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Draft:Dick Arnall

From Wikipedia, the free encyclopedia
  • Comment: In preparing this draft, I disclose that AI assistance was used as follows: I used Claude Code to check the spelling, grammar and reference links. Timoarnall2 (talk) 22:49, 4 October 2026 (UTC)
  • Comment: In accordance with Wikipedia's Conflict of interest guideline, I disclose that I have a conflict of interest regarding the subject of this article. Timoarnall2 (talk) 22:44, 4 October 2026 (UTC)

Dick Arnall
Arnall in 1982
Born(1944-07-14)14 July 1944
Sunderland, England
Died6 February 2007(2007-02-06) (aged 62)
London, England
EducationQueens' College, Cambridge
OccupationAnimation producer
Years active1965–2007
SpouseMarjut Rimminen
Websitedickarnall.com

I am Dick Arnall's son, I have a conflict of interest and am not editing the article myself. I would like to propose a page for him. I've brought together many of his contributions to the history of British animation here, please take a look, thanks!

Dick Arnall (14 July 1944 – 6 February 2007) was a British animation producer. While an undergraduate at Cambridge he organised and directed the Cambridge Animation Festival in 1967 and 1968, the UK's first animation festival. He was assistant managing director of Halas and Batchelor from 1969 to 1972. From 1986 he produced independent short films, two of which were nominated for the BAFTA Award for Best Short Animation.[1][2][3][4]

From 1990 Arnall produced animate!, a scheme run by the Arts Council of Great Britain and Channel 4 to commission animation from artists. In a 2005 essay, "Death to Animation", he argued that the word "animation" had come to mean family cartoons and proposed "the extended moving image" in its place.[1][5]

Early life and education

[edit]

Arnall was born in Sunderland. His father was a design engineer and his mother taught domestic science. He went to Monkwearmouth Grammar School and in 1963 to Queens' College, Cambridge, where he read natural sciences, specialising in metallurgy.[1][6]

Cambridge

[edit]

Arnall was president of the Cambridge University Film Society. In 1966 he invited Alfred Hitchcock to speak to the society; the playwright David Hare, then a student, later wrote about spending the afternoon before the talk with Hitchcock.[7][8]

The first festival he organised, the British Animation Festival, ran from 2 to 7 November 1965 at Queens' College and the Lady Mitchell Hall, presented by the film society with the Cambridge Animation Group.[9][1] He directed the Cambridge Animation Festival in 1967 and 1968, with the support of the City of Cambridge.[2][10] He later wrote that he chose the word "animation" for its name "to signpost a defiance of Disney's cultural hegemony".[11] The programmes included the films of Len Lye, who came from New York to speak in 1968.[1][12] According to the International Film Guide of 1968 it was "by far the most original, exciting and creative film festival ever staged in the British Isles".[1]

A third festival, planned for 1969, did not take place.[10] Clare Kitson later wrote that the festival "had expired after two distinguished editions under Dick Arnall's leadership".[2] It was restarted in 1979 by a group that included Arnall, with Antoinette Moses as director.[13]

Halas and Batchelor

[edit]

Arnall worked on George Dunning's Yellow Submarine (1968).[1][6] From 1969 to 1972 he was assistant managing director of Halas and Batchelor. There he produced early films by Paul Vester, Geoff Dunbar and Gillian Lacey, among them Vester's Football Freaks, and ran the studio's work on the Jackson 5ive and The Osmonds series for the American network ABC.[1][14] When Peter Lord and David Sproxton, who went on to found Aardman Animations, asked the studio to show them how cartoons were made, Arnall spent an afternoon taking them through the process.[15] At the Mamaia animation festival in Romania in 1970 he met the Finnish animator Marjut Rimminen, whom he later married.[8]

Independent producer

[edit]

Between 1986 and 2001 Arnall produced ten short films. The first was Rimminen's I'm Not a Feminist, But... (1986).[1][16] Tim Webb's animated documentary A Is for Autism (1992) was made for a Channel 4 season on disability.[17][18]

In the mid-1990s Arnall "had felt for some time that many animated shorts suffered from weak scripts"[19][20] and proposed a new scheme to bring animators together with writers. One result was Ruth Lingford's Pleasures of War, made with the novelist Sara Maitland,[21] which was later chosen as one of the 150 films in Film: The Critics' Choice (2001).[22] He also produced Lingford's Death and the Mother (1997), drawn on an Amiga computer,[1] and Jo Ann Kaplan's Anatomy of Melancholy (2000).[23] Robert Bradbrook met Arnall through animate!, and Arnall became the producer of his Home Road Movies (2001).[24]

A Is for Autism and Home Road Movies were both nominated for the BAFTA Award for Best Short Animation, in 1993 and 2002, with Arnall among the named nominees.[3][4]

animate!

