// Workers AI · dad joke modeWho's Eric Wesley? Wesley who? Wes-ley you later.
Eric Wesley (born 1973)[1] is an American artist who works with a variety of media including sculpture and painting.[2][3] He is based in Los Angeles.[4]
Biography
[edit]Wesley was born and raised in Los Angeles, California,[5][1][3] the son of two social workers.[6] As a child, he planned to become an aeronaturical engineer.[6] He earned a fine arts degree from University of California, Los Angeles in 1996.[7][8][3] While Wesley primarily works from Los Angeles, he previously had a studio in Berlin.[2][6]
Wesley's work encompasses sculpture and painting, among other media,[2][3] and have been displayed around the world. He has held solo exhibitions at galleries including the Museum of Contemporary Art, Los Angeles and Foundation Morra Greco, Naples, Italy.[9] He has participated in group shows at the Hammer Museum in Los Angeles;[10] CAPC musée d'art contemporain, Bordeaux;[11] Fundación/Colección, Mexico City;[12] ARCOS Museo d’Arte, Benevento, Italy;[citation needed] the Prague Biennial in 2007;[13] Institute of Contemporary Arts, London;[14] P.S. 1, New York;[15] the Whitney, New York;[16] and the Studio Museum in Harlem.[17] His work was part of the collection TV executive Dean Valentine donated to the Hammer Museum in 2007.[18] He has worked extensively with China Art Objects Galleries, Bortolami Gallery, and Maureen Paley.[13][19] He was included on ArtReview's Future Greats list in 2005[20] and 2008.[21]
He is also the co-founder of Mountain School of Art (MSA) in Los Angeles,[22] an artist-run nomadic school that he opened in January 2006 with Piero Golia.[3][23][24] They accept 15 fellows annually to a three-month program. The classes are free and all staff are volunteers.[23][24] In 2008, Wesley told ArtReview that it was less of an art school and more of "an institution patterned on the university model and devoted to general education, with a curriculum grounded in science, philosophy and law."[23]
Solo exhibitions
[edit]| Year | City | Gallery | Title | Notes | Refs |
|---|---|---|---|---|---|
| 1999 | Los Angeles | China Art Objects Galleries | Camper | [25] | |
| 2000 | Kicking Ass | [26][27] | |||
| 2001 | Pasadena | Caltech | Two Story Clock Tower | Erected on the Caltech campus | [28][1][29] |
| 2002 | New York City | Metro Pictures Gallery | New Amsterdam | [27][30][2][31] | |
| Karlsruhe | Meyer-Reigger Galerie | Enchilada “The Endless Burrito” | [32][27][2] | ||
| Turin | Galeria Franco Noero | Ouchi | [27] | ||
| 2003 | Basel | Art Basel | Jeans Theory, Statements | [33] | |
| 2004 | Los Angeles | China Art Objects Galleries | Pico Youth Center | [34] | |
| Miami | Locust Projects | Eric Wesley I love WW2 | [35] | ||
| 2005 | Amsterdam | Bowie-Van Valen Gallery | [36][2] | ||
| 2006 | Karlsruhe | Meyer-Riegger Gallery | Audi | [37][1][2] | |
| Naples | Galleria Fonti | You say Tomato, I say Tomato | [38][3][2][39] | ||
| Los Angeles | China Art Objects Galleries | Erik Wesley | [40][1] | ||
| Museum of Contemporary Art | MOCA FOCUS: Eric Wesley | [16][2][5][1][3][41] | |||
| Pacific Design Center | Thirty Three Point Three Three Three | [42][2][29] | |||
| 2007 | New York City | Bortolami Gallery | Spaference Room | [43][1] | |
| Naples | Foundation Morra Greco | Spa fice | [44][13][1][45][46][2] | ||
| Münchenstein | Kunsthaus Baselland | [2] | |||
| Turin | Galeria Franco Noero | [2] | |||
| 2008 | Berlin | Feurig59 | Ship Shape Shit Shelf and the Empfang Box | [13] | |
| 2009 | London | Maureen Paley | New Realistic Figures | [13] | |
