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Talk:Mathilde Bonnefoy

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Update request – COI disclosure: I am the subject of this article

[edit]

Hello, I am Mathilde Bonnefoy, the subject of this article. I am disclosing my conflict of interest per Wikipedia policy (see also my user page). Rather than editing the article directly, I am proposing updates below with reliable sources for each change. I would be grateful if an experienced editor could review and implement those that meet Wikipedia's standards.

The article has not been substantially updated since 2015. Several notable credits, awards, and professional memberships are missing, the filmography is incomplete, and the structure could be improved. I am proposing changes in order of priority.

1. Rewrite of lead paragraph

[edit]

The current lead buries the Academy Award and opens with an ACE Eddie nomination, which is a lesser achievement. I propose the following rewrite:

Current first sentence:

"Mathilde Bonnefoy (born 11 March 1972) is a French film editor and director who was nominated for an ACE Eddie Award for the editing of the film Run Lola Run (1998)..."

Proposed new lead paragraph:

"Mathilde Bonnefoy (born 11 March 1972) is a French-American film editor, director, producer, and visual artist based in Berlin. She won the Academy Award for Best Documentary Feature for Citizenfour (2014), directed by Laura Poitras, alongside Poitras and Dirk Wilutzky. Bonnefoy is known for her collaboration with director Tom Tykwer, editing five of his films including Run Lola Run (1998), for which she won the Deutscher Filmpreis for Best Editing. She has also edited films for Wim Wenders and Angela Schanelec, directed documentaries in co-production with ARTE, and executive produced Eugene Jarecki's Julian Assange documentary The Six Billion Dollar Man (2025). She is a founding member of the Deutsche Filmakademie, and a member of the Academy of Motion Picture Arts and Sciences and the European Film Academy."

Sources:

2. Description of mother Lucy Vines

[edit]

The article currently describes my mother as "Lucy Vines, an American." This significantly undersells my mother's biography. Lucille Vines was an American actress and visual artist.

Proposed change:

"...the daughter of the French poet Yves Bonnefoy and the American actress and artist Lucy Vines"

Sources:

3. Missing post-2015 work

[edit]

The Six Billion Dollar Man (2025)

[edit]

Bonnefoy served as executive producer of The Six Billion Dollar Man, a documentary about Julian Assange directed by Eugene Jarecki. The film premiered in Special Screenings at the 2025 Cannes Film Festival, where it won the L'Œil d'or special jury prize and the Golden Globe Prize for documentary. It is scheduled for U.S. theatrical release in early 2026.

Sources:

IKI / Transformative Urban Coalitions documentary series

[edit]

Together with Dirk Wilutzky, Bonnefoy produced and directed a series of short documentaries on climate action for the Transformative Urban Coalitions (TUC) project, under the International Climate Initiative (IKI) of the German Federal Government. The films were screened at COP27 and at the UN Campus in Bonn during SB58 (2023).

Sources:

4. Missing filmography entries

[edit]

The filmography currently stops at 2014 and is missing several credits. Please add:

  • 2004–2007: Durch die Nacht mit... (director of two episodes: "Julie Delpy und Bela B." and "Robert Wilson und Amira Casar", TV series for ARTE)
  • 2006: Paris, je t'aime (editor, Tykwer segment "Faubourg Saint-Denis")
  • 2006: Anakonda im Netz: A Rammstein Documentary (director)
  • 2008: Insensitive (director, short film)
  • 2009: Deutschland 09 (editor, Tykwer and Schanelec segments; creative supervisor of the entire film)
  • 2011–2014: Que faire? / Was tun? (producer, director, camera, and editor, with Dirk Wilutzky; TV series for ARTE, distributed by bpb)
  • 2022–2023: IKI/TUC documentary series (director and producer, with Dirk Wilutzky)
  • 2025: The Six Billion Dollar Man (executive producer)

Sources:

5. Missing awards and memberships

[edit]

The article is missing many awards for Citizenfour. According to IMDB (13 wins & 10 nominations), these include:

Additional wins to list:

Additional nominations to list:

Memberships missing from article:

Sources:

6. Article structure

[edit]

The article currently has no section headings. I suggest restructuring with the following sections, which is standard for filmmaker biographies on Wikipedia:

  1. Lead paragraph
  2. Early life and education
  3. Career
    1. Film editing
    2. Directing
    3. Producing
    4. Visual art
  4. Filmography (as a sortable table)
  5. Awards and nominations (as a table)
  6. References
  7. External links

7. Visual art

[edit]

Since the mid-2010s, Bonnefoy has also worked as a visual artist, primarily in photography. In 2015, her photographic series California State Route 152, April 2015 was exhibited at the Literarisches Colloquium Berlin (19 October – 27 November 2015). The photographs were created during a residency at the Villa Aurora in Los Angeles.

Sources:

Additional source for visual art: Bonnefoy's photographic work was also published in Journal 15 of The Hoosac Institute, a curated arts platform for interdisciplinary text and image: Hoosac Institute: Mathilde Bonnefoy. Mathilde Bonnefoy (talk) 19:34, 15 February 2026 (UTC)Reply


8. Significance of Run Lola Run editing in the "Film editing" career section

[edit]

The existing article mentions the Deutscher Filmpreis and the ACE Eddie nomination for Run Lola Run, but it does not reflect the film's wider significance in film culture or the role of its editing in that significance. I suggest adding a brief contextual note within the proposed "Film editing" career section. This is not a request for evaluative praise, but for factual context that is well-documented in independent sources.

Proposed text:

"Run Lola Run became widely studied in film programs for its innovative editing, which integrated rapid cuts, jump cuts, split screens, and animated sequences with a techno soundtrack to create the film's distinctive pace. The film is frequently cited as a landmark of 1990s German cinema. Bonnefoy and Tykwer discussed their editing collaboration in a 2011 interview published in the Journal of Film and Video."

Sources:

Thank you for your time. I am happy to provide further sources or clarification. Mathilde Bonnefoy (talk) 19:28, 15 February 2026 (UTC)Reply