// Workers AI · dad joke modeWhat did the Illuminated Chronicle say? "I'm a bright read".
The first page of the Illuminated Chronicle. King Louis I on the throne, below the Hungarian Anjou and the Hungarian coat of arms. | |
| Author | Mark of Kalt |
|---|---|
| Illustrator | Miklόs Meggyesi |
| Language | Latin |
| Subjects | History of the Hungarians |
| Genre | Chronicle |
| Published | 1358 |
| Publication place | Kingdom of Hungary |
| Media type | Illuminated manuscript |
| Pages | 146 |
The Illuminated Chronicle or Chronicon Pictum (Hungarian: Képes Krónika, German: Ungarische Bilderchronik) is a medieval illustrated chronicle from the Kingdom of Hungary from the 14th century. It represents the artistic style of the royal court of King Louis I of Hungary. The codex is a unique source of art, medieval and cultural history.
In the prologue, the author calls his work as Chronica de gestis Hungarorum, meaning "Chronicle of the Deeds of the Hungarians".[1]
History of the chronicle
[edit]
The Illuminated Chronicle was commissioned by King Louis I Hungary and probably completed not long after 1358.[2] The codex was written and illuminated in and after 1358, but no later than 1370,[1] in the Hungarian royal court.[3] King Louis I commissioned the Chronicon Pictum and the Secretum Secretorum, which were both produced in a Hungarian workshop. Miklόs Meggyesi, son of Hertul the court painter of Louis, has traditionally been identified as the illuminator, though there is no real evidence for this.[4] The Illuminated Chronicle was written by Mark of Kalt (Latin: Marci de Kalt, Hungarian: Kálti Márk) in 1358 in Latin.
According to historian Bálint Hóman, the original source of all extant Hungarian chronicles was the lost Gesta Ungarorum, which was written in the time of King Saint Ladislaus.[5] The basic premise of the Hungarian medieval chronicle tradition states that the Huns, i.e. the Hungarians, came out twice from the regions of Scythia, the guiding principle being the Hun-Hungarian continuity.[6]
The chronicle was given by the Hungarian king Louis I to the French king Charles V, when the daughter of Louis, Catherine, was engaged to Charles's son Louis I, Duke of Orléans in 1374.[7] The chronicle was later given to Serbian despot Đurađ Branković as a gift from the French king Charles VII. The chronicle was then copied in 1462. Between 1458 and 1490, it was kept in Hungary, in the court of King Matthias Corvinus.[8] It was later lost, possibly spending some time in the possession of the Ottomans.[7] There is evidence to suggest that in the second half of the 15th century the chronicle was again in Hungary, as it contains several handwritten Hungarian and Latin entries from the period. In three places researchers also found Turkish writing which make various comments regarding Hungary. Because of this, the researchers concluded that sometime between the 15th and 17th century the manuscript was owned by a Hungarian who knew Turkish very well. The chronicle may have been present in Vienna during the infamous Ottoman siege of the 16th century as from at least the 17th century, it belonged to the royal archives in Vienna. Sebastian Tengnagel mentions it in the manuscript catalog of the court library from 1608 to 1636, which is why it is sometimes referred to as the Vienna Illuminated Chronicle. As a result of the Venice Cultural Convention, the chronicle was returned to Hungary in 1934. The manuscript is now kept in the National Széchényi Library in Budapest, Hungary.[4][7]
Illuminations
[edit]The 147 pictures of the chronicle represent a large source of information on medieval Hungarian cultural history, costume and court life, they're also the most important records extent of Hungarian painting practices in the 14th century. The artistic value is quite high, and the characters are drawn with detail and by artists with a knowledge of anatomy.[9] The chronicle contains 147 miniatures: 10 larger images, 29 images in columns, smaller images painted in medallion shapes at the bottom of 4 pages, 99 images enclosed in initials, and 5 initials without images. In addition, there are 82 pieces of ornamental art painted in the margins.
The images are listed in the same order as their appearance in the chronicle.
| Page | Illumination | Description |
|---|---|---|
| Page 1 |
King Louis on the Throne Saint Catherine of Alexandria Christ Coats of Arms of the Hungarian Ruler | |
| Page 2 |
The Historiographer
| |
| Page 4 |
Raiding and Hunting Warriors | |
| Page 5 |
The Miraculous Stag
| |
| Page 7 |
The First Arrival of the Hungarians in Pannonia
| |
| Page 9 |
Attila's Battle With the Romans at Zeiselmauer
| |
| Page 10 |
King Attila on the Throne
| |
| Page 11 | ||
| Page 13 |
King Attila | |
| Page 14 |
Attila is Besieging Aquileia
| |
| Page 14 |
King Attila | |
| Page 15 |
Foundation of Venice | |
| Page 16 |
King Attila and Pope Leo | |
| Page 17 |
The Death of Attila | |
| Page 21 |
The Arrival of the Hungarians in Pannonia Előd, Hungarian Chieftain Álmos, Hungarian Chieftain | |
| Page 21 |
The Arrival of the Hungarians in Pannonia
| |
| Page 21 |
Előd, Hungarian Chieftain | |
| Page 21 |
Álmos, Hungarian Chieftain
| |
| Page 23 |
The Seven Captains | |
| Page 23 |
Árpád, the First Captain
| |
| Page 25 |
Szabolcs, the Second Captain | |
| Page 25 |
Gyula, the Third Captain | |
| Page 26 |
Kund, the Fourth Captain | |
| Page 26 |
Lehel, the Fifth Captain | |
| Page 26 | Bulcsú, the Sixth Captain Bulcsú, one of the Seven chieftains of the Hungarians, is depicted wearing a pointed hat.[10] | |
| Page 26 | Örs, the Seventh Captain Örs, one of the Seven chieftains of the Hungarians, stands holding a sword and shield.[10] | |
| Page 28 | Count Deodatus Count Deodatus opens the series of guest lineages depicted in the chronicle. He is shown wearing an open-faced helmet, holding a sword, and carrying a shield turned away from the viewer.[10] | |
| Page 28 | Héder Héder, the ancestor of the Héder or Hédervári family, is depicted bearing a six-pointed golden star accompanied by a crescent moon on his clothing, shield, and banner. This, however, is actually the coat of arms of the Hont clan. The illuminator was presumably unfamiliar with the Hédervári family's paly coat of arms and therefore used the arms of the Hont kindred instead.[10] | |
| Page 29 | Vencellin Vencellin, ancestor of the Ják kindred.[10] | |
| Page 29 | Hont Hont, the forefather of the Hont-Pázmány kindred. The illuminator mistakenly painted a dog's head on his coat of arms and banner, presumably based on the identification of the name Hunt with the German word Hund "dog". On the previous page, the illuminator mistakenly depicted the coat of arms of the Hont kindred as the coat of arms of the knight Héder.[10] | |
| Page 29 | Poth Poth, who according to the text is the ancestor of the Bót kindred, is depicted with a bird with white legs on his shield and banner.[10] | |