| 2010 | New York City | Bortolami Gallery | D’Carts Blanche and New Paintings | [47] | |
| 2011 | Los Angeles | China Art Objects Gallery | The Same ‘Ol New Frontier | [48] | |
| 2012 | New York City | Bortolami Gallery | 2 new works | [49] | |
| 2015 | Los Angeles | 356 Mission | Some Work | [50] | |
| 2016 | Minneapolis | Midway Contemporary Art | ISOSCELES TRAPEZOID ARCH | [51] | |
| 2019 | Los Angeles | TIMESHARE | Turning Tables | [52] | |
| Pico Pico | Timbuctoo | Alternate title: Sticks and stones may break my bones but words fucking kill me | [53] | ||
| London | Sprovieri Gallery | Reputation | [54] | ||
| 2022 | New York City | Bortolami Gallery | Eric Wesley/St Louis | [55] | |
| 2024 | Martos Gallery | Three Sleeping Philosophers | [56] |
Group exhibitions
[edit]| Year | City | Gallery | Exhibition title | Notes | Refs |
|---|---|---|---|---|---|
| 1998 | Santa Monica | Rosamund Felsen Gallery | I-Candy | [citation needed] | |
| Los Angeles | Brent Petersen Gallery | Drawings for Works in Progress | [57] | ||
| 1999 | L.A. Edge Festival | Organized by Simon Watson | [citation needed] | ||
| 2000 | ACME Gallery | Young and Dumb | Curated by Pentti Monkkonen | [58] | |
| 2001 | New York City | Studio Museum in Harlem | Freestyle | Sculpture: Kicking Ass | [17][59][60][61][62][63] |
| Santa Monica | Santa Monica Museum of Art | [17] | |||
| San Diego | Museum of Contemporary Art, San Diego | Ultrabaroque: Aspects of Post-Latin American Art | [64] | ||
| Los Angeles | UCLA Hammer Museum | Snapshot: New Art From Los Angeles | [13][27][65][2][66][67] | ||
| Miami | Museum of Contemporary Art | [citation needed] | |||
| New York City | Artists Space | Purloined | Ran September 6 - October 13 | [68] | |
| Karlsruhe | ZKM Center for Art and Media | Circles 3: Silver Lake Crossings | Curated by Christoph Keller | [citation needed] | |
| New Plymouth | Govett-Brewster Art Gallery | Drive: Power, Progress, Desire | Curated by Gregory Burke | [69] | |
| New York City | Metro Pictures Gallery | [citation needed] | |||
| 2002 | Richmond | Reynolds Gallery | Drive By: Nine Artists from Los Angeles | [citation needed] | |
| 2003 | Los Angeles | Craft and Folk Art Museum | Fade (1990–2003) | Curated by Malik Gaines | [70] |
| China Art Objects Galleries | Works for Giovanni | [citation needed] | |||
| Glasgow | Transmission Gallery | More Boots = Many Routes | With Lee O’Connor and Ryan Doolan | [citation needed] | |
| Turin | Galeria Franco Noero | New Space! New Show! | [citation needed] | ||
| Guadalajara | OPA: Oficina Para Proyectos de Arte | Adios Pendejos | [citation needed] | ||
| London | Campoli Presti | Eduardo Sarabia and Eric Wesley | [71] | ||
| 2004 | New York City | Whitney Museum of American Art | Whitney Biennial | [13][16][2] | |
| Vienna | Museum für Angewandte Kunst | 3 Fireplaces and 2 Bathtubs | [72] | ||
| San Francisco | Contemporary Jewish Museum | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | [14] | |
| 2005 | New York City | Bortolami Dayan | Gallery opening event | [73] | |
| Closing Down: Thanks | [citation needed] | ||||
| Los Angeles | Los Angeles Contemporary Exhibitions | A Walk to Remember | Organized by Jens Hoffmann | [74] | |
| London | Institute of Contemporary Arts | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | [14][13][2] | |
| Virginia Beach | Virginia Museum of Contemporary Art | [14] | |||
| Reading | Freedman Art Center | [14] | |||
| New York City | I-20 Gallery | Installations | [citation needed] | ||
| Having Differences | [citation needed] | ||||
| 2006 | Minneapolis | Midway Contemporary Art | Axis of Praxis | Curated by Nate Lowman | [75][1] |
