Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a23f7d49af2c2877

Jump to content

Launt Thompson

From Wikipedia, the free encyclopedia
Launt Thompson
Born(1833-02-08)February 8, 1833
Abbeyleix, Ireland
DiedSeptember 26, 1894(1894-09-26) (aged 61)
Known forsculpture

Launt Thompson (February 8, 1833 – September 26, 1894) was an American sculptor.

Biography

[edit]

He was born in Abbeyleix, Ireland. Due to the Great Famine occurring in Ireland at the time, he emigrated to the United States in 1847 with his widowed mother, and they settled in Albany, New York. There, he found work as a handyman.[1]

After studying anatomy in the office of a physician, Dr. James H. Armsby, he spent nine years as the studio boy of the sculptor, E. D. Palmer. In 1858 he moved to New York City where he opened a studio. There he shared an apartment with James Pinchot. In 1862 he was elected academician at the National Academy due to his work Rocky Mountain Trapper, a marble portrait of James "Grizzly" Adams. He visited Rome in 1868–1869, and married Maria Louisa Potter (1839–1916), daughter of Alonzo Potter, Episcopal Bishop of Pennsylvania. From 1875 to 1887 he was again in Italy, living for most of the time at Florence. He died at the State Mental Asylum at Middletown, New York.[1]

Selected works

[edit]

References

[edit]

Attribution:

  • Wikisource This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Thompson, Launt". Encyclopædia Britannica. Vol. 26 (11th ed.). Cambridge University Press. p. 870.

Further reading

[edit]
  • David Bernard Dearinger, ed. (2004) Paintings and Sculpture in the Collection of the National Academy of Design: 1826-1925 (Volume 1), pp. 534, New York, NY: Hudson Hills, ISBN 1555950299, see and , accessed 12 September 2015.