| Page 30 | Oliver and Rátold Oliver and Rátold are depicted with a golden linden leaf on their coat of arms.[10] | |
| Page 30 | Herman Herman the German, with a golden dragon on his shield.[10] | |
| Page 30 | Buzád Buzád the ancestor of the Buzád kindred is depicted, with a red horned frontal bone on his shield. The coat of arms of the Buzád kindred should correctly have featured an ox head. However, the depiction in the chronicle resembles a chamois more closely.[10] | |
| Page 31 | Keled Keled, the ancestor of the Keled kindred.[10] | |
| Page 31 | Simon and Michael Simon and Michael, ancestors of the Martonfalvi kindred, are depicted. Melinda, the wife of Bánk, was a descendant of the kindred that migrated from Spain, first known as Martonfalvi and later as Bojót.[10] | |
| Page 32 | Three Knights Three knights are in full armor.[10] | |
| Page 32 | The Arrival of Different Clans to Hungary A mountainous, wooded landscape is depicted, with castles in the background. In the foreground, figures in different types of clothing are marching, presumably representing various ethnic groups, although these cannot be identified more precisely.[10] | |
| Page 33 | Grand Prince Taksony Taksony, Grand Prince of the Hungarians, bears a blurred shield displaying a black Turul bird and holds a spear in his hand.[10] | |
| Page 33 | The Hungarians Are Destroying Bulgaria On the left, a group of Hungarian horsemen with their leader. On the right, a mountainous landscape with two castles and a walled settlement.[10] | |
| Page 34 | Captain Lehel and Bulcsú Front of the German Emperor The story of Lehel's Horn after the Battle of Lechfeld (Augsburg) in 955. According to the chronicle, Lehel was captured after the Hungarian defeat at Lechfeld. As his last wish, he asked for his horn and struck the German Emperor Conrad dead with it. In the miniature, the German emperor is seated on a bench on the left. Opposite him, on the right, stands Captain Lehel, with Captain Bulcsú and German soldiers behind him. Lehel strikes the emperor on the head with a long golden horn, causing blood to run down his face.[10]
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| Page 36 | Duel of Botond and the Greek Warrior in Front of the Gates of Constantinople On the left, a group of Hungarian mounted warriors is shown, led by Captain Apor riding a white horse. In the center of the miniature is the duel between Botond and the Greek warrior. Having dismounted, Botond thrusts his sword into the chest of the Greek warrior, who is collapsing together with his horse. In the background, atop the walls of Constantinople, Emperor Constantine VII and his wife, Helena Lekapene, watch the scene in mourning.[10] | |
| Page 36 | Captain Apor Captain Apor, leader of the Hungarian army, bears the Turul bird as his coat of arms on both his banner and shield.[10] | |
| Page 37 | Birth of King Saint Stephen Birth of King Saint Stephen of Hungary (c. 975). In the room on the right side of the palace, Sarolt, Princess of the Hungarians and mother of Stephen, is depicted sitting in a half-reclining position on the bed, wearing a crown on her head. In her lap is a naked child with a halo around his head, the future king. With her other hand, Sarolt receives a golden crown from Saint Stephen the Martyr. According to legend, the saint foretold to Sarolt that she would give birth to a son who would become king. In the background behind Sarolt stands a group of noblewomen, while in the hall on the left side of the palace, a group of people waits.[10] | |
| Page 38 | Grand Prince Géza Géza, Grand Prince of the Hungarians, sits on a green marble throne, holding an orb and scepter in his hands, and wearing a red princely cap on his head.[10] | |
| Page 38 | The Decapitation of Koppány Rebellion of Koppány, the Duke of Somogy (997 or 998). On the left, Stephen (who at the time was Grand Prince of the Hungarians) is depicted with a halo, riding a white horse and accompanied by knights. On the right, soldiers are standing, while in the centre Vencellin is shown in the act of beheading Koppány, who is kneeling with his hands tied behind his back.[10] | |
| Page 39 | King Saint Stephen in Military Ornament King Saint Stephen is depicted in military attire. The warrior king, in the prime of his life, stands on rocky ground against a blue background. He wears brown greaves decorated with golden dots, while his coat of mail is covered by a surcoat bearing the red-and-white Árpád stripes. A royal crown rests upon his head, with a halo around it. In his right hand he holds a banner, and in his left a shield, both bearing the coat of arms with the double cross on a triple mount, symbolizing his status as an Apostolic King.[10] | |
| Page 40 | King Saint Stephen Captures Gyula King Saint Stephen of Hungary captures his maternal uncle, Gyula, the chieftain and ruler of Transylvania. King Stephen is seated on a white horse, wearing the Hungarian double-cross coat of arms on his chest, a royal crown on his head, and a halo. With a warning, commanding gesture, he points toward the captured Gyula, whose feet are shackled and whose hands are being bound by a knight. On the left, Stephen's knights pursue Gyula's warriors.[10]
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| Page 40 | King Saint Stephen on the Throne King Saint Stephen of Hungary sits upon a green marble pedestal adorned with royal regalia, with a halo encircling his head.[10] | |
| Page 41 | The Victory of King Stephen over Kean, Duke of the Bulgarians and Slavs At the center stands the haloed Hungarian King Saint Stephen, wearing a coat of mail adorned with a coat of arms bearing the double cross, with both feet on the body of the fallen Duke Kean, who lies on the ground holding a bow in his hand. One of the king's soldiers holds the reins of his horse, equipped with a Western-style knightly saddle, as well as his shield decorated with the double cross. In the background, Hungarian warriors pursue fleeing Bulgarian warriors dressed in Eastern-style clothing.[10]
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| Page 41 | King Stephen in Royal Regalia King Saint Stephen is depicted in royal regalia. On his chest is the Hungarian coat of arms with the double cross, he wears a crown and a halo, holding a scepter in his right hand and an orb in his left.[10] | |
| Page 42 | The Foundation of Saints Peter and Paul Church of Óbuda King Saint Stephen of Hungary and Queen Gisela kneel facing each other. As a symbol of the founding of the church, they hold a miniature replica of the Church of Saints Peter and Paul in Óbuda.[10] | |
