Talk:Arlene Slavin

moving bibliography off the main space

This does not add any useful info to article. WomenArtistUpdates (talk) 22:42, 20 July 2021 (UTC)

Selected Bibliography

• Segal, M. (2014). Arlene Slavin: Color Light and Shadow. East Hampton: East Hampton Star. Pg. C1-2.
• Wenzel, T. (2014). A Refuge of Natural Light. New York: The New York Times. Pg. 10 (metro section)
• Haveles, K. (2014). Arlene Slavin Garden of Color. Tumblr: Artlog. (Online portfolio)
• Khan, S. (2014). Female Persuasion. Beach. Pg. 54. (Color illustration)
• Korotkin, J. (2003). Chelsea: Arlene Slavin, M. New York: The New York Art World. (illustration)
• Thea, C. (2001). Arlene Slavin: Meditating Public Space. Sculpture Magazine. Pg. 16-17.
• Weiss, M.W. (1999). Honouring the Artist: Arlene Slavin. Dan's Paper. (cover illustration)
• Brad, P. (1996). Creatures. New York: The New York Times.
• Levin, G. (1991). Arlene Slavin at Yeshiva University Critique. New York: The New York Times.
• Slesins, S. (1991). Screens: Things Imagined or Dreamed. New York: The New York Times. (illustration)
• Dugan, L. (1989). Art for the Park. New York: Daily News. Pg. 50. (illustration)
• Solomon, M. (1989). Creations. East Hampton: East Hampton Star.
• Van Gelder, P. (1989). Animals as Subjects in Art. American Artist. Pg. 44-50 & 96-100. (color illustration)
• Crossman, C. B. Painterly Panels. Huntington: Heckscher Museum. (color illustration)
• Harrison, H. (1987). Painterly Panels: Hybrid Art. New York: The New York Times. (illustration)
• Lipson, K. (1987). Painted Panels that Play on Perceptions. Newsday. Pg. 3 (illustration)
• Love, N. (1985). The Screen as Art. Town & Country. Pg. 251-254. (Color illustration)
• Harrison, H. (1985). Capturing Creatures in Stone and Canvas. New York: The New York Times. Pg. 15.
• Gerrit, H. (1984). Arlene Slavin at Alexander Millikan. Art in America. Pg. 149-150. (color illustration)
• Lichtenstein, T. (1983). Arts Reviews. Arts Magazine. (illustration)
• Glueck, G. (1982). The Screen Comes into Its Own. New York: The New York Times. Pg. 27-28.
• Putterman, S. (1981). Arlene Slavin. Arts Magazine. Pg. 89. (Illustration)
• Stewart, J. (1981). Seaworld: 214 ft. Mural Opens U.C.C.S Creative Arts Center with a Splash. Colorado: Colorado Springs Sun. (Color illustration)
• Perrault, J. (1981). Usable Art. Porfolio. Pg. 60-63. (Color illustration)
• Tulenko, K. (1981). Arlene Slavin-Porfolio. Art Voices.
• McKeon, N. (1981). The Art of Living. New York: New York Magazine. Pg. 46 (Color illustration)
• Bass, R. (1981). Arlene Slavin. Art News. Pg. 197 (illustration)
• Hill, N. (1981). Manhattan Interiors. Tatler. Pg. 62-63 (color illustration)
• Print Collector's Newsletter. (1981). New Prints Arlene Slavin. Pg. 212 (illustration)
• Geran, M. (1980). Re-evaluations Art Currency. Interiors. Pg. 293-294 (color illustration)
• Anderson, A. (1980). Arlene Slavin. Arts Magazine. Pg. 23 (illustration)
• Print Collector's Newsletter. (1979). New Prints of Worth: A Question of Taste. (illustration)
• Perrault, J. (1979). The New Decorativeness. Portfolio. Pg. 32-33 (illustration)
• Vogue Magazine. (1979). Living Inside Art. New York: Vogue Magazine. Pg. 284-287 (color illustration)
• The New Yorker. (1979). Talk of the Town, “Birds”. New York: The New Yorker. Pg. 32-33.
• Lewis, J. (1979). Bird Mural is Winging into Artistic Oblivion. New York: NY Daily News. Pg. 14 (illustration)
• Anderson, A. (1979). Voice Choice. New York: Village Voice. Pg. 55
• Kingsley, A. (1977). Opulent Optimism. New York: Village Voice. Pg. 76
• Peronne, J. (1976). Approaching the Decorative. New York: Artforum. Pg. 26-30 (illustration)
• Slavin, A. & Baynard, E. (1976). Dialog. New York: New York Arts Journal. (Illustration)
• Frank, P. (1978). Arlene Slavin. Art News. Pg. 122-123
• Kozloff, J. (1976). Arlene Slavin. Fifty Seventh Street Review. Pg. 14-15
• Derfner, P. (1975). Arlene Slavin at Fischbach. Art in America. Pg. 89 (illustration)
• Smith, R. (1975). Reviews- Arlene Slavin. New York: Artforum. Pg. 68 (illustration)
• Ratcliff, C. (1974). Arlene Slavin at Fischbach. Art Spectrum. Pg. 73 (illustration)
• Nemser, C. (1974). Arlene Slavin. Arts Magazine. Pg. 58 (illustration)
• Alloway, L. (1974). Art. The Nation.
• Kramer, H. (1974). Arlene Slavin. New York: The New York Times. Pg. 25
• Kutner, J. (1974). Lee Gallery Shows Slavin Geometrics. Dallas: The Dallas Morning News.
• Borden, L. (1973). Art Economics and the Whitney Drawing Show. New York: Artforum.
• Brunelle, A. (1973). Reviews & Previews. Art News. Pg. 85
• Kingsley, A. (1973). Women Choose Women. New York: Artforum. Pg. 69-73
• Siegel, J. (1973). The Whitney Biennial. Art News.
• Hess, T. (1973). Polypolyptychality. New York: New York Magazine.

Books and Catalogues

• Katz, A. (2019). With Pleasure: Pattern and Decoration in American Art 1972-1985. moca.org. ISBN 978-0-300-23994-2
• Princenthal, N. & Dowley, J. (2001). A Creative Legacy: A history of the National Endowment for the Arts Visual Artists Fellowship Program 1966-1995. New York, NY: Abrams. ISBN 0-8109-4170-8.
• Heartney, E. (2005). City Art: New York's Percent for Art Program. Merrell Publishers. (illustration) ISBN 185894290X
• Heller, N. G. (1986). Women Artists. Abbeville Press. Engagement Book and Address Book, 1986.
• Lee, M. (1984). Art at Work: The Chase Manhattan Collection. E.P. Dutton, Inc., p. 184. ISBN 0525242724
• Jensen, R. & Conway, P. (1982). Ornamentalism: the new decorativeness in architecture & design. C.N. Potter. ISBN 978-0-517-54383-2 (illustration)

References