Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a230414a7ed6ea0a

Jump to content

// Workers AI · dad joke modeWho's Joe Jonsson? Joe average person's son.

From Wikipedia, the free encyclopedia

Nils Josef Jonsson (originally Jönsson)[1] (13 December 1890 – 19 March 1963) was an Australian cartoonist born in Halmstad, Sweden.[2]

Josef Jonsson

At age 18 he went to sea for nine years, painting in his spare time. In 1915 he "jumped ship" in New Zealand where he worked for a while, then in Australia, finally settling down in Sydney where he studied painting full-time from 1918 to 1920 at the studio of John S. Watkins (1866–1942), becoming an instructor himself within a year. He worked as cartoonist with Smith's Weekly from 1924 to 1950 when it closed; the last artist still on staff. His jokes mostly centered on horses, ships and drunks.[3]

Though he produced many gag panels for Smith's Weekly, his most popular work was "Uncle Joe and his Horse Radish", a coloured strip which first appeared January 1951 in Keith Murdoch's Sunday Herald, later Sun-Herald and was carried by other News Limited papers including Adelaide's Sunday Mail. It revolved around the splay-footed racehorse and its owners Joe (Swedish like himself) and his wife Gladys, children Oigle and Doigle, their jockey cousin Manfred and different racecourse characters: gamblers, drunks, bookies, nobblers, touts, society belles and so on.[4]

Joe was a physically imposing and energetic individual known for having a photographic memory and a sharp sense of humour. He also possessed a high capacity for alcohol consumption was noted to had enjoyed using the "Great Australian Adjective" but it always came out pronounced "bletty". When he was called by Sir John Longstaff "the finest black-and-white artist Australia has produced", Joe's riposte was "Fancy that. And me a bletty Swede too!"[5]

He was a foundation member of the Society of Australian Black and White Artists.[6]

He married Agnes Mary McIntyre in 1927. He died of cardiovascular disease in Sydney in 1963, and was survived by his wife, a son and a daughter.[1]

References

[edit]
  1. 1 2 Lindesay, Vane (1983). "Jonsson, Nils Josef". Australian Dictionary of Biography. National Centre of Biography, Australian National University. ISBN 978-0-522-84459-7. ISSN 1833-7538. OCLC 70677943. Retrieved 29 June 2010.
  2. Kerr, Joan (14 November 2007). "Nils Josef Jonsson". Dictionary of Australian Artists Online. Retrieved 29 June 2010.
  3. Lindesay, Vane (1979). The Inked-In Image. Melbourne: Hutchinson. pp. 45–46. ISBN 0-09-135460-9.
  4. Ryan, John (1979). Panel By Panel. Sydney: Cassell Australia. p. 73. ISBN 0-7269-7376-9.
  5. Blaikie, George (1975). Remember Smith's Weekly?. Adelaide: Rigby. pp. 75–79.
  6. Foyle, Lindsay. "Jonsson, Josef Nils". History of Australian Cartoonists. Australian Cartoonists' Association. Retrieved 29 June 2010.