| Page 44 | Prince Emeric's Funeral and the Blinding of Vazul In the foreground, the haloed Saint Emeric, dressed in princely attire, is being placed in a marble sarcophagus. Standing before the sarcophagus, King Saint Stephen of Hungary raises his right hand to his face in grief and gazes mournfully at the body of his son. Beside him stands Queen Gisela, who is watching the scene unfolding in the background: there lies the bound Vazul, whose eyes are gouged out by Sebes, Queen Gisela's envoy, who, according to the chronicle, then pours molten lead into his ears. On the left, King Stephen's envoys can be seen arriving too late to free Vazul, the king's cousin, from prison.[10] | |
| Page 44 | King Stephen Encourages Prince Andrew, Béla and Levente to Flee King Saint Stephen of Hungary lies ill in bed, raising his right hand warningly toward the three princes, the sons of Vazul, who are standing beside the bed: Andrew, Béla, and Levente.[10] | |
| Page 46 | King Saint Stephen's Funeral The funeral of King Saint Stephen of Hungary (1038). The king's body is placed in an ornate marble sarcophagus. The funeral ceremony is conducted by four bishops in a solemn atmosphere. At the foot of the sarcophagus stands Queen Gisela, her hands clasped in prayer, mourning deeply and with devotion.[10] | |
| Page 47 | King Peter King Peter Orseolo, clad in armor, holds a sword in his right hand and a royal crown.[10] | |
| Page 47 | King Peter Is Driven Away by Samuel Aba and His Soldiers Samuel Aba and his Hungarian horsemen pursue King Peter Orseolo, who is holding a crown in one hand.[10] | |
| Page 48 | King Samuel Aba King Samuel Aba, wearing a chainmail hauberk, wields a sword in his right hand while holding the royal crown in his left.[10] | |
| Page 50 | The Battle of Ménfő The Battle of Ménfő (1044). The victory of Holy Roman Emperor Henry III over King Samuel Aba of Hungary. The great battle takes place in the centre: on the right is the German army, led by the emperor, while on the left is the Hungarian army, led by Samuel Aba. A part of the Hungarian forces - the soldiers wearing caps - abandon him as supporters of King Peter of Hungary. One of them drops the Hungarian flag bearing the Árpád stripes, its pole broken, to the ground, while above it, breaking through the frame of the miniature, flies the victorious flag decorated with the German eagle. In the left foreground, King Samuel Aba reaches with both hands toward his crown lying on the ground, while a soldier pierces him through the heart with his sword. On the right, before a cross placed upon an altar, the German emperor kneels barefoot, wearing a simple woollen garment, and gives thanks for the victory.[10] | |
| Page 50 | King Aba's Envoy Delivers a Letter Written in Favor of Peace to the German Emperor An envoy of King Samuel Aba of Hungary delivers a letter seeking peace to Holy Roman Emperor Henry III. (The event depicted in this miniature precedes the Battle of Ménfő shown in the previous illustration).[10] | |
| Page 53 | King Peter Makes Hungary a Fief of the Holy Roman Emperor From the right, King Peter of Hungary, presents a gilded spear to Holy Roman Emperor Henry III, seated on the left, thereby acknowledging him as his overlord. Five young noblemen bring gifts.[10] | |
| Page 54 | Prince Béla's Duel With the Pomeranian Prince Béla knocks his Pomeranian opponent from his horse with his lance. Of the three princes – Andrew, Béla, and Levente – who fled from Hungary first to Bohemia and then to Poland, Béla fights in place of the Polish duke and his sons against the ruler of the Pomeranians, who had refused to pay the annual tribute, and emerges victorious.[10] | |
| Page 59 | Prince Andrew Takes the Crown, the Blinding of King Peter A fully armed soldier kneels on the body of King Peter of Hungary, who is lying on the ground, and gouges out his eyes. The fallen crown can be seen beside Peter's head. On the left, Bishop Beneta stands holding out the crown to Prince Andrew.[10] | |
| Page 60 | Coronation of King Andrew The coronation of King Andrew I of Hungary (1046). King Andrew is seated on the throne in ceremonial attire, holding a scepter in his left hand. Two bishops place the royal crown upon his head, while a third bishop presents him with a sword. (The presence of three bishops in the scene is likely explained by the chronicle's account that, following Vata's pagan uprising, only three bishops survived.)[10] | |
| Page 61 | The Destruction of Emperor Henry's Ships at Pozsony The Siege of Pozsony (1052). Holy Roman Emperor Henry III launched his fifth campaign against the Kingdom of Hungary and unsuccessfully besieged Pozsony (now Bratislava, Slovakia). The Hungarians sank the imperial supply ships on the Danube, depriving the besieging army of its provisions. Knight Zotmund (Kund the Diver) was a soldier in the army of King Andrew I of Hungary, he swam beneath the German ships, scuttling and sinking them one after another. The miniature depicts Emperor Henry III below the castle of Pozsony, standing on the Danube in a leaking boat with two knights as it fills with water. Beside them, another boat, also deliberately holed and sinking, carries two desperate men.[10] | |
| Page 64 | The Scene of Várkony: The Crown and Sword At the time of the expulsion of King Peter Orseolo from Hungary in 1046, the Hungarians invited back the sons of Vazul to take the throne in his place. Of the returning brothers, Andrew and Levente, Andrew came to power. Béla returned to Hungary only later, in 1048, at his brother's request. Sharing his rule with him, the king entrusted Béla with the governance of one-third of the country, thereby establishing the institution of the duchy. According to the chronicle, Andrew also declared his younger brother to be his heir. The peaceful relationship between the two brothers changed toward the end of Andrew I's reign, when he concluded peace with King Henry IV of Germany. To strengthen the agreement, the Hungarian king's five-year-old son, Solomon, was married to Henry's sister, Judith. Shortly afterward, the child Solomon was crowned king as well. This harmed Béla's interests, and he openly expressed his opposition. At the end of 1059, King Andrew summoned Duke Béla to Várkony Castle, located on the banks of the Tisza River, and demanded that he declare his intentions: would he accept the newly crowned Solomon as his successor, or, according to their earlier agreement, did he intend to rule after Andrew's death? The ill king had both the symbols of royal and ducal authority – the crown and the sword – placed beside him. He then offered Béla a choice: "If you desire the kingdom, take the crown. If you desire the duchy, take the sword." However, Andrew had no intention of leaving Béla's decision to chance. He instructed his trusted men that if Béla chose the crown, they were not to let him leave. As the duke entered the hall, Ispán (Count) Miklós quietly warned him: "If you wish to live, choose the sword." Béla therefore chose the sword, the symbol of the duchy. Immediately afterward, he fled with his family to Poland, intending to return later with military assistance. The miniature depicts two scenes: On the right, Duke Béla stands before the doorway while Ispán Nicholas advises him to choose the sword. On the left, inside the chamber, Duke Béla stands at the foot of King Andrew's sickbed. The ill king lies in bed, with two of his leading nobles and his young son Solomon, wearing the crown, standing behind him. On the step of the bed lie the sword and the crown: the sword symbolises the duchy, while the crown represents the kingship.[10] | |
