Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a2a6eda4dd8afda9

Jump to content

Jessica Silbey

From Wikipedia, the free encyclopedia

Jessica Silbey
Occupations
  • Legal scholar
  • lawyer
AwardsGuggenheim Fellowship (2018)
Academic background
Alma mater
ThesisThe subjects of trial films (1999[1])
Academic work
Sub-discipline
  • Constitutional law
  • intellectual property law
  • technology law
Institutions

Jessica Margaret Silbey[1] is an American legal scholar. Originally a lawyer for Foley Hoag, she has worked as a law professor at Suffolk University Law School, Northeastern University School of Law, and Boston University School of Law, where she is also Frank R. Kenison Distinguished Scholar in Law.[2] She is a 2018 Guggenheim Fellow, and is author of The Eureka Myth (2015) and Against Progress (2022).

Biography

[edit]

Silbey obtained a BA from Stanford University and a PhD in comparative literature from the University of Michigan.[2] Her doctoral dissertation was The subjects of trial films.[1] She also obtained a JD from University of Michigan Law School and served as a law clerk for district judge Robert Keeton and circuit judge Levin H. Campbell.[2] She worked as a lawyer for Foley Hoag's Boston office, with her fields being in bankruptcy, intellectual property, and reproductive rights.[2]

Silbey became an assistant professor of law at Suffolk University Law School in 2004, before being promoted to associate professor in 2007 and full professor in 2011.[3] She moved to Northeastern University School of Law in 2015 and Boston University School of Law in 2020, serving as a law professor in both institutions.[3] She chaired the Association of American Law Schools' intellectual property section and, from 2015 to 2018, co-chaired the Copyright Society's New England chapter.[2]

Silbey specializes in constitutional law, intellectual property law, and technology law.[2] She is author of The Eureka Myth: Creators, Innovators and Everyday Intellectual Property (2015) and Against Progress: Intellectual Property and Fundamental Values (2022), and has co-edited numerous volumes.[2] She is the co-editor of several books, with many of them being within the field of law in popular culture.[2] In 2018, she was awarded a Guggenheim Fellowship in Law.[4]

Works

[edit]
  • (ed. with Peter Robson) Law and Justice on the Small Screen (2012)[2]
  • The Eureka Myth: Creators, Innovators, and Everyday Intellectual Property (2015)[a]
  • (ed. with Austin Sarat and Martha Umphrey) Trial Films on Trial (2019)[2]
  • (ed. with Michael Asimow) Law and Popular Culture: A Course Book (2020)[2]
  • Against Progress: Intellectual Property and Fundamental Values (2022)[2]
  • (ed. with Tom Burke and Lief Carter) Reason in Law (2026)[2]

Notes

[edit]
  1. Reviews of this book:[5][6]

References

[edit]
  1. 1 2 3 Silbey, Jessica Margaret (1999). The subjects of trial films (PhD thesis). University of Michigan. OCLC 48575661.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 "Jessica Silbey". Boston University School of Law. Retrieved July 12, 2026.
  3. 1 2 "Curriculum vitae of Jessica M. Silbey" (PDF). Boston University School of Law. Retrieved July 12, 2026.
  4. "Jessica Silbey". Guggenheim Fellowships. Retrieved July 11, 2026.
  5. Chien, Colleen (2016). "Beyond Eureka: What Creators Want (freedom, Credit, and Audiences) and How Intellectual Property Can Better Give It to Them (by Supporting, Sharing, Licensing, and Attribution)". Michigan Law Review. 114 (6): 1081–1107. ISSN 0026-2234. JSTOR 24770897.
  6. Mercelis, Joris (2017). "Review of The Eureka Myth: Creators, Innovators, and Everyday Intellectual Property". Technology and Culture. 58 (2): 615–616. ISSN 0040-165X. JSTOR 26406211.