Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a2575d313b3d984a

Jump to content

// Workers AI · dad joke modeWhat did Surautomatism say to art? "Auto-graph me.

From Wikipedia, the free encyclopedia

Surautomatism is any theory or act in practice of surrealist creative production taking, or purporting to take, automatism to its most absurd limits.

In their 1945 statement Dialectique de la Dialectique, Romanian surrealists Gherashim Luca and Dolfi Trost wrote,[1]

We have returned to the problem of knowledge through images... by establishing a clear distinction between images produced by artistic means and images resulting from rigorously applied scientific procedures, such as the operation of chance or of automatism. We stand opposed to the tendency to reproduce, through symbols, certain valid theoretical contents by the use of pictorial techniques, and believe that the unknown that surrounds us can find a staggering materialization of the highest order in indecipherable images. In generally accepting until now pictorial reproductive means, surrealist painting will find that the way to its blossoming lies in the absurd use of aplastic, objective and entirely non-artistic procedures.

The name surautomatism suggests "going beyond" automatism,[1] but whether surautomatism is anything but a group of methods by which surrealist automatism is practiced is controversial.

Surautomatism includes cubomania, entopic graphomania and various types of what the Romanian surrealists called "indecipherable writing".

See also

[edit]

References

[edit]
  1. 1 2 Luca, Gherasim; Trost, Dolfi (1945). Dialectique de la dialectique - Message to the International Surrealist Movement (in French). Poussant l'automatisme jusqu'à ses limites les plus concrètes et absurdes (le surautomatisme, le talisman-simulacre), objectivisant d'une manière ininterrompue le hasard et l'obligeant à renoncer à son caractère de rareté provenant de la découverte de l'objet trouvé (l'objet objectivement offert, la graphomanie entropique), nous écartons l'idée insupportable de ne pouvoir le capter toujours.

Sources

[edit]