[edit]

animate! was conceived by David Curtis, the Arts Council's officer for artists' film and video, and Clare Kitson, Channel 4's commissioning editor for animation, after discussions with the producer Keith Griffiths.[25] When it began in 1990, Kitson wrote, choosing its production adviser "was easily settled. Dick Arnall was our unanimous choice."[26] He held the post until 1998 and saw 35 films through to completion.[1][6] Jez Stewart's history of British animation for the British Film Institute describes him as "the scheme's production advisor and guiding light", who worked to support a wide variety of film-makers and styles.[5] In 1999 Creation magazine voted him top producer in its "50 Hottest Names in British Animation".[1]

Under Arnall the animate! scheme added an international award for artists, screenings and exhibitions, and a website and archive, animateonline.org.[8][6][1][27] After his death it was renamed Animate Projects.[28]

Writing

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In 1968 he wrote "The Future of Animation" for Film, the magazine of the British Federation of Film Societies.[29] In August 2005 Arnall published "Death to Animation" on the animate! website, reprinted by Vertigo in 2007.[11][30] He argued that the word "animation" meant character-driven entertainment for families, which left artists without a name for their animated work. He proposed "the extended moving image" as an alternative.[11] Stewart calls it "a combative 2005 essay".[5] With Gareth Evans he wrote "Build It and They Will Come: animate! and the Extended Imagination", a history of the scheme, for The Animate! Book (2006).[25]

Personal life and death

[edit]

Arnall and Rimminen had one son.[1] He died in London on 6 February 2007, at the age of 62.[1][6]

Legacy

[edit]

Tribute screenings were held in April 2007 at the Cambridge Arts Picture House and the Institute of Contemporary Arts in London.[31][32] The Dick Arnall Award, "for rogue vision in the manipulated moving image", was first given at the Aurora festival in Norwich in November 2007, organised by Animate Projects, the Royal College of Art and the National Film and Television School. The first winner was Jean-Gabriel Périot's 200,000 Phantoms.[33] In 2024 the London International Animation Festival held a tribute programme, Magic in Marimekko, curated by Gareth Evans.[34]

The University for the Creative Arts holds the Dick Arnall Animation Archive, 33 boxes on artist-made animation in Britain and Europe from the early 1960s to the late 2000s, including the Cambridge festival and animate!.[35]

Selected productions

[edit]
  • I'm Not a Feminist, But... (1986), directed by Marjut Rimminen[16]
  • A Is for Autism (1992), directed by Tim Webb; BAFTA nomination, 1993[18][3]
  • Death and the Mother (1997), directed by Ruth Lingford[1]
  • Pleasures of War, directed by Ruth Lingford[22]
  • Anatomy of Melancholy (2000), directed by Jo Ann Kaplan[23]
  • Home Road Movies (2001), directed by Robert Bradbrook; BAFTA nomination, 2002[24][4]

