Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.
// request.cf · coarse context
A page that knows where it met you.
Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.
This article is within the scope of WikiProject London, a collaborative effort to improve the coverage of London on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.LondonWikipedia:WikiProject LondonTemplate:WikiProject LondonLondon-related
This article is within the scope of WikiProject Classical music, which aims to improve, expand, copy edit, and maintain all articles related to classical music, that are not covered by other classical music related projects. Please read the guidelines for writing and maintaining articles. To participate, you can edit this article or visit the project page for more details.Classical musicWikipedia:WikiProject Classical musicTemplate:WikiProject Classical musicClassical music
Latest comment: 2 months ago1 comment1 person in discussion
I question the description of the Philharmonia as EMI's "in-house orchestra". As Stephen J. Pettitt's history of the orchestra shows, Walter Legge was its sole proprietor, and though he shrewdly arranged his recording sessions so that EMI would pay for the rehearsals before his public concerts, EMI had no proprietary interest in the orchestra whatever. It is true that Legge's Philharmonia recorded exclusively for EMI but in those days so did Beecham's Royal Philharmonic Orchestra - the former for the Columbia label and the latter for HMV - but neither could by any stretch of the imagination be called EMI house orchestras. Tim riley talk17:39, 2 May 2026 (UTC)Reply