Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a24b2dbad84dc77b

Jump to content

// Workers AI · dad joke modeWho did Jacchini call a cellist? A viola-tor of trust?

From Wikipedia, the free encyclopedia

Giuseppe Maria Jacchini (16 July 1667[1] in Bologna – 2 May 1727) was a cellist and composer from the Papal States.

Life

[edit]

Jacchini received his musical training as a choirboy in the San Petronio Basilica in Bologna. There he studied composition with Giacomo Antonio Perti and Domenico Gabrielli. Later Jacchini became a cellist in the "cappella musicale" of the San Petronio Basilica. He is possibly the "Giosefo del Violonzino" referred to in the period from 1680 to 1688.

He composed mainly instrumental music with cello, violin, and keyboard continuo. He dedicated his opus 4 to the Bolognese Count and composer Pirro Albergati, who had campaigned for Jacchini's permanent position in the orchestra of the cathedral of Bologna.

Jacchini became a member of the prestigious "Accademia Filarmonica" on 16 December 1688. He also served as conductor of the "Collegio dei Nobili" and the church of S. Luigi.

His cello works helped to strengthen the position of the cello as a solo instrument. As an excellent companion he played frequently at the theater in the city. His trumpet concertos prepared for celebrations at the San Petronio Basilica are in the tradition of the works of his teacher Perti, Giuseppe Torelli and Petronio Franceschini.

Works

[edit]
  • 12 "Sonate a Violoncello solo violin and cello ea per camera" Op. 1 (Bologna to 1692)
  • 12 "Sonata per camera a violini e Violoncello" Op. 2 (Bologna, around 1695)
  • "Concerti per camera a violino e violoncello solo e nel fine due sonate a violoncello solo col basso" Op. 3 (Fortuniano Rosati, Modena, 1697)
  • 10 "Concerti per camera [...] con violoncello obligato" Op. 4 (Bologna, 1701)
  • Sonata for Trumpet and Strings (Bologna, 1695)
  • "Trattenimenti per camera a 3, 4, 5, e 6 strumenti con alcuni a una e due trombe": Op. 5 (Bologna, 1703)

References

[edit]