition catalogues

Walker Gallery Autumn exhibition catalogues

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