Draft:Caroline Groves
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Comment: In accordance with the Wikimedia Foundation's Terms of Use, I disclose that I have been paid by my employer for my contributions to this article. ShireEditorial (talk) 09:54, 15 September 2026 (UTC)
Caroline Groves (born 1959)[1] is a British bespoke shoemaker specialising in women's footwear. She established her own bespoke footwear business in 2003.[2] Her work uses traditional hand-welted shoemaking techniques, alongside decorative techniques and materials.[2] Her work has been exhibited at the Victoria and Albert Museum, including Parakeet in Shoes: Pleasure and Pain.[1] Her work is held by Court Barn and the Museu do Calçado.[3][4]
Early life
Caroline Groves was born in 1959.[1] Her great-grandfather, Walter Curtis, worked alongside Arts and Crafts movement pioneer C. R. Ashbee in the late 19th century. Curtis joined Ashbee’s Guild of Handicraft in 1889 as a cabinet-maker. Her grandmother was Mary Dyer, an accomplished silversmith and textile artisan who attended evening classes with George Hart and Harry Warmington for fifty years.[3] Caroline had a particular interest in leather. This led her to work with a local saddler. She then went on to meet a shoemaker in 1988 and trained with him for several years. [5]
Career
In 2003 Caroline established her own bespoke footwear business in London’s West End after acquiring an already established women’s shoemaking business.[2] She worked between London and the Cotswolds.[5] She became a Freeman of the Worshipful Company of Cordwainers on 5th November 2008.[6] She also became a Liveryman.[7] During 2012 and 2013 Caroline was based at her Cotswolds workshop while also spending part of the week with Foster & Son in Jermyn Street, London, meeting private clients.[5] During 2020 Caroline introduced a made-to-order range of women's shoes, made on standard lasts using hand-welted construction alongside her bespoke work.[8]
Work and practice
Caroline makes bespoke women’s footwear using traditional shoemaking methods.[2] The process begins with consultation. She takes foot measurements and carries out discussions of the design.[2] A wooden last is made for the individual client, rather than using a standard pre-made last for bespoke commissions.[9] The process involves at least three appointments: initial measurements and design, a fitting using a mock-up, presentation and final fitting.[5] Caroline's bespoke shoes are hand-sculpted using traditional hand-welted techniques.[10]
Her upper leathers have been sourced from France and Italy. The leather used for shoe soles and stiffening has been sourced from an oak-bark tannery in Devon. [5] Alongside leather, her work has also incorporated textiles, embroidery, vintage trims, and specially commissioned decorative components.[2] The Campaign shoes acquired by Court Barn provide a particularly well-documented example: oak-bark-tanned leather, suede, blue linen thread, grosgrain, needlepoint heel covers, English wool, mother-of-pearl and vintage French silk ribbon.[3]
Caroline has worked with jewellers and bookbinders and has researched traditional bookbinding techniques and their application to leather. [5] She has commissioned specialist craftspeople to make individual elements for shoes.[2] Milliner Louise Pocock collaborated with Caroline, including making miniature hats for shoes commissioned by Whoopi Goldberg.[10]
Exhibitions and collections
In 2015 her Parakeet shoes were included in the V&A exhibition Shoes: Pleasure and Pain.[1] She was also one of five shoe designers and makers interviewed by the V&A about their working process, inspiration and the future of shoes, alongside Manolo Blahnik, Sandra Choi, Marc Hare and Christian Louboutin.[11] The exhibition then travelled internationally. Her Parakeet shoes were prominently used on the official Peabody Essex Museum material for the exhibition in 2016.[12] Her work was included in Court Barn's 2018 Design: Hand Head Heart exhibition.[13] Caroline exhibited with taxidermist and naturalist John Burton in Muse, Morph, Create at Broadway Arts Festival in 2021 and gave a talk on her shoemaking practice.[14] Court Barn held Craft, Fashion and Fantasy: Shoes and Hats by Caroline Groves and Louise Pocock, a 2022 exhibition.[10] In 2024 Court Barn acquired Caroline's Campaign shoes for its permanent collection, with support from the Arts Council England/V&A Purchase Grant Fund.[3] In 2025 the Museu do Calçado in São João da Madeira, Portugal, accepted a pair of her handmade leather shoes, two shoe boxes and a catalogue.[4]
References
[edit]- 1 2 3 4 Cochrane, Lauren (2014-12-04). "Extreme footwear at the V&A: a step into the past". The Guardian. ISSN 0261-3077. Retrieved 2026-09-24.
- 1 2 3 4 5 6 7 Chislett, Helen; Linley, David (2022). Craft Britain: Why Making Matters. OH Editions. pp. 161–163.
- 1 2 3 4 Healy, Sarah McCormick (2024-09-13). "New Acquisition: Pair of shoes by Caroline Groves". Court Barn. Retrieved 2026-09-24.
- 1 2 "Edital - Reunião de Câmara de 9 de junho de 2025" (PDF). Câmara Municipal de São João da Madeira (in Portuguese). 9 June 2025. Retrieved 24 September 2026.
- 1 2 3 4 5 6 "It's a shoe thing". Essence of Surrey. 2012. pp. 8–12.
- ↑ Worshipful Company of Cordwainers, Freedom certificate issued to Caroline Groves, 5th November 2008.
- ↑ "The Cordwainer" (PDF). The Cordwainer. Summer 2015. p. 10. Retrieved 24 September 2026.
- ↑ "News – Caroline Groves introduce handmade women's MTO". Shoegazing.com. 2020-11-08. Retrieved 2026-09-24.
- ↑ Wei, Fangqin (28 April 2014). "鞋匠,奢侈品制造者". pp. 58–60.
- 1 2 3 "Craft, fashion and fantasy: shoes and hats by Caroline Groves and Louise Pocock". Court Barn. Retrieved 2026-09-24.
- ↑ Persson, Helen (2015-06-19). "The art and craft of shoes • V&A Blog". V&A Blog. Retrieved 2026-09-24.
- ↑ Peabody Essex Museum, Shoes: Pleasure and Pain exhibition material, 16 November 2016.
- ↑ "Design: Hand Head Heart". Court Barn. Retrieved 2026-09-24.
- ↑ B, Alison (2021-01-25). "Caroline Groves Couture Shoemaker to host exhibition & talk at the festival in 2021". Broadway Arts Festival. Retrieved 2026-09-24.


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