References

[edit]
  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Evans, Gareth (18 April 2007). "Dick Arnall". The Guardian. Retrieved 4 October 2026.
  2. 1 2 3 Kitson, Clare (2008). British Animation: The Channel 4 Factor. Bloomington: Indiana University Press. p. 19. ISBN 978-0-253-22096-7.
  3. 1 2 3 "Film: Short Animation in 1993". BAFTA Awards Database. British Academy of Film and Television Arts. Archived from the original on 12 August 2024. Retrieved 4 October 2026.
  4. 1 2 3 "Film: Short Animation in 2002". BAFTA Awards Database. British Academy of Film and Television Arts. Archived from the original on 9 September 2024. Retrieved 4 October 2026.
  5. 1 2 3 Stewart, Jez (2021). The Story of British Animation. London: BFI / Bloomsbury. p. 137. ISBN 978-1-911239-65-9.
  6. 1 2 3 4 5 "Deaths: R. B. Arnall (1963)" (PDF). Queens' College Record. Queens' College, Cambridge: 87. 2008.
  7. ↑ Hare, David (6 December 2018). "The night that changed my life: David Hare on eating cold roast beef with Alfred Hitchcock". New Statesman. Retrieved 4 October 2026.
  8. 1 2 3 Evans, Gareth (Spring 2007). "Dick Arnall Remembered". Vertigo. Vol. 3, no. 5. Retrieved 4 October 2026.
  9. ↑ Kitching, Alan. "British Animation Festival, Cambridge 1965". Antics Workshop. Archived from the original on 23 September 2015.
  10. 1 2 Zwerdling, Shirley (1970). Film & TV Festival Directory. New York: Back Stage Publications. p. 49.
  11. 1 2 3 Arnall, Dick (August 2005). "Death to Animation". animate!. Retrieved 4 October 2026.
  12. ↑ Eason, Patrick (Winter 1968–69). "Cambridge Animation". Sight and Sound. Vol. 38, no. 1. pp. 21–22.
  13. ↑ Kotlarz, Irene (1 September 1999). "The History of Channel 4 and The Future of British Animation". Animation World Magazine. Animation World Network. Retrieved 4 October 2026.
  14. ↑ Gifford, Denis (1987). British Animated Films, 1895–1985: A Filmography. Jefferson, North Carolina: McFarland. p. 235. ISBN 978-0-89950-241-0.
  15. ↑ Lord, Peter; Sproxton, David (2018). Aardman: An Epic Journey: Taken One Frame at a Time. London: Simon & Schuster.
  16. 1 2 Gifford, Denis (1987). British Animated Films, 1895–1985: A Filmography. Jefferson, North Carolina: McFarland. p. 317. ISBN 978-0-89950-241-0.
  17. ↑ Bendazzi, Giannalberto (2016). Animation: A World History. Vol. III: Contemporary Times. Boca Raton: CRC Press. p. 79.
  18. 1 2 Kitson, Clare (2008). British Animation: The Channel 4 Factor. Bloomington: Indiana University Press. p. 123. ISBN 978-0-253-22096-7.
  19. ↑ Kitson, Clare (2008). British Animation: The Channel 4 Factor. Bloomington: Indiana University Press. p. 57. ISBN 978-0-253-22096-7.
  20. ↑ Pilling, Jayne, ed. (2012). Animating the Unconscious: Desire, Sexuality and Animation. London: Wallflower Press. p. 84.
  21. ↑ Robinson, Chris (2005). Unsung Heroes of Animation. Eastleigh: John Libbey. p. 263.
  22. 1 2 Andrew, Geoff, ed. (2001). Film: The Critics' Choice: 150 Masterpieces of World Cinema. pp. 338–339.
  23. 1 2 "An anatomy of melancholy". Wellcome Collection. Retrieved 4 October 2026.
  24. 1 2 Kitson, Clare (2008). British Animation: The Channel 4 Factor. Bloomington: Indiana University Press. p. 184. ISBN 978-0-253-22096-7.
  25. 1 2 Evans, Gareth; Arnall, Dick (2006). "Build It and They Will Come: animate! and the Extended Imagination". In Cook, Benjamin; Thomas, Gary (eds.). The Animate! Book: Rethinking Animation. London: LUX. pp. 9, 100–119.
  26. ↑ Kitson, Clare (2008). British Animation: The Channel 4 Factor. Bloomington: Indiana University Press. p. 53. ISBN 978-0-253-22096-7.
  27. ↑ "History". Animate Projects. Retrieved 4 October 2026.
  28. ↑ Stewart, Jez (2021). The Story of British Animation. London: BFI / Bloomsbury. p. 164. ISBN 978-1-911239-65-9.
  29. ↑ Hoffer, Thomas W. (1981). Animation: A Reference Guide. Westport, Connecticut: Greenwood Press. pp. 180, 182. ISBN 978-0-313-21095-2.
  30. ↑ Arnall, Dick (Spring 2007). "Death to Animation". Vertigo. Vol. 3, no. 5. Retrieved 4 October 2026.
  31. ↑ "Extending the Imagination: Dick Arnall & Artist's Animation". Animate Projects. Retrieved 4 October 2026.
  32. ↑ "Weird and Wonderful 60s Animation". Institute of Contemporary Arts. Retrieved 4 October 2026.
  33. ↑ "Dick Arnall Award at Aurora 2007". Animate Projects. Retrieved 4 October 2026.
  34. ↑ "LIAF 2024: Magic in Marimekko: Dick Arnall, Animate and the Manipulated Moving Image – a Tribute". London International Animation Festival. 29 September 2024. Retrieved 4 October 2026.
  35. ↑ "DA: Dick Arnall Animation Archive". University for the Creative Arts, Archives and Special Collections. Retrieved 4 October 2026.

Further reading

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  • Kitson, Clare (2008). British Animation: The Channel 4 Factor. Bloomington: Indiana University Press. ISBN 978-0-253-22096-7.
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References

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