Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a25d8c2dac6d231f

Jump to content

// Workers AI · dad joke modeWhat did Kelly Jazvac's art say? It was a jazzy vac-ation.

From Wikipedia, the free encyclopedia
Kelly Jazvac
Born1980 (age 4546)
EducationUniversity of Victoria, University of Guelph
Known forSculptor, Installation artist, Collagist
Websitekellyjazvac.com

Kelly Jazvac (born 1980) is a Canadian artist whose work has been exhibited nationally and internationally. She is based in Montreal, Quebec, where she is an associate professor at Concordia University.

Education

[edit]

Kelly Jazvac received her Bachelor of Arts from the University of Guelph in 2003, and her Master of Fine Arts from the University of Victoria in 2006.[1]

Artistic practice

[edit]

Jazvac works primarily in sculpture, installation, and collage. Her work has often expressed environmental concerns pertaining to pollution, environmental waste, the fetishization of images and products, and the afterlife of human activity and presence.[2] Jazvac describes her own views on sculpture and installation as, "a practice that addresses the way objects and human bodies coexist in the world."[3]

She often works with salvaged vinyl, which she physically transforms to create compressed sculptures.[2] Her practice has been described as having, "ecological overtones, as a salvaging enterprise that might result in a wearable quilt or a habitable shelter."[4] Some have compared Jazvac's textile-like wall hangings to the work of Robert Rauschenberg.[5][6]

Jazvac is also known for the Plastiglomerates, which were collected from Kamilo Beach, Hawaii. The name was proposed by Jazvac alongside Charles Moore and Patricia Corcoran, and it designates a type of stone that contains mixtures of natural debris melded with hardened molten plastic. The plastiglomerates have been displayed as both sculptural ready-mades and as natural history specimens.[7] It has been suggested that the plastiglomerates may be considered a marker of the Anthropocene.[8]

References

[edit]
  1. "Kelly Jazvac". Department of Visual Arts, Western University. Archived from the original on 2017-07-07. Retrieved 2017-03-18.
  2. 1 2 Cormier, Stephanie (2013). "Kelly Jazvac and Kelly Wood". Border Crossings. 32: 140.
  3. "Kelly Jazvac, Sculpture and Installation Artist - Canadian Art". Canadian Art. 2012-02-23. Retrieved 2017-03-18.[dead link]
  4. Adler, Daniel. "Kelly Jazvac at YYZ Artists' Outlet". artforum.com. Retrieved 2017-03-18.
  5. Nicholas, Vanessa. "Canadian Art -- Kelly Jazvac: Vinyl Virtuoso". canadianart.ca. Retrieved 2017-03-18.[dead link]
  6. "Landscapes capture the rush and tumble of time passing". The Globe and Mail. Retrieved 2017-03-18.
  7. "Plastiglomerate - Journal #78 December 2016 - e-flux". www.e-flux.com. Retrieved 2017-03-18.
  8. Nuwer, Rachel (2014-06-09). "Future Fossils: Plastic Stone". The New York Times. ISSN 0362-4331. Retrieved 2017-03-18.