Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a27cf33409af1ef0

Jump to content

// Workers AI · dad joke modeWhat did Engarandus Juvenis say to his date? You're a genus choice.

From Wikipedia, the free encyclopedia

Engarandus Juvenis, "Enguerrand the Younger" (fl. 1480s–90s) is a composer, presumed to be of French origin, whose three known works are all preserved in a single codex – the Codice di Staffarda – in the Cistercian monastery of Staffarda, Italy. He is notable as the composer of the earliest surviving example of a polyphonic setting of a Requiem mass complete with Dies Irae section.[1]

Lost records

[edit]

No biographical information about the composer survives. The epithet "juvenis" "the Younger" suggests a connection to an older Engarandus (Latin), or Enquerrand (French), but no older composer of this name is recorded. Possible non-composer Enguerrands as fathers, or simply as comparison, in the previous generation include the chronicler Enguerrand de Monstrelet (c. 1400–1453) in Burgundy, and the painter Enguerrand Quarton (c. 1412–1466) of Laon in Provence. The fact that no other works survive by the composer suggest a local composer known to the point of origin of the Codex Staffarda - but the exact origin of the Codex Staffarda is unknown, beyond that it was Piedmontese and was compiled in the closing years of the 15th century. It is also unknown how it arrived at a Cistercian monastery, the Abbazia di Santa Maria in Staffarda. The presence in the codex of thirteen secular works suggests an origin at an aristocratic court rather than an origin at a monastery or cathedral, so a connection between Engarandus and a local ducal chapel, such as the Marquisate of Saluzzo under Ludovico I (died 1475) or Ludovico II (died 1504) is possible.[2] A recording of the mass was made in 1995 by the Italian vocal ensemble Daltrocanto conducted by Dario Tabbia, and released on the French Opus111 label.[3]

References

[edit]
  1. Paola Pandiani Luoghi della musica 2003 Page 34 "... la romanica Abbazia di Staffarda, della quale un codice musicale quattrocentesco (oggi alla Biblioteca Nazionale di Torino) testimonia nella Missa pro defunctis di Engarandus Juvenis uno fra i primi - se non il primo - dei Dies irae polifonici."
  2. Alberto Basso, Il Codice Staffarda - Essay in booklet to Daltrocanto recording of Engarandus' Requiem, Opus111.
  3. Il Codex de Staffarda (Juvenis, Brumel). Daltrocanto. Opus 111 OPS 30-162.