Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a452ecfb5fa0452a

Jump to content

// Workers AI · dad joke modeWhat did Mish Maoul say to his date? You're a-maoul-zing.

From Wikipedia, the free encyclopedia
Mish Maoul
Studio album by
ReleasedApril 24, 2006 (2006-04-24)
April 25, 2006 (2006-04-25) (United States)
GenresElectronica, World music
LabelMantra Records
ProducersTemple of Sound, Natacha Atlas, Philip Bagenal, Hamid Belmenouer, Marc Eagleton, Neil Sparkes, Timothy Whelan
Natacha Atlas chronology
The Best of Natacha Atlas
(2005)
Mish Maoul
(2006)
Ana Hina
(2008)
Professional ratings
Review scores
SourceRating
AllmusicStarStarStarStar link
The GuardianStarStarStar link
Robert Christgau(2-star Honorable Mention)(2-star Honorable Mention)[1]

Mish Maoul (Arabic: مش معقول, an expression meaning "unbelievable")[2] is the sixth album by Belgian world music singer Natacha Atlas. It was released by Mantra Recordings on April 24, 2006 worldwide. The album was primarily produced by Nick Page aka Count Dubulah, Atlas' former bandmate in Transglobal Underground.

The album marks a return for Atlas to her Maghrebi musical roots, although she also utilises bossa nova, Western pop, and electronica. In 2006, the album reached number twelve on the Billboard Top World Music Albums chart in the United States.[3]

Musical style

[edit]

As befits her globe-trotting lifestyle and influences, Atlas continues to create a body of work that refuses to be neatly categorised. Over the past decade, she has fused North African and Arabic music with western electronic beats to produce a unique dance music hybrid. With her latest album Mish Maoul, however, her career comes full circle to touch base with her roots. The new album harks back in its sound and traditions to the music she grew up hearing in the Moroccan suburb of Brussels, particularly when the Golden Sound Studio Orchestra of Cairo makes its entrance. It also reunites her again with the Temple of Sound's Nick Page aka Count Dubulah, with whom she first worked in Transglobal Underground and who helped produce her very first solo album Diaspora (and many subsequent collaborations).

Track listing

[edit]
  1. "Oully Ya Sahbi" featuring Sofiane Saidi (Atlas, Dubulah, Sparkes) – 5:36
  2. "Feen" featuring Princess Julianna (Atlas, Dubulah, Higgins, Sparkes) – 5:54
  3. "Hayati Inta" (Atlas, Eagleton) – 4:02
  4. "Ghanwa Bossanova" (Atlas, Dubulah, Sparkes) – 6:33
  5. "Bathaddak" featuring Princess Julianna (Atlas, Higgins, Whelan) – 5:12
  6. "Bab el Janna" (Atlas, Dubulah, Sparkes) – 5:46
  7. "Wahashni" (Atlas, Dubulah, Sparkes) – 4:46
  8. "Haram Aleyk" (Atlas, Sabet, Whelan) – 5:11
  9. "La Lil Khowf" featuring Clotaire K & Sofiane Saidi (Atlas, Dubulah, Sparkes, Clotaire K) – 5:32
  10. "Yariet" (Atlas, Eagleton) – 3:37

Charts

[edit]
Chart (2006) Peak
position
US Top World Music Albums (Billboard)[4] 12

Notes

[edit]
  1. ↑ Christgau, Robert. "Natacha Atlas". Robert Christgau.
  2. ↑ Elizabeth Bromstein. Review of Mish Maoul Archived 2007-03-11 at the Wayback Machine. NOW Magazine. Retrieved December 16, 2006.
  3. ↑ Charts & Awards. Allmusic. Retrieved December 16, 2006.
  4. ↑ "Natacha Atlas > Charts & Awards > Billboard Albums". Allmusic. Retrieved 26 October 2008.
[edit]