| Los Angeles | Black Dragon Society | Designomite | Curated by Parker Jones | [76] | |
| London | Institute of Contemporary Arts | Alien Nation | Curated by John Gill, Jens Hoffmann and Gilane Tawadros | [13][77][1][2] | |
| Long Island City | P.S. 1 Contemporary Art Center | The Gold Standard | [13][15][1] | ||
| New York City | Bortolami Dayan | Survivor | Curated by David Rimanelli | [78] | |
| Nashville | Cheekwood Museum of Art | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | [14] | |
| 2007 | Prague | Prague Biennale | [13][2] | ||
| Los Angeles | Lizabeth Oliveria | Milieu | [79] | ||
| Angles Gallery | [citation needed] | ||||
| Venice, CA | Balmoral Gallery | One Foot High and Rising | [citation needed] | ||
| Athens | Kalfayan Gallery | Darling, Take Fountain | [80][1] | ||
| New York City | Bortolami | Substance & Surface | [81] | ||
| 2008 | Los Angeles | China Art Objects Gallery | The Light of the Virgo | [citation needed] | |
| Pougues-les-Eaux | Centre d'Art du Parc Saint Léger | Los Angeles Confidential | [13][1] | ||
| San Francisco | Wattis Institute for Contemporary Arts | Amateurs | [13][82][1] | ||
| Benevento | ARCOS Museo d’Arte | ITALIA ITALIE ITALIEN ITALY WLOCHY | [citation needed] | ||
| Los Angeles | Kathryn Brennan Gallery | Globetrotters | Curated by Katie Brennan | [83] | |
| New York City | Parrish Art Museum | Sand- Meaning and Metaphor | [citation needed] | ||
| 2009 | Los Angeles | Hammer Museum | Second Nature: Dean Valentine Collection | [citation needed] | |
| China Art Objects Gallery | 1999 | [citation needed] | |||
| 2010 | Museum of Contemporary Art | The Artist's Museum | [citation needed] | ||
| New York City | Bortolami Gallery | RE-DRESSING | [84] | ||
| Los Angeles | China Art Objects Gallery | The Inauguration of China Art Objects in Culver City, Los Angeles | [85] | ||
| Mexico City | Fundación Colección Jumex | Les enfants terribles | [12] | ||
| Los Angeles | Cottage Home | Video Journeys | [86] | ||
| 2011 | Amsterdam | Temporary Stedelijk Museum 3 | Making Histories – Changing Views of the Collection | [citation needed] | |
| New York City | 483 Broadway, SoHo | Greater LA | [87] | ||
| Bordeaux | CAPC musée d'art contemporain | BigMinis: Fetishes of Crisis | [11] | ||
| 2014 | Los Angeles | Hammer Museum | A Public Fiction | Part of Made in L. A. 2014 | [10][5] |
| Paradise Garage | LIQUOR STORE | [88] | |||
| 2015 | Chicago | Museum of Contemporary Art | Out of Office | Organized by Grace Deveney | [89] |
| 2016 | Cahokia | Abandoned Taco Bell at 1296 Camp Jackson Road | The Bell | [7][6] | |
| 2019 | Long Island City | SculptureCenter | Searching the Sky for Rain | Curated by Sohrab Mohebbi | [5] |
| Los Angeles | Hammer Museum | Dirty Protest: Selections from the Hammer Contemporary Collection | [5] | ||
| 2021 | New York City | Bortolami Gallery | Springweather and people | [5] | |
| 2022 | Whitney Museum of American Art | Whitney Biennial 2022: Quiet As It's Kept | [4] | ||
| 2023 | Bortolami | SWIZZLE TWIDDLE FIDDLE STICKS | Ran 8 Sep - 4 Nov | [90] |
Further reading
[edit]- Gaines, Malik (November 2001). "Eric Wesley to the Bone". Artext. No. 75.
- Kim, Christine Y. (April 2003). "Color Blind". V Magazine. No. 22.
References
[edit]- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Pedrosa, Adriano (2009). Vitamin 3-D: New Perspectives in Sculpture. Phaidon. pp. 326, 348. ISBN 9780714849744 – via Internet Archive.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 Campagnola, Sonia (March 2007). "Eric Wesley: Let's Do A Trade". Flash Art. No. 253. Retrieved 23 September 2025.
