Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.
// request.cf · coarse context
A page that knows where it met you.
Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.
This article is within the scope of WikiProject Classical music, which aims to improve, expand, copy edit, and maintain all articles related to classical music, that are not covered by other classical music related projects. Please read the guidelines for writing and maintaining articles. To participate, you can edit this article or visit the project page for more details.Classical musicWikipedia:WikiProject Classical musicTemplate:WikiProject Classical musicClassical music
This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography
This article is within the scope of WikiProject France, a collaborative effort to improve the coverage of France on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.FranceWikipedia:WikiProject FranceTemplate:WikiProject FranceFrance
Latest comment: 13 years ago1 comment1 person in discussion
The list of recordings omits a very important one, Guilde Internationale du Disque SMS-2590,exact release date uncertain, but probably early 1970s. This disc was awarded the very prestigious Grand Prix du Disque of the French Academy and contains the following works: Luciano Berio: Sequenza IV; Pierre Boulez: First and Second Sonatas for Piano; Anton Webern: Klavierstück "Im Tempo eines Menuetts," op. posth., and Variations, Op. 27. This record label, incidentally, was a French imprint of the Concert Hall Society, most of whose more than 2,000 releases were issued under that label name, and available principally by mail order, which is why they were often not listed in the Scwann Catalog and other publications, and thus regularly missed by discographers. My source for this record is the copy I have in my hand (I own it), and the listing on p. 162 of John Hunt's Concert Hall Society discography recently published (2011) by Travis & Emery Music Bookshop, London. Billcito (talk) 18:54, 6 November 2012 (UTC)Reply
