Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a24006d729f7b179

Jump to content

Rodion Azarkhin

From Wikipedia, the free encyclopedia

Rodion Mikhaylovich Azarkhin (Russian: Родио́н Миха́йлович Аза́рхин) also spelt Rodion Azarkin and Radion Azarkin, (22 March 1931, Kharkiv, USSR – 26 March 2007, Moscow, Russia) was a Russian musician.[1][2] He started playing the double bass in 1945 at a music school next to the Saint Petersburg Conservatory. Later he was a pupil of RSFSR Honoured Artist M.M. Kurbatov at the Leningrad Conservatory from which he graduated with honours in 1954. He continued his studies as a postgraduate student at the Moscow Conservatory under cellist Sviatoslav Knushevitsky.

Azarkhin worked with many musical ensembles, including the Moscow Chamber Orchestra under Rudolf Barshai, Leningrad Radio Variety Orchestra, Leningrad Philharmonic Orchestra, Leningrad Academic Maliy Opera Theatre Orchestra, State Academic Symphony Orchestra of the Russian Federation, Izmir State Symphony Orchestra and as a soloist with the Turkish conductor Ender Sakpinar.[3] He also participated as a soloist in the programme of The Royal Conservatory of Music concert called Music in Exile.[4]

Azarkhin's repertoire of more than 200 works is unique. It features numerous arrangements of his own and transcriptions of instrumental pieces, as well as rarely performed original compositions for double bass. These include: concertos by Bach, Boccherini, Dittersdorf, Dvořák, Haendel, Haydn, Saint-Saëns, Schumann, Tubin; "Variations on a Rococo theme" by Tchaikovsky, Partita No.2 by Bach (with Chaconne); and sonatas by Beethoven ("Kreutzer-Sonate"), Boccherini, Brahms, Franck, Grieg, Hindemith, Kabalevsky, Rachmaninov, Schubert, and "Moses" by Paganini, and "Introduction and rondo-capriccio" by Saint-Saëns.

Performance of these works, use of new performing techniques, and new timbre colours allowed Azarkhin to extend considerably the conventional idea about the artistic potential of the double bass as a solo instrument.

References

[edit]
  1. Stokes, Donovan (2007). "In Memory of Rodion Azarkhin" (PDF). Bass World. Retrieved 25 October 2011.
  2. Stokes, Donovan (2007). "Passion and Survival" (PDF). Double Bassist. Retrieved 25 October 2011.
  3. Ender Sakpınar, Conductor OrionProduction.com
  4. Programme of Music in Exile, p. 61. The Royal Conservatory of Music

Sources

[edit]
  • Российский гуманитарный энциклопедический словарь. Entry on Rodion Azarkhin. «Гуманитарный издательский центр ВЛАДОС», 2002. (in Russian)