| Page 67 | Prince Béla Wins the Crown On the left, two noblemen remove the crown from Solomon's head. On the right stands King Béla, holding the orb in his left hand. An elderly nobleman presents him with the sword, while another places the crown upon his head.[10] | |
| Page 69 | German Emperor Henry IV Brings Solomon Back to Hungary The German invasion of Hungary (1063). In the background, the Basilica of Székesfehérvár can be seen with its four towers. On the right, the German Emperor Henry IV approaches at the head of an army, holding the royal crown in his right hand and leading his brother-in-law, King Solomon of Hungary, by the arm with his left. Behind the soldiers fly the imperial eagle banner of the Holy Roman Empire and the Hungarian double-cross banner.[10] | |
| Page 71 | King Solomon and His Younger Brother Prince David On the left is King Solomon of Hungary, depicted wearing a crown and holding a scepter and an orb, while on the right is his younger brother, Prince David, shown wearing a princely cap and carrying a shield and a sword.[10] | |
| Page 72 | Prince Ladislaus Is Fighting a Duel With a Cuman Warrior Who Kidnapped a Girl In the foreground, Saint Ladislaus, distinguished by his halo, is engaged in combat with the Cuman warrior, behind whom stands the abducted maiden wearing a crown. In the background, set against a rocky mountainous landscape, the Hungarians pursue the retreating Cumans, while King Solomon of Hungary and Prince Géza are depicted in the center. The Hungarian flag bearing the double cross projects beyond the frame of the miniature.[10] | |
| Page 74 | The Capture of Belgrade and the Distribution of the Spoils of War The Siege of Belgrade (1071). In the background, the fortress of Belgrade, besieged by the Hungarians, rises atop rocky cliffs. The fortress is set on fire by a Hungarian girl held captive within its walls, who uses a torch to ignite it. In the foreground, the distribution of the spoils of war is depicted: seated at a table is Count Vid, chief advisor of King Solomon of Hungary, dividing the booty into four shares. Standing beside the table are King Solomon and his cousins, Princes Géza and Ladislaus, the latter depicted with a halo.[10] | |
| Page 78 | The Feud Between King Solomon and Prince Géza King Solomon of Hungary is seated on the throne, wearing a crown and holding a scepter. To his right stands Count Vid, the instigator of discord, holding two swords together in a single scabbard. In the background, on the right, stands his cousin, Prince Géza, wearing a princely cap, to whom three envoys are presenting a sealed letter from the Byzantine emperor. This further intensifies Solomon's envy.[10]
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| Page 78 | The People of Niš Pay Homage to King Solomon and Prince Géza The capture of Niš (1072). The Hungarians captured the Byzantine city. King Solomon of Hungary and Prince Géza receive gifts from the local inhabitants of Niš.[10] | |
| Page 81 | Prince Géza and Abbot Villermus The abbot of the monastery of Szekszárd, Villermus, is depicted putting on a knight's disguise over his bare upper body. In the same scene, he is shown leading a saddled horse as he stands before Prince Géza, waking him from his sleep and urging him to flee. Behind the head of the reclining prince stand the two traitors, Petrud and Bikás.[10] | |
| Page 81 | Escape of Prince Géza The Battle of Kemej (1074). Prince Géza is depicted fleeing with his soldiers. Some distance behind him follow his two disloyal knights, Petrud and Bikás. As a sign of their treachery, they raise their shields, however, the soldiers of King Solomon of Hungary, not recognizing the signal, cut them down.[10] | |
| Page 83 | The Vision of Prince Ladislaus Prince Géza is shown on a white horse as a descending angel places a crown upon his head. Prince Ladislaus, likewise mounted on a white horse, gazes upward with outstretched arms at the heavenly vision. According to the chronicle, only Ladislaus sees the vision and recounts it to his brother Géza, who vows that, if the vision is fulfilled, he will build a church on that very spot.[10] | |
| Page 85 | The Battle of Mogyoród The Battle of Mogyoród (1074). On the left, the warriors of Prince Géza advance victoriously, led by Prince Saint Ladislaus. Opposing them is King Solomon of Hungary, at the head of his warriors. The soldiers carry the Hungarian double-cross and Árpád stripes banners.[10] | |
| Page 87 | The Vision of King Géza and Prince Ladislaus The miniature on page 83 of the Illuminated Chronicle depicts the vision of Prince Saint Ladislaus, in which a descending angel places a crown upon Géza's head, foreshadowing his coronation as king. After they defeated their cousin, King Solomon of Hungary, at the Battle of Mogyoród, Géza was crowned king, and he then visited with his brother the place where the vision had occurred. In the miniature, on the banks of the Danube at Vác, King I Géza of Hungary is shown holding the orb, while Prince Saint Ladislaus holds a battle axe, the two stand embracing each other. Among the trees appears a stag with burning candles on the tips of its antlers. According to the chronicle, they are deciding where to build the church they had vowed to erect in the event of their victory. At the place where the stag, identified as the Angel of God, set down its feet, Géza founded the church.[10] | |
| Page 89 | King Solomon Again Asks for Help From the German Emperor Holy Roman Emperor Henry IV sits enthroned, wearing a crown and holding a sceptre in his left hand. Kneeling before him, King Solomon of Hungary grasps with both hands the outstretched right hand of Emperor Henry IV, the brother of his wife, Judith. In the foreground, the royal crown lies on the ground.[10] | |
| Page 91 | The Escape of King Solomon In the background stands Pozsony Castle, with warriors looking down from its walls. In the left foreground is King Géza I of Hungary, beside whom Prince Saint Ladislaus leads his warriors on a white horse. He holds a shield bearing the Hungarian double cross in his left hand and a sword in his right. Above his haloed head, an angel hovers, wielding a flaming sword. On the right, King Solomon of Hungary is depicted fleeing on horseback while looking back at his pursuers. He holds a sword in his right hand and a red-and-white Árpád-striped shield in his left.[10] | |
