Talk:Sam Yates
Add topic| This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page. |
 | This article is rated Stub-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects: | ||||||||||
| |||||||||||
 | The following Wikipedia contributor may be personally or professionally connected to the subject of this article. Relevant policies and guidelines may include conflict of interest, autobiography, and neutral point of view. Their edits to this article were last checked for neutrality on 23 November 2025 by Tarlby.
|
Adding more detail to biog
[edit] | This edit request by an editor with a conflict of interest was declined. Some or all of the changes may be promotional in tone. |
Hi there,
I would like to add more detail to my biography and work.
I understand this is not without complexity.
I would like to add the below text. I have added what I think are good sources for each of the assertions.
Best wishes,
Sam
Career
2011-2015
Yates’ first production in London was Mixed Marriage at the Finborough Theatre, which he also produced, in 2011. The Guardian’s Michael Billington describing it as “the most compelling play in London.” The following year, Yates returned to the Finborough to produce and direct Cornelius by J.B. Priestley, featuring Alan Cox. The production was widely praised and described as “monumental.”https://www.theguardian.com/stage/2012/aug/20/cornelius-review-finborough-london The production and its original cast transferred Off-Broadway to 59E59 where the production enjoyed a sold-out run and was described as “wonderful” in Ben Brantley’s Critic’s Pick review in The New York Times.
Yates produced and directed a trio of unrelated Eugene O’Neill short plays, conceived by Yates into a production called The El Train at Hoxton Hall. The production featured a live jazz quartet, and had its own bar, The Hell Hole Saloon, named after one of O’Neill’s favourite New York taverns. Yates directed Ruth Wilson in two of the plays, and Wilson directed the third. The production sold out and in a 5-star review for the Observer Yates was described as “a director of unusual flair.”
In 2014, Yates directed Billy Liar at the Royal Exchange, Manchester. The production won two Manchester Theatre Awards for Harry McEntire and Emily Barber.
Jamie Lloyd and ATG engaged Yates to make his west end debut in 2014 with East is East by Ayub Khan Din. Yates cast Khan Din to play his own father, opposite Jane Horrocks. The production was critically acclaimed with Lyn Gardener of The Guardian writing “Director Sam Yates announces himself as a major talent.” The production went on to tour the UK in 2014, and again, with a new cast led by Pauline McLynn, in 2015. ~2025-35806-29 (talk) 19:04, 23 November 2025 (UTC)
Not done for now: Some of the requested changes are currently written in a promotional tone. Please review WP:Neutral point of view and make changes where appropriate to follow this before reopening the request. Mustbeotherwise (talk) 02:41, 26 January 2026 (UTC)
