Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a29716b21bc33191

Jump to content

// Workers AI · dad joke modeWhat did the Iberoamerican Trilogy say to the reader? "You're bound to it.

From Wikipedia, the free encyclopedia

The Iberoamerican Trilogy is a short film trilogy directed by Uruguayan media artist Martin Sastre between the years 2002 and 2004. The films are about a future period of human civilization defined as the Iberoamerican Era when Latin America becomes the central cultural power of the World after Hollywood collapsed, until the rising of Bolivia as a confederation, taking all the Americas as its own territory.[1]

The three films of this Trilogy are Videoart: The Iberoamerican Legend, Montevideo: The Dark Side of the Pop and Bolivia 3: Confederation Next, all shown worldwide in museums and other art spaces from countries like Argentina,[2] Australia,[3] Brazil,[4] Canada,[5] Chile,[6] China,[7] Cuba,[8] France,[9] Germany,[10] Italy,[11] Ireland,[12] Switzerland,[13] Spain,[14] United Kingdom,[15] United States[16] or Uruguay.[17]

References

[edit]
  1. "The definitive online source of Latin American Art". LatinArt.com. 1 October 2004. Retrieved 20 October 2011.
  2. Archived 24 May 2008 at the Wayback Machine
  3. "Artspace Sydney". Retrieved 6 February 2009.{{cite web}}: CS1 maint: deprecated archival service (link)
  4. "Archived copy" (PDF). Archived from the original (PDF) on 6 July 2011. Retrieved 6 February 2009.{{cite web}}: CS1 maint: archived copy as title (link)
  5. [dead link]
  6. "MAC presenta ::Contrabandistas de Imágenes: Selección 26ª Bienal de Sao Paulo". Mac.uchile.cl. Archived from the original on 22 June 2008. Retrieved 20 October 2011.
  7. "艺术世界". Archived from the original on 28 August 2008. Retrieved 6 February 2009.
  8. "CUBA". La Jiribilla. Archived from the original on 30 September 2011. Retrieved 20 October 2011.
  9. [dead link]
  10. "Archived copy" (PDF). Archived from the original (PDF) on 12 October 2006. Retrieved 6 February 2009.{{cite web}}: CS1 maint: archived copy as title (link)
  11. "La pagina richiesta non esiste - Mambo". Retrieved 6 February 2009.{{cite web}}: CS1 maint: deprecated archival service (link)
  12. "Irish Museum of Modern Art zeigt The Hours in Dublin – Ausstellungen in kunstaspekte". Kunstaspekte.de. 5 October 2005. Retrieved 20 October 2011.
  13. "11e BIM - Focus - Biennale de l'Image en Mouvement - Genève". Archived from the original on 30 December 2009. Retrieved 6 February 2009.
  14. Jiménez, Carlos (5 May 2007). "El caso Martín Sastre · ELPAÍS.com". El País. Retrieved 20 October 2011.
  15. https://web.archive.org/web/20080307160429/http://www.sitegallery.org/exhibitions/view.php?id=35. Archived from the original on 7 March 2008. Retrieved 6 February 2009. {{cite web}}: Missing or empty |title= (help)
  16. "Martin Sastre". Momentaart.org. Archived from the original on 2 October 2011. Retrieved 20 October 2011.
  17. "Inauguran Martín Sastre, Flor Garduño y Canogar – Cultura – 11 de octubre de 2004". Larepublica.com.uy. 22 October 2007. Retrieved 20 October 2011.