- 1 2 3 4 5 6 7 Rochette, Anne; Saunders, Wade (November 2006). "Place Matters: Los Angeles". Art in America. Vol. 94, no. 10. pp. 168–191, 224. Retrieved 23 September 2025.
- 1 2 "Whitney Biennial 2022: Quiet As It's Kept". Whitney Museum of American Art. 2022. Retrieved 3 September 2025.
- 1 2 3 4 5 6 "Springweather and people at Bortolami". Emergent Magazine. 2021. Retrieved 3 September 2025.
- 1 2 3 4 Dampier, Cindy (28 July 2016). "Eric Wesley's quest for high art leads to a Taco Bell". Chicago Tribune. Retrieved 24 September 2025.
- 1 2 Hodges, Jaye (21 July 2016). "Abandoned restaurant now serves fine art". The Belleville News-Democrat. Belleville, Illinois, US. p. B1. Retrieved 23 September 2025 – via newspapers.com.
- ↑ Haithman, Diane (5 January 2007). "$1 Million New Year's Gift to the Hammer". Los Angeles Times. Retrieved 23 September 2025.
- ↑ "Eric Wesley — BORTOLAMI". Eric Wesley — BORTOLAMI.[dead link]
- 1 2 "Public Fiction". Hammer Museum. 2014. Retrieved 3 September 2025.
- 1 2 "Robert Breer and BigMinis at CAPC – Bordeaux". Mousse Magazine. 30 November 2010. Retrieved 23 September 2025.
- 1 2 "LES ENFANTS TERRIBLES". Museo Jumex. Retrieved 3 September 2025.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 "Eric Wesley: New Realistic Figures". Maureen Paley. 2009. Retrieved 3 September 2025.
- 1 2 3 4 5 6 "100 Artists See God". Independent Curators International. Retrieved 23 September 2025.
- 1 2 "The Gold Standard". MoMA. 2006. Retrieved 3 September 2025.
- 1 2 3 "Eric Wesley (MOCA Focus Series)". Bortolami Gallery. Retrieved 3 September 2025.
- 1 2 3 Knight, Christopher (2 October 2001). "Cultural Evolution in Freestyle". Los Angeles Times.
- ↑ Robinson, Walter (2007). "Hammer Museum Gets Dean Valentine Art". Artnet.com. Retrieved 23 September 2025.
- ↑ Sholis, Brian (24 February 2007). "Show Business". artforum.com. Retrieved 23 September 2025.
- ↑ "100 Future Greats 2005". ArtReview. December 2005.[page needed]
- ↑ Schimmel, Paul (March 2008). "Future Greats". ArtReview. p. 87.
- ↑ "West Side Story". Mousse Magazine. Archived from the original on 10 May 2012. Retrieved 7 May 2012.
- 1 2 3 Myers, Holly (March 2008). "Go tell it on the mountain: LA's new nomadic art schools" (PDF). Art Review. No. 20. p. 73. Retrieved 23 September 2025 – via Fritz Haeg.
- 1 2 Stark, Frances (December 2005). "Frances Stark On: Los Angeles". ArtForum. p. 226. Retrieved 23 September 2025.
- ↑ "eEric Wesley: Camper". Contemporary Art Library. Retrieved 3 September 2025.
- ↑ "Eric Wesley: Kicking Ass". China Art Objects Galleries. 2000. Retrieved 3 September 2025.
- 1 2 3 4 5 Myers, Julian (January 2003). "Just for Kicks". Frieze. No. 72. Frieze. Retrieved 3 September 2025.
- ↑ "Eric Wesley: Two Story Clock Tower". Contemporary Art Library. Retrieved 3 September 2025.
- 1 2 Rogers, Mike (July 2006). "Eric Wesley". ArtUS. No. 14. pp. 16–17. ISSN 1546-7082.
- ↑ "Eric Wesley: New Amsterdam". Contemporary Art Library. 2002. Retrieved 3 September 2025.
- ↑ Ammirati, Domenick (2003). "Critic's Pick: Eric Wesley". artforum.com.
- ↑ "Eric Wesley: Enchilada". Contemporary Art Library. 2002. Retrieved 3 September 2025.