| Page 92 | The Coronation of Ladislaus I The coronation of King Ladislaus I of Hungary (1077). King Saint Ladislaus is depicted wearing an ermine-lined mantle, holding a sword in his right hand and an orb in his left. Two angels place the crown upon his head, while two bishops hold it from either side.[10] | |
| Page 93 | King Saint Ladislaus, the Knight King King Saint Ladislaus of Hungary, is depicted with a halo and a crown, clad in full knightly armor. On his breast is the Hungarian coat of arms bearing the double cross. He holds a battle axe in his right hand and an orb in his left.[10] | |
| Page 98 | The Ruthenians Pledge Allegiance to King Ladislaus Seated on his throne, King Saint Ladislaus is surrounded by his warriors. Before him kneel several Ruthenians wearing caps, their hands raised in supplication. At their head is their prince, who has placed his cap at the king's feet.[10] | |
| Page 98 | Siege of Kraków In the background stands Kraków Castle on the bank of the Vistula River. In the left foreground, King Saint Ladislaus leans with his left hand on a shield bearing the Árpád-striped coat of arms while holding a sword in his right hand. In the right foreground, a soldier pours flour from his greave onto a pile of earth, while another soldier behind him carries more flour in the same manner. According to the chronicle, the defenders of the castle, seeing that the besieging army still had an abundant supply of food, voluntarily surrendered the fortress.[10] | |
| Page 99 | Construction of the Nagyvárad's Church On the bank of the Körös River, King Saint Ladislaus, depicted with a halo and raising his hand, stands before the church under construction at Nagyvárad.[10] | |
| Page 99 | King Saint Ladislaus Receives Ambassadors The left side of the image depicts King Saint Ladislaus accompanied by two attendants. On the right, four foreign envoys approach him, the foremost presenting a letter in a gesture of homage. According to the chronicle, the envoys came to invite Ladislaus to assume command of the First Crusade.[10] | |
| Page 101 | Funeral of King Saint Ladislaus The image depicts a scene that is not mentioned in the text of the chronicle but appears in every known version of the legend of King Saint Ladislaus: a wagon without horses carries the king's body toward the place of burial he had chosen, the church in Nagyvárad. The body of King Ladislaus lies on a four-wheeled wagon, with a crown and halo on his head and a scepter and orb in his hands. The wagon pole extending out of the image clearly indicates that no horses are harnessed to the wagon. On the right, a group of astonished onlookers can be seen, while in the background stands the church in Nagyvárad built by Ladislaus.[10] | |
| Page 101 | The Coronation of Coloman The coronation of King Coloman the Learned (1095). A bishop places the crown upon the head of King Coloman of Hungary, who is depicted as a hunchback and in simple attire, in accordance with the tradition preserved in medieval Hungarian chronicles.[10] | |
| Page 105 | King Coloman and Prince Álmos in Front of the Church of Dömös The hunchbacked King Coloman of Hungary and his younger brother, Prince Álmos shake hands before the Monastery of Dömös, founded by Álmos, as a symbol of their reconciliation. A priest places his hands on their arms, blessing their reconciliation.[10] | |
| Page 105 | The Hunt in Csór In the Bakony Mountains at Csór, Prince Álmos rides with two companions, who are supporters of King Coloman of Hungary. At his horse's feet, his falcon holds a crow by the neck, while a barking dog runs toward them.[10]
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| Page 106 | The Blinding of Prince Álmos and His Little Son Béla Seated on his throne, King Coloman orders two soldiers to blind Prince Álmos and his son Béla, and to castrate the boy. In the background on the right, Prince Álmos lies on the ground while a soldier gouges out his eyes. In front of him lies the blinded child Béla, however, the soldier kneeling beside him castrates a dog instead of the boy. Later, Coloman's son, King Stephen II, remained childless, so he arranged the marriage of his blinded cousin Béla. Béla had at least six children, thereby ensuring the continuation of the Árpád dynasty's royal bloodline.[10] | |
| Page 106 | Prince Álmos Is to Be Arrested by King Coloman In the foreground, the seriously ill King Coloman of Hungary orders Benedek to take Prince Álmos into custody. In the background, Prince Álmos seeks refuge at the altar of the church in Dömös, but Benedek nevertheless attempts to drag him away. To the side, three monks stand with swords in their hands, ready to prevent Álmos from being taken away.[10] | |
| Page 108 | The Coronation of Stephen II, Coloman's Son Two bishops crown the young King Stephen II, the son of King Coloman. He holds the orb in one hand and the scepter in the other. His coronation took place in 1116.[10] | |
| Page 113 | The Bloody Assembly of the Realm at Arad The blind King Béla II of Hungary was crowned at Székesfehérvár in 1131. Shortly afterwards, a royal assembly (Diet) was held near Arad, where, at the urging of Queen Helena, Béla's supporters massacred the 68 magnates whom they held responsible for the king's blinding in childhood. The miniature depicts King Béla II and his wife, Queen Helena, seated on the throne. The queen orders the execution of the magnates who had advised the blinding of the young Béla during the reign of King Coloman of Hungary. On the right are the magnates who have already been executed and those awaiting execution, behind them, a soldier, his enormous sword raised high, is about to strike.[10] | |
| Page 114 | King Béla II the Blind King Béla II with the crown, scepter, and orb.[10] | |
| Page 117 | Coronation of King Géza II The coronation of King Géza II of Hungary (1141). Two bishops place the crown upon Géza's head, while a young man – presumably Géza's eldest younger brother, Prince Ladislaus, the future usurper – wearing a princely cap, leads a white horse by the reins and presents the royal sword to Géza.[10] | |
| Page 117 | King Géza II in Royal Regalia Standing figure of King Géza II, wearing a hauberk and a crown, holding a scepter in his left hand and resting his right hand on his shield.[10] | |
| Page 119 | King Conrad III of Germany and King Louis VII of France Cross Hungary with Their Crusading Armies The armies of the Second Crusade passing through the Kingdom of Hungary (1147). King Géza II of Hungary, who was on poor terms with Conrad III of Germany, nevertheless granted permission for the crusaders to cross Hungary, allowing the German forces, numbering around 20,000 men, to reach Byzantine territory. In the miniature, Conrad III rides on horseback in the foreground on the left, wearing the imperial crown. In his left hand, he holds a heraldic shield bearing the single-headed German eagle. Behind him is King Louis VII of France, wearing a crown and leading his crusading army. On the right, Hungarian warriors ride on horseback, led by an archer holding his bow ready to shoot.[10] | |
