Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a24025f11d1a1ef0

Jump to content

Todd Decker

From Wikipedia, the free encyclopedia
Todd Decker
Alma mater
Occupations
  • Musicologist
  • professor
Years active1989-present

Todd Decker is an American musicologist. He is the Paul Tietjens Professor of Music at Washington University in St. Louis.[1] Decker edited the journal American Music from 2020 to 2022.

Decker graduated from Fresno Pacific College in 1989, then earned a Master of Music degree in harpsichord from the San Francisco Conservatory of Music in 1991. He completed his PhD at the University of Michigan in 2007 and joined the faculty of the Arts and Sciences at Washington University in St. Louis that same year.[1]

Decker's research, teaching, and publications generally focus on American popular music from 1920 to the present, with particular emphasis on the Broadway and Hollywood musical, Hollywood film music (and sound), the recorded popular music industry, and pre-1970 jazz.[1]

Expert witness

[edit]

In 2019, Decker testified as an expert witness in a lawsuit against Katy Perry, stating that Christian rapper Flame produced a "unique" eight-note ostinato — a repeating sequence of musical figures within a song — which Flame's legal team claimed Perry plagiarized. Decker further testified that the ostinatos used in Perry's 2013 song "Dark Horse" and Flame's 2008 song "Joyful Noise" share "five or six points of similarity."[2] A jury verdict that found the Katy Perry song did infringe the copyright of Flame's song was overturned on appeal on the March 16, 2020.[3] US District Court judge Christina A Snyder said "It is undisputed in this case" that the ostinato was "not a particularly unique or rare combination."[4][5]

Music theorist and YouTuber Adam Neely criticized Decker's arguments as "intellectually dishonest", and claimed that Decker had "sold us all out" with his involvement in the case.[6][7]

Publications

[edit]
Books
  • Decker, Todd (2011). Music Makes Me: Fred Astaire and Jazz. University of California Press. ISBN 978-0520268906.
  • Decker, Todd (2013). Show Boat: Performing Race in an American Musical. Oxford University Press. ISBN 978-0190250539.
  • Decker, Todd (2015). Who Should Sing 'Ol' Man River'?: The Lives of an American Song. Oxford University Press. ISBN 978-0199389186.
  • Decker, Todd (2017). Hymns for the Fallen: Combat Movie Music and Sound after Vietnam. University of California Press. ISBN 978-0520282322.
  • Decker, Todd (2022). Astaire by Numbers: Time & the Straight White Male Dancer. Oxford University Press. ISBN 978-0197643594.

References

[edit]
  1. 1 2 3 "Todd Decker". Washington University in St. Louis | Department of Music. Retrieved March 28, 2021.
  2. Eggertsen, Chris (20 July 2019). "Musicologist Backs Up Copyright Infringement Claim Against Katy Perry on Day Two of 'Dark Horse' Trial". Billboard. Retrieved 2019-08-04.
  3. Stassen, Murray (March 18, 2020). "Katy Perry's $2.8m Dark Horse copyright infringement verdict has been overturned". Music Business Worldwide.
  4. "Katy Perry wins reversal of Dark Horse plagiarism verdict". BBC News. 2020-03-18. Retrieved 2021-04-29.
  5. Maddaus, Gene (2020-03-17). "Katy Perry Wins Reversal of 'Dark Horse' Copyright Verdict". Variety. Retrieved 2021-04-29.
  6. Neely, Adam (2019-08-03). "Why the Katy Perry/Flame lawsuit makes no sense". YouTube. Retrieved 2024-06-28.
  7. Jeremy Hobson and Serena McMahon (2019-08-14). "Musician Says Katy Perry's 'Dark Horse' Copyright Infringement Verdict Sets A 'Dangerous Precedent'". WBUR-FM.