- ↑ "Eric Wesley: Jeans Theory, Statements". Contemporary Art Library. 2003. Retrieved 3 September 2025.
- ↑ "Eric Wesley: Pico Youth Center". China Art Objects Galleries. 2004. Retrieved 3 September 2025.
- ↑ "I love WW2". Contemporary Art Library. 2004. Retrieved 3 September 2025.
- ↑ "Eric Wesley". Contemporary Art Library. 2005. Retrieved 3 September 2025.
- ↑ "Eric Wesley | Mario Garcia Torres". ArtMap. 2006. Retrieved 2 September 2025.
- ↑ Romeo, Filippo (2006). "Eric Wesley". ArtForum. Retrieved 3 September 2025.
- ↑ Romeo, Fillippo (2006). "Critic's Pick: Eric Wesley". artforum.com. Retrieved 23 September 2025.
- ↑ "Eric Wesley: Erik Wesley". China Art Objects Galleries. 2006. Retrieved 3 September 2025.
- ↑ Butler, Cornelia (March 2006). "Thesis Show". Eric Wesley Catalogue. MOCA Focus. Museum of Contemporary Art, Los Angeles.[page needed]
- ↑ Knight, Christopher (21 April 2006). "After a Bold Takeover a Weak Message Is Sent". Los Angeles Times. p. 61. Retrieved 23 September 2025 – via newspapers.com.
- ↑ "Eric Wesley: Spaference Room". Bortolami Gallery. 2007. Retrieved 3 September 2025.
- ↑ Fassi, Luigi (2007). "Spafice: Eric Wesley". Fondazione Morra Greco. Retrieved 3 September 2025.
- ↑ Burton, Johanna (March 2008). "Eric Wesley". ArtForum. p. 362-363. Retrieved 23 September 2025.
- ↑ Bovino, Emily Verla (27 October 2007). "Eric Wesley". Frieze. Archived from the original on 3 December 2007.
- ↑ Johnson, Ken (21 May 2010). "Eric Wesley: D'Carts Blanche and New Paintings". The New York Times. Retrieved 3 September 2025.
- ↑ "Eric Wesley: The Same 'Ol New Frontier". ArtMap. 2011. Retrieved 3 September 2025.
- ↑ "ERIC WESLEY, "2 new works" at Bortolami gallery, New York". Mousse Magazine. 11 February 2012. Retrieved 3 September 2025.
- ↑ "Eric Wesley: Some Work". 356 Mission. Retrieved 3 September 2025.
- ↑ Cluggish, Sara (2016). "Eric Wesley: ISOSCELES TRAPEZOID ARCH". InReview. Retrieved 3 September 2025.
- ↑ Hadland, Gracie (17 October 2024). "Eric Wesley's Funny Money". ArtReview. Retrieved 3 September 2025.
- ↑ "Eric Wesley "Timbuctoo" at Pio Pico, Los Angels [sic]". Mousse Magazine. 2019. Retrieved 3 September 2025.
- ↑ "Eric Wesley: Reputation". Sprovieri. 2019. Retrieved 3 September 2025.
- ↑ Keh, Pei-ru (25 October 2022). "City limits: Bortolami Gallery's 'Artist/City' upends the traditional exhibition model". Wallpaper*. Retrieved 3 September 2025.
- ↑ "Eric Wesley: Three Sleeping Philosophers". Martos Gallery. 2024. Retrieved 3 September 2025.
- ↑ "Drawings for Works in Progress". LA Weekly. Los Angeles, California, US. 2 April 1998. p. 156. Retrieved 3 September 2025 – via newspapers.com.
- ↑ "Young and Dumb". The Los Angeles Times. Los Angeles, California, US. 23 January 2000. p. 360. Retrieved 3 September 2025 – via newspapers.com.
- ↑ Schjeldahl, Peter (11 June 2001). "Breaking Away". The New Yorker. Retrieved 23 September 2025.
- ↑ Saltz, Jerry (22 May 2001). "Post-Black". Village Voice. Archived from the original on 3 September 2025. Retrieved 23 September 2025 – via newspapers.com.