| Page 120 | King Géza II of Hungary and King Louis VII of France On the left is King Louis VII of France, wearing a crown, on the right is King Géza II of Hungary, attired in royal regalia. The joint depiction of the two rulers symbolizes the cordial relations between them, which the Illuminated Chronicle emphasizes by contrasting it with the truculent behavior of the German crusaders.[10] | |
| Page 121 | The Coronation of Stephen III The coronation of Stephen III of Hungary (1162). In the miniature, King Stephen III (son of Géza II) sits on the throne, holding the orb in his right hand. The illuminator depicted the king as a mature man, although he was only fifteen years old at the time of his coronation. A bishop places the crown on his head, while a Hungarian nobleman wearing a pointed cap presents the king with the sword of the kingdom.[10] | |
| Page 121 | The Usurper King Ladislaus II and the Theft of the Crown On the left, Prince Ladislaus (son of Béla II of Hungary) is seated while a courtier whispers something into his ear. In the center, the Archbishop of Kalocsa holds the royal crown in his hands. In the background, a figure rides on horseback, also carrying a crown.[10] | |
| Page 122 | The Usurper Prince Stephen Prince Stephen, the son of King Béla II, is depicted wearing a princely cap and a crimson mantle, holding a sword in his left hand. He later became the anti-king Stephen IV.[10] | |
| Page 122 | King Béla III King Béla III is depicted wearing a royal crown and chain mail, holding an orb in his right hand and a red-and-white striped flag bearing the Árpád stripes in his left hand.[10] | |
| Page 122 | Coronation of King Emeric The coronation of King Emeric in 1196. Emeric is enthroned holding a scepter and an orb, while two bishops place the crown upon his head.[10] | |
| Page 123 | King Emeric King Emeric is depicted with a crown, a scepter, and an orb.[10] | |
| Page 123 | Coronation of King Ladislaus IIII A bishop places the crown upon Ladislaus's head. Although King Ladislaus III was only five years old at the time of his coronation, the illuminator depicts him as a mature man. Because the chronicler did not refer to the rival king Ladislaus as Ladislaus II, he presents this Ladislaus as the second of that name, even though he is the third in the sequence of Hungarian kings.[10] | |
| Page 123 | King Ladislaus IIII King Ladislaus III, with crown, sceptre, and orb.[10] | |
| Page 123 | Coronation of King Andrew II One of the two bishops places the crown on the head of King Andrew II, who is seated on the throne. To the right stand the king's daughter, Saint Elizabeth, distinguished by a halo, and two of his sons, most likely the future King Béla IV and Prince Coloman.[10] | |
| Page 124 | King Andrew II King Andrew II of Hungary in royal regalia, holding the orb and the Hungarian flag bearing the double cross.[10] | |
| Page 124 | King Andrew II at the Head of His Crusader Army King Andrew II rides along a rocky riverbank at the head of his warriors. One of them carries a red banner bearing the Hungarian coat of arms with the double cross. King Andrew led the Fifth Crusade in 1217–1218.[10] | |
| Page 125 | Coronation of King Béla IV The coronation of King Béla IV of Hungary (1235). Seated on the throne, Béla IV is crowned by a bishop, while his younger brother, Prince Coloman, presents him with the Sword of State.[10] | |
| Page 125 | The First Mongol Invasion The First Mongol invasion of Hungary (1241–1242). The Mongols pursue King Béla IV of Hungary, who is fleeing on horseback with his followers. The Mongols are depicted in Cuman-style attire, armed with sabres.[10] | |
| Page 126 | The Fight of King Béla IV of Hungary with King Ottokar II of Bohemia The Battle of Kressenbrunn (1260). A cavalry battle between the armies of King Ottokar II of Bohemia and King Béla IV of Hungary. At the center, Béla IV is depicted riding a white horse, wearing armor and a crown.[10] | |
| Page 126 | King Béla IV in Royal Regalia King Béla IV of Hungary, with crown, sceptre, and orb.[10] | |
| Page 126 | Flagellants Flagellants in 1263, according to the chronicle. Rocky landscape with churches in the background. In the foreground are four flagellants, two of whom are scourging themselves bloody.[10] | |
| Page 127 | Coronation of King Stephen V The coronation of Stephen V of Hungary as Junior King (1246, from 1262, he used the title "Junior King" as his royal title). In the miniature, Stephen V stands on the right, while his elderly father, King Béla IV of Hungary, places the crown upon his head. On the left, behind him, stands his wife, Queen Maria Laskarina.[10] | |
| Page 128 | King Ladislaus IV the Cuman King Ladislaus IV of Hungary, depicted wearing the traditional attire of the Cumans, whom he favored.[10] His mother, Queen Elizabeth, was the daughter of a Cuman chieftain. However, he did not receive the name "the Cuman" because of his mother's ancestry, rather, it was a name given to him during his lifetime. As a child, he was abducted by powerful nobles seeking to gain influence, in order to keep his father under their control. After ascending to the throne, Ladislaus preferred spending time with his "beloved Cumans" rather than among the Hungarian nobles, adopting their way of life and customs. | |
| Page 128 | The Second Mongol Invasion The Second Mongol invasion of Hungary (1285–1286). The campaign of the Golden Horde against the Kingdom of Hungary was led by Khan Nogai and Khan Talabuga. The Tatars attacked with two armies, but encountered strong resistance from the outset. They suffered a defeat at Pest at the hands of the royal and noble forces. They then withdrew through Transylvania, while the local nobles and the population inflicted further heavy losses on them. The miniature depicts a battle between the Tatars and the Hungarians.[10]
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| Page 129 | Bishop Philip of Fermo, the Papal Legate Is Coming to Hungary The arrival of Philip of Fermo in Hungary (1279). In the miniature, Philip, Bishop of Fermo, the papal legate, is depicted seated on a white horse in cardinal's attire, accompanied by a mounted soldier.[10] He came to Hungary to strengthen the influence of the Catholic Church on behalf of the pope, to enforce the adoption of a Christian way of life among the Cumans, and to help consolidate the rule of King Ladislaus IV of Hungary. However, his intervention led to serious political conflicts.
