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// Workers AI · dad joke modeWhat did the "Ghosts of the Sea" say? We're fin-ally here.

From Wikipedia, the free encyclopedia
Ghosts of the Sea
FrenchLes Enfants du large
Directed byVirginia Tangvald
Written byVirginia Tangvald
Produced byNathalie Cloutier
Isabelle Couture
Élaine Hébert
CinematographyGlauco Bermudez
Étienne Roussy
Edited byMarie-Pier Dupuis
Elric Robichon
Music byRémi Boubal
Production
company
Release date
  • October 14, 2024 (2024-10-14) (FNC)
Running time
98 minutes
CountriesCanada
France
LanguagesEnglish
French

Ghosts of the Sea (French: Les Enfants du large) is a Canadian-French multimedia book and documentary film project by Virginia Tangvald, released in 2024.[1] The book and the film both centre on her search for more information and understanding about her father, Norwegian adventurer Peter Tangvald, and her brother, Thomas Tangvald, who both died in separate shipwreck incidents in 1991 and 2014.[2]

The book was published in September,[3] while the film premiered in the National Competition at the 2024 Festival du nouveau cinéma.[4]

At FNC, the film won the TV5 Audience Award.[5] Tangvald's initial proposal for the film was previously the winner of the Pitch Premières Œuvres prize at the 2020 Festival du nouveau cinéma.[6]

Critical response

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Reviewing the film when it screened at the 2025 Hot Docs Canadian International Documentary Festival, Courtney Small of Point of View magazine wrote that "Sailing on the dark waters of the past, Ghosts of the Sea builds a poetic blueprint for how the male ego can tangle itself to the anchor of tragedy. Through archival footage of Thomas and Peter, and incorporating interviews with friends, navigation experts, family, and her own inner thoughts, Tangvald presents a vivid portrait of a family that has endured an unimaginable amount of grief. As her camera repeatedly lingers on the ocean, forcing the audience to contemplate both the vastness of nature and the shortsightedness of man, one cannot help but ponder what Thomas’ life might have been like had Peter not been an all-consuming destructive force."[7]

Awards

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Glauco Bermudez and Étienne Roussy won the Prix Iris for Best Cinematography in a Documentary at the 27th Quebec Cinema Awards in 2025.[8]

The film was a finalist for the Rogers Best Canadian Documentary award at the Toronto Film Critics Association Awards 2025.[9]

References

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