- ↑ Plagens, Peter (13 May 2001). "Harlem Goes 'Freestyle'". NEWSWEEK. Retrieved 23 September 2025.
- ↑ Cotter, Holland (11 May 2001). "ART REVIEW; A Full Studio Museum Show Starts With 28 Artists and a Shoehorn". New York Times. Retrieved 24 September 2025.
- ↑ Dailey, Meghan (3 May 2001). "Preview: Freestyle". artforum.com. Retrieved 24 September 2025.
- ↑ Knight, Christopher (2 October 2001). "Different perspectives". The Los Angeles Times. Los Angeles, California, US. p. 44. Retrieved 23 September 2025 – via newspapers.com.
- ↑ Knight, Christopher (6 June 2001). "A Snapshot of L.A. Artists". Los Angeles Times. Retrieved 23 September 2025 – via newspapers.com.
- ↑ Tumlir, Jan (October 2001). "Snapshot - LA Exhibit of Work of 25 Artists". ArtForum International. Vol. 40, no. 2. p. 155. Retrieved 23 September 2025 – via Gale Literature Resource Center.
- ↑ Von Schlegell, Mark (November 2001). "Review: Snapshot: New Art from Los Angeles". Artext. No. 75.
- ↑ "Purloined". Artists Space. Retrieved 3 September 2025.
- ↑ Intra, Giovanni (2000). Too Autopoeitic to Drive. New Zealand: Govett Brewster Art Gallery.[page needed]
- ↑ Knight, Christopher (17 February 2004). "A chronicle of race, rage, ritual". Los Angeles Times. Retrieved 3 September 2025.
- ↑ "Eduardo Sarabia Eric Wesley". New Exhibitions. 2003. Retrieved 3 September 2025.
- ↑ "3 Fireplaces and 2 Bathtubs". MAK Center. 2004. Retrieved 3 September 2025.
- ↑ Wang, Michael (26 September 2005). "Pop Shop". artforum.com. Retrieved 23 September 2025.
- ↑ "A Walk to Remember". Los Angeles Contemporary Exhibitions. 2005. Retrieved 23 September 2025.
- ↑ "Nate Lowman: Axis of Praxis" (PDF) (Press release). Midway Contemporary Art. 2006. Retrieved 23 September 2025.
- ↑ LaPierre, Sheldon. "Artnet Design". Retrieved 23 September 2025.
- ↑ "Alien Nation". Institute of Contemporary Arts. 2006. Retrieved 3 September 2025.
- ↑ Sonnenborn, Katie (2006). "Survivor". Frieze. Retrieved 3 September 2025.
- ↑ Knight, Christopher (3 August 2007). "Living friskily is the best revenge". Los Angeles Times. Retrieved 23 September 2025.
- ↑ Koroxenidis, A. (10 July 2007). "Depicting life in Los Angeles". Ekathimerini.com. Retrieved 23 September 2025.
- ↑ "Substance & Surface". Bortolami Gallery. 2007. Retrieved 23 September 2025.
- ↑ "Amateurs". Wattis Institute for Contemporary Arts. 2008. Retrieved 3 September 2025.
- ↑ "Globetrotters". Kathryn Brennan Gallery. 2008. Retrieved 23 September 2025.
- ↑ "New York – RE-DRESSING at Bortolami Gallery". Mousse Magazine. 28 September 2010. Retrieved 23 September 2025.
- ↑ "Video of the new China Art Objects in Culver City". artmap. 2010. Retrieved 23 September 2025.
- ↑ "'Video Journeys' at Sister Gallery at Cottage Home". Los Angeles Times. 19 June 2009. Retrieved 23 September 2025.
- ↑ Smith, Roberta (31 May 2011). "A Bit of Hollywood, Minus the Tinsel". New York Times. Retrieved 23 September 2025.
- ↑ "SFAQ pick: "LIQUOR STORE" group exhibition at Paradise Garage, Los Angeles". SFAQ. 10 March 2014. Retrieved 3 September 2025.
- ↑ "Out of Office". Museum of Contemporary Art Chicago. 2015. Retrieved 3 September 2025.
- ↑ "SWIZZLE TWIDDLE FIDDLE STICKS". Bortolami Gallery. 2023. Retrieved 23 September 2025.