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| Page 129 | The Murdered King Ladislaus IV the Cuman and His Murderers Murder of King Ladislaus IV of Hungary (1290). King Ladislaus IV was killed by Cumans whom he had favoured, near the castle of Körösszeg. In the miniature, the murdered king's body, dressed in Cuman attire, lies in a tent decorated with Árpád striped and Hungarian double-cross coats of arms. On the left, the two assassins, Cuman warriors holding swords, are shown departing.[10]
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| Page 130 | Prince Andrew Is Brought to Hungary The arrival of Prince Andrew in Hungary (1278 and 1290). In the miniature, Prince Andrew is depicted riding in a princely cap, in 1290, he was crowned King Andrew III of Hungary, the grandson of King Andrew II of Hungary.[10] | |
| Page 131 | The Child Charles Robert Is Brought to Hungary Arrival of Charles Robert in Hungary (1300). The miniature depicts the 12-year-old future King Charles I of Hungary, wearing a princely cap and riding a white horse, accompanied by two noblemen.[10] Charles Robert was crowned three times: in 1301, 1309, and 1310. Only Charles's third coronation fully complied with customary law: in Székesfehérvár, the Archbishop of Esztergom placed the Holy Crown of Hungary on Charles's head. | |
| Page 132 | Prince Wenceslaus Arrives in Hungary Arrival of Wenceslaus in Hungary (1301). In the miniature, Prince Wenceslaus, son of King Wenceslaus II of Bohemia, comes to Hungary accompanied by two noblemen.[10] | |
| Page 133 | King Wenceslaus Returns to Bohemia King Wenceslaus II of Bohemia bringing his son King Wenceslaus of Hungary back to Bohemia (1304). In the miniature, from left, King Wenceslaus II of Bohemia is depicted riding a white horse. Beside him is his son, King Wenceslaus of Hungary, wearing a princely cap. As the name Wenceslaus was not commonly used among the Hungarians, King Wenceslaus was called Ladislaus.[10] | |
| Page 134 | The Priests of Buda Curse the Pope The double excommunication of Buda (1304–1307). According to the chronicle, the papal legate, Cardinal Nicola Boccasini (the future Pope Benedict XI), arrived in Hungary to support King Charles Robert during the dynastic conflict that arose following the extinction of the male line of the Hungarian royal Árpád dynasty, when the claimants descended through the female line competed for the support of the Hungarian magnates factions. However, he was unable to accomplish his mission. Upon his departure, he placed the citizens of Buda under an ecclesiastical interdict. In protest, some priests of Buda excommunicated the Pope. In the miniature, two priests from Buda stand in front of a church with a bell tower. One holds a burning candle and rings a bell, while the other points with his hand toward Cardinal Nicola of the Dominican Order seated on the ground.[10] | |
| Page 135 | Recovery of the Lost Crown The loss and finding of the crown (1305). According to the chronicle, Duke Otto of Bavaria obtained the Holy Crown of Hungary from Wenceslaus, who had returned to Bohemia, and brought it to Hungary. Fearing his enemies, he concealed the crown inside a wooden drinking vessel. During the journey, the vessel was lost, but it was eventually found. In the miniature, the already crowned Otto, King of Hungary, is depicted on the right, riding a white horse. One of his attendants picks up the wooden drinking vessel from the road, in which the crown had been hidden, and with his other hand is already handing the crown to the King.[10]
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| Page 136 | Cardinal Gentile Arrives in Hungary The cardinal's arrival (1308). The papal legate, Cardinal Gentile, rides a white horse, wearing the habit of the Franciscan Order and a cardinal's hat. He is accompanied by a priest and two men in secular dress.[10] | |
| Page 137 | Battle of Rozgony The Battle of Rozgony (1312). The battle was the most significant engagement of King Charles I of Hungary's campaign to reunify Kingdom of Hungary. In this battle, fought on the field near Rozgony (now Rozhanovce, Slovakia) close to Kassa (now Košice, Slovakia), the king defeated the army of the family of Palatine Amade Aba. The Illuminated Chronicle describes it as the fiercest battle fought since the Mongol invasions of Hungary. Although the royal army also suffered heavy losses, King Charles Robert's decisive victory brought an end to the Aba family's dominance in northeastern Hungary, weakened his most powerful internal rival, Matthew Csák, the magnate who ruled northwestern Hungary, and firmly consolidated Charles Robert's reign throughout the kingdom. Through his maternal line, Charles Robert was one of the heirs of the ruling House of Árpád, which had only recently become extinct in the male line. In the miniature, the battle is depicted taking place in a valley between two rocky hills, with the castle of Kassa standing on the heights. In the foreground lie the bloodied bodies of fallen warriors. On the right, King Charles Robert rides a white horse in full armor, wearing a crown and a visored helmet adorned with the crest of the Hungarian Angevins. His breastplate bears the Hungarian coat of arms with the double cross. His similarly decorated banner lies on the ground in the hand of his fallen standard-bearer, Györke. In his left hand, the king carries a shield displaying the fleur-de-lis of the House of Anjou, while in the background, beneath the royal Hungarian Angevin banner, the relieving army arrives to support him. On the left, the opposing commander – presumably one of Aba Amadé's sons – also wearing a closed helmet, is shown engaged in single combat with the king.[10] | |
| Page 138 | King Charles Robert King Charles I of Hungary is depicted in full armor, wearing the royal crown over his kettle hat. He holds the orb in his right hand and a lowered shield bearing the royal Hungarian Angevin coat of arms in his left.[10] | |
| Page 139 | The First Wife of King Charles Robert, Mary Is Placed in a Coffin The queen's funeral (1317). A man places the body of Queen Mary, the first wife of King Charles I of Hungary, into a coffin, while two bishops officiate at the funeral rites.[10] | |
| Page 139 | The Wedding of King Charles Robert With Elizabeth, the Daughter of the Polish King Władysław The royal wedding (1320). Elizabeth, daughter of Władysław I Łokietek, King of Poland, and the third wife of Charles Robert of Hungary. On the left, two elderly figures lead the richly dressed Elizabeth, wearing a golden crown. On the right, facing her, the king extends the queen's crown toward her. At the far right, two heralds blow trumpets from which hang royal banners bearing the Hungarian Angevin coat of arms.[10] | |
| Page 140 | Queen Elizabeth With Her Children In the center is Queen Elizabeth, the consort of King Charles I of Hungary, surrounded by her five children. On the left stand two boys wearing royal crowns: the future King Louis I of Hungary and his younger brother, Prince Andrew, heir to the throne of the Kingdom of Naples. On the right are three boys wearing princely caps: Stephen, Duke of Slavonia; Charles, who died in infancy; and Ladislaus, who died at the age of five. According to another interpretation, the two figures on the right represent the royal couple's daughters: Catherine, Duchess of Świdnica, and Elizabeth.[10] | |
| Page 140 | The Founding of the Monastery in Lippa Kneeling opposite each other, King Charles Robert of Hungary and Queen Elizabeth hold a miniature model of the church at Lippa (now Lipova, Romania). in their hands as a symbol of its foundation.[10] | |
