Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a40f3ef38a81dbb4

Jump to content

Opalotype

From Wikipedia, the free encyclopedia
Opalotype example by German photographer Rudolf Dührkoop. National Media Museum.

Opalotype or opaltype is an early technique of photography.

Opalotypes were printed on sheets of opaque, translucent white glass; early opalotypes were sometimes hand-tinted with colors to enhance their effect. The effect of opalotype has been compared "to watercolor or even pastel in its softer coloring and tender mood."[1] "Opalotype portraits...for beauty and delicacy of detail, are equal to ivory miniatures."[2]

Opalotypes were first patented in 1857 by Glover and Bold of Liverpool.[3] They were made either by transferring a print to opal glass or by printing directly onto a light-sensitive coating on the glass; later opalotypes used processes including collodion, carbon transfer, and silver gelatin.[4][3] Opalotype photography, never common, was practiced in various forms until it waned and disappeared in the 1930s. "Milk glass positive" is another alternative term for an opalotype.[4]

Opalotype is one of a number of early photographic techniques now generally consigned to historical status, including ambrotype, autochrome, cyanotype, daguerreotype, ivorytype, kallitype, orotone, and tintype. This and many other historical photographic methods are now considered alternative photographic techniques and are practiced by a small number of dedicated artists.

Notes

[edit]
  1. ↑ Frank, Robin Jaffee. Love and Loss: American Portrait and Mourning Miniatures. New Haven, Yale University Press, 2000; p. 287.
  2. ↑ Gernsheim, Helmut. Creative Photography: Aesthetic Trends, 1839–1960. New York, Courier Dover, 1991; p. 56.
  3. 1 2 Glaser, Greta. "Technical Investigation of a 20th Century Hand-Colored Opaltype" (PDF). Topics in Photographic Preservation. American Institute for Conservation. Retrieved 2026-09-06.
  4. 1 2 "Glass Positives: 1880s–1930s". The Historic New Orleans Collection. Retrieved 2026-09-06.

References

[edit]
  • Mentzer, Jennifer Jae. "The Technical Study of Two Opaltypes." Photographic Records Working Group Newsletter, April 2004; pp. 3–4.
  • Perez, Michael, editor-in-chief. Focal Encyclopedia of Photography. Oxford, Focal Press, 2007.
  • Wall, Edward John. The Dictionary of Photography for the Amateur and Professional Photographer. London, Hazelton, Watson & Viney, 1902.
[edit]