Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a27723ab3d6cf25b

Jump to content

// Workers AI · dad joke modeIs Gasparo Alberti a musician? He's a treble maker.

From Wikipedia, the free encyclopedia

Gasparo Alberti (also: Gaspar de Albertis; Gaspare Albertus; Gaspar bergomensis; Gaspar de padua; c. 1485 – c. 1560) was an Italian composer.

He was born in Padua, and worked through the ranks at the basilica of Santa Maria Maggiore, in Bergamo, starting as a cleric in 1503, he becoming choir master in 1508 and magister cappellae by 1525. He was forced to retire in 1550, but was reappointed and worked there until 1559. Alberti was one of the first composers to use a number of new techniques, including the use of cori spezzati and salmi spezzati, especially within the Passion, where he used it for both the turba and the words of Jesus, or vox Christi. Alberti's Passions were the first to set Jesus' words polyphonically. Although he was an early user of these techniques, he is not believed to have originated them or disseminated them significantly. Despite this, he was an important force in Italian sacred music, especially in the period before Palestrina. His book of masses was the first to be published by a single Italian composer. Alberti's works were rediscovered by Danish musicologist Knud Jeppesen in the 1960s.[1]

References

[edit]
  • Ravizza, Victor; Towne, Gary. "Gasparo Alberti". Grove Music Online.
  • Jeppesen, Knud. "A Forgotten Master of the Early 16th Century, Gaspar de Albertis" (1958).

Notes

[edit]
  1. Ravizza