| Page 140 | Saint Louis of Toulouse Saint Louis of Toulouse (Louis of Anjou, Bishop of Toulouse) is depicted with a halo. The clasp fastening his liturgical cope across his chest bears the Hungarian Angevin coat of arms. The saint was a maternal descendant of the House of Árpád: his mother was Mary, daughter of King Stephen V of Hungary. He raises his right hand in blessing, while the royal crown lies at his feet, symbolizing his renunciation of the Kingdom of Naples when he chose an ecclesiastical vocation.[10] | |
| Page 140 | Birth of King Louis Birth of King Louis I of Hungary (1326). The son of King Charles I of Hungary's was named Louis after the king's paternal uncle, Saint Louis of Toulouse, who was canonized in 1317. Queen Elizabeth is depicted lying in bed, wearing a crown, while one of the three female attendants presents the crowned infant Louis to his mother.[10]
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| Page 141 | The Burning of the Coronation Basilica at Székesfehérvár The burning of the Coronation Basilica (1327). The Basilica of the Assumption of the Blessed Virgin Mary at Székesfehérvár was the largest and most important church of the medieval Kingdom of Hungary. In the miniature, flames rise from three of the four towers and the lead-covered roof of the Romanesque basilica. According to the chronicle, the fourth tower, which stood above the sacristy, did not burn down because the holy relics were kept there.[10] | |
| Page 141 | Felician Záh's Assassination Against the Royal Family The assassination attempt against the Hungarian royal family (1330). In one of the chambers of the royal palace in Visegrád, King Charles Robert and Queen Elizabeth are seated at a table lavishly set with dishes and tableware. The elderly Felician Záh wounds the queen's right hand with his sword as she attempts to shield the king. However, John, the royal carver, rushes in and stabs the assassin from behind. Meanwhile, on the left, a servant is just entering the room carrying a platter of food.[10]
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| Page 143 | King Charles's Defeat in the Campaign Against Basarab The Battle of Posada (1330). It was a fierce four-day battle during the campaign of King Charles I of Hungary in Wallachia. The Hungarian army, deliberately lured into a trap in a narrow mountain pass, was defeated by Basarab I, the Wallachian voivode. In the miniature, Vlachs dressed in traditional woollen garments and fur caps roll rocks down from above and shoot arrows at the Hungarian army as it marches through a rocky gorge between high mountains. Part of the Hungarian force is killed, including the Count of Sopron, Dezső Hédervári, who had put on the king's armour and his crowned helmet decorated with an ostrich head in order to cover the king's escape. King Charles I is shown in the foreground fleeing on a white horse with two loyal followers. He wears a crown and carries a shield bearing the Hungarian coat of arms with the double cross.[10] The painter of the illustrations in the chronicle must have seen them with his own eyes and was therefore well acquainted with the dress of the Hungarians, Cumans, and Vlachs.[11] | |
| Page 144 | King Charles Receives the Envoy of Voivode Basarab King Charles I of Hungary is depicted wearing armor. Before him stands a messenger with long hair and a long robe, holding a helmet in his left hand while presenting a letter from Voivode Basarab to the Hungarian king. (The event depicted in this miniature precedes the Battle of Posada shown in the previous illustration).[10]
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| Page 146 | Victory of Basarab Over the Royal Army The Battle of Posada (1330). It was a fierce four-day battle during the campaign of King Charles I of Hungary in Wallachia. The Hungarian army, deliberately lured into a trap in a narrow mountain pass, was defeated by Basarab I, the Wallachian voivode. A repetition of the scene depicted on page 143: the Vlachs, dressed in fur coats and fur caps, roll rocks down from above and shoot arrows at the Hungarian troops marching below. On the right, in the foreground, King Charles Robert flees on horseback with his soldiers.[10] |
See also
[edit]Sources
[edit]- Studies on the Illuminated Chronicle (2018). Bak, János M.; Veszprémy, László (eds.). Studies on the Illuminated Chronicle. Budapest: Central European University Press, National Széchényi Library. ISBN 978-963-386-261-2. ISSN 1419-7782.
References
[edit]- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Mark, Kalti (1358) [2018]. Chronica de Gestis Hungarorum [Chronicle of the Deeds of the Hungarians from the Fourteenth-Century Illuminated Codex] (in Latin and English). Vol. Central European Medieval Texts Volume 9. Translated by Bak, János M; Veszprémy, László. Budapest, New York: Central European University Press, National Széchényi Library. ISBN 978-963-386-264-3. ISSN 1419-7782.
{{cite book}}: ISBN / Date incompatibility (help) - ↑ Kertész, Balázs (25 April 2025). "A Képes Krónika" [The Illuminated Chronicle]. Magyarságkutató Intézet [Institute of Hungarian Research].
- ↑ Studies on the Illuminated Chronicle 2018, pp. 1–4, Orsolya Karsay: The Codex of the Illuminated Chronicle.
- 1 2 "The Secretum Secretorum of Louis the Great". Hertford College – Library & Archives.
- ↑ Hóman, Bálint (1925). "A magyarok hún-hagyománya – Kézai Simon hún-krónikája" [The Hun Tradition of the Hungarians - The Hun Chronicle of Simon Kézai]. A magyar hún-hagyomány és hún-monda [The Hungarian Hun Tradition and Hun Legend] (in Hungarian). Budapest: Hungarian Academy of Sciences.
- ↑ Dr. Szabados, György (1998). "A krónikáktól a Gestáig – Az előidő-szemlélet hangsúlyváltásai a 15–18. században" [From the chronicles to the Gesta - Shifts in emphasis of the pre-time perspective in the 15th–18th centuries]. Irodalomtörténeti Közlemények, 102 (5-6) (PDF) (in Hungarian). MTA Irodalomtudományi Intézet (Institute for Literary Studies of Hungarian Academy of Sciences). pp. 615–641. ISSN 0021-1486.
- 1 2 3 Pražák, Nechutová, Bartoňková (1988). Legendy a kroniky koruny Uherské (Legends and chronicles of Hungarian crown). Prague: Nakladatelství Vyšehrad. pp. 340–346.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ↑ Dercsinyi, Dezső (1964). A Képes krónika és kora (The Chronicon Pictum and Its Age) (in Hungarian). Budapest.
{{cite book}}: CS1 maint: location missing publisher (link) - ↑ CEU Press (2018). "The Illuminated Chronicle: Chronicle of the Deeds of the Hungarians from the Fourteenth-Century Illuminated Codex". CEU Press – Central European University.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 Geréb, László; Dercsinyi, Dezső; Csapodiné Gárdonyi, Klára; Mezey, László (1964). Képes Krónika [Illuminated Chronicle] (PDF) (in Hungarian). Budapest: Magyar Helikon.
- ↑ Jakubovich, Emil (1930). "Nagy Lajos király oxfordi kódexe, a Bécsi Képes Krónika kora és illuminátora" [King Louis the Great's Oxford Codex: The Date and Illuminator of the Vienna Illuminated Chronicle]. Magyar Könyvszemle. 35 (3–4): 382–393. ISSN 0025-0171.
External links
[edit]- Kalt, Marci (1358). Chronicon Pictum (PDF) (in Latin). Archived from the original (PDF) on 2012-03-04.
- M. Florianus, ed. (1883). Chronica Hungarorum: Chronicon Pictum Vindobonense (in Latin). Lipsiae (Leipzig). pp. 100–302.
{{cite book}}: CS1 maint: location missing publisher (link) - Podhradczky, József (1838) [1365]. Chronicon Budense (in Latin). Buda. – A more readable Latin text, with notes in Latin
- Geréb, László; Dercsinyi, Dezső; Csapodiné Gárdonyi, Klára; Mezey, László (1964). Képes Krónika [Illuminated Chronicle] (PDF) (in Hungarian). Budapest: Magyar Helikon.
- Geréb, László (1993). Képes Krónika [Illuminated Chronicle] (in Hungarian). Magyar Hírlap and Maecenas Kiadó. ISBN 963-8164-07-7.


































































































































