Portal:Writing
Welcome to the writing portal
Introduction

Writing is the act of creating a persistent, usually visual representation of language on a surface. As a structured system of communication, writing is also known as written language. Historically, written languages have emerged as a way to record corresponding spoken languages. A particular set of symbols, called a script, as well as the rules by which they encode a particular spoken language, is known as a writing system. In some rare cases, writing may be tactile rather than visual.
The cognitive and social activity of writing involves neuropsychological and physical processes whose physical output is also called writing (or a text): a series of physically inscribed, mechanically transferred, or digitally represented symbols. Reading is the activity of encountering a text and construing its symbols. Literacy is the ability of reading and writing.
In general, writing systems do not constitute languages in and of themselves, but rather a durable means of representing language such that it can be understood by people at a later time. While the use of language is universal across human societies, most spoken languages are not written. Those with a writing system can complement and extend the capacities of spoken language, transmitting it across space (e.g. written correspondence) and storing it for future reading (e.g. libraries). Writing can also change people's relationships with the knowledge they acquire, since it allows humans to externalize their thinking in forms that are easier to reflect on, process more slowly, elaborate on, reconsider, and revise. (Full article...)
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Islamic calligraphy is the art of writing, and by extension, of bookmaking. This art has most often employed the Arabic script, throughout many languages. Calligraphy is especially revered among Islamic arts since it was the primary means for the preservation of the Qur'an.
Throughout Islamic history, the work of calligraphers was collected and appreciated. Consideration of figurative art as idolatrous led to calligraphy and abstract figures becoming the main methods of artistic expression in Islamic cultures.
Arabic, Persian and Ottoman Turkish calligraphy is associated with geometric Islamic art (the Arabesque) on the walls and ceilings of mosques as well as on the page. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work. (Full article...)
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Selected biography
Andrew Robinson was educated at the Dragon School, Eton College where he was a King's Scholar, University College, Oxford where he read Chemistry and finally the School of Oriental and African Studies in London. He is the son of Neville Robinson, an Oxford physicist. He is based in London and is currently a full-time writer.
Robinson has written several books about the history of writing, including:
- The Story of Writing: Alphabets, Hieroglyphs and Pictograms. Thames and Hudson (2000). ISBN 0-500-28156-4.[4]
- Lost Languages: The Enigma of the World's Great Undeciphered Scripts. McGraw-Hill (2002). ISBN 0-07-135743-2.[5][6]
- Writing and Script. Oxford University Press (2009). ISBN 9780199567782.[3][7][8] (Full article...)
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Categories

Writing • Calligraphy • Penmanship • Writing implements • Inks • Alphabetic writing systems • Abjad • Abugida • Kanji • Logographic writing systems • Writing systems • Cyrillic alphabets • Hellenic scripts • Script typefaces
Major topics
• Calligraphy •
Western calligraphy • Islamic calligraphy • Indian calligraphy • Chinese calligraphy • Korean calligraphy • Japanese calligraphy • Persian calligraphy • Manuscript
• Writing instruments •
Pen • Ink brushes • Inks • Ink stone • Qalam • Quill • Dip pen • Nib • Paper • Writing slate • Pencil • Typewriter • Word processor • Dry erase marker • Touchscreen
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References
- ↑ Andrew Robinson (1), LibraryThing.
- ↑ Books by Andrew Robinson, Alibris.
- 1 2 Mark Twaite, Interview with Andrew Robinson, The Book Depository, 2009.
- ↑ Andrew Robinson, Andrew Robinson on the story of writing. The Times, 29 September 2007.
- ↑ James McConnachie, Lost Languages: The Enigma of the World's Undeciphered Scripts by Andrew Robinson. The Sunday Times, 8 March 2009.
- ↑ Andrew Robinson, Decoding antiquity: Eight scripts that still can't be read. New Scientist, 27 May 2009.
- ↑ Steven Poole, Writing and Script by Andrew Robinson. The Guardian, 19 September 2009.
- ↑ Greg Neale, "Book reviews: Writing and Script". Oxford Today, 22(2):37, 2010.

