// Workers AI · dad joke modeWhat did "Compromised" say to its rating? It's a trade-off.
This article includes a list of general references but lacks sufficient corresponding inline citations. (July 2013) |
| Compromised | |
|---|---|
Theatrical poster | |
| Directed by | John G. Adolfi Ben Silvey |
| Written by | Play: Edith Fitzgerald Adaptation: Florence Ryerson Screenplay: Waldemar Young |
| Starring | Rose Hobart Ben Lyon Claude Gillingwater |
| Cinematography | Ernest Haller |
| Music by | David Mendoza Oscar Potoker |
| Distributed by | First National Pictures: A Subsidiary of Warner Bros. Pictures |
Release date |
|
Running time | 65 minutes |
| Country | United States |
| Language | English |
Compromised is a 1931 American pre-code drama film produced and released by First National Pictures, a subsidiary of Warner Bros. Pictures, and directed by John G. Adolfi. The film stars Rose Hobart, Ben Lyon, and Claude Gillingwater. It was based on a play by Edith Fitzgerald.[1] This film is presumed lost.[citation needed]
Plot
[edit]Sidney Brock, the son of a wealthy and socially prominent family, feels deeply constrained by the rigid prejudices and hypocrisies of high society. Rejecting its expectations, he chooses to live modestly in a cheap boarding house run by the harsh and unyielding Mrs. Munsey. His unconventional lifestyle draws criticism and contributes to the collapse of his engagement to Connie Holt, a woman of his own social class. Tired of waiting for Sidney to achieve success and status, Connie visits him at the boarding house to announce that she is engaged to another man.
Devastated by the news, Sidney returns home that night in a drunken state, causing a disturbance that awakens the entire house. He is helped upstairs by Ann Brock, a gentle and devoted young woman who works there as a maid. Ann, herself an illegitimate child, has long harbored a deep, unspoken love for Sidney. As she tends to him with tenderness and care, Sidney realizes that her kindness must come from genuine love. In his emotional and intoxicated state, he embraces her and kisses her passionately.
At that very moment, Mrs. Munsey enters the room. Outraged by what she sees, she accuses Ann of moral impropriety—likening her to her mother—and immediately throws her out of the house. In response, Sidney acts impulsively but honorably, declaring that he will marry Ann to protect her reputation.
Sidney’s father, John Brock, is furious when he learns of the marriage. Blinded by social prejudice, he disinherits his son, viewing the union with a poor servant girl as disgraceful. Despite this, Sidney remains determined to build a life with Ann. Over time, their marriage proves happy and resilient. Sidney works tirelessly and, over the course of six years, becomes a successful and respected composer. The couple also has a son, Sandy, further strengthening their bond.
Eventually, John Brock softens, especially after meeting his grandson, whom he adores. Hoping to reconcile, he invites Sidney, Ann, and Sandy to live with him in the Brock family mansion in Boston. Ann, however, is uneasy about the arrangement, fearing that the social environment and John’s lingering prejudice will create problems.
Her fears are soon realized. In the mansion, Ann feels increasingly isolated as John gradually draws Sidney and Sandy into his world, subtly separating them from her. The situation worsens when Connie Holt reappears in Boston, now divorced after time in Paris. With John’s encouragement—since he still disapproves of Ann—Connie begins to pursue Sidney again, determined to win him back.
One day, Connie intercepts Sidney while he is hurrying home to join Ann and Sandy for a picnic. She persuades him to drive her to her apartment. John, seeing them leave together, deliberately tells Ann that Sidney has gone to Connie’s apartment. Meanwhile, Sidney attempts to call home to explain his delay but learns that Ann has already left.
Suspicious and hurt, Ann goes to Connie’s apartment, where Connie’s behavior reinforces her fears that Sidney has betrayed her. John’s hostility escalates to the point where he urges Ann to leave Sidney altogether, suggesting she obtain a divorce and free Sidney to marry Connie. Deeply wounded but dignified, Ann decides to comply. She returns home and informs John that she will go to Reno to secure a divorce, sacrificing her own happiness.
Before this can happen, Sidney returns and learns of his father’s manipulations. Realizing the depth of the injustice and the harm caused by social prejudice, he decisively breaks with his father. Rejecting the values that once constrained him, he rushes to find Ann and their son.
The film concludes with Sidney reaffirming his love for Ann, declaring that she is the only woman he wants, and promising that they will never be separated again—choosing genuine love and family over the empty conventions of society.
Cast
[edit]
- Rose Hobart as Ann Brock
- Ben Lyon as Sidney Brock
- Claude Gillingwater as John Brock
- Florence Britton as Louise Brock
- Emma Dunn as Mrs. Squires
- Bert Roach as Tony
- Delmar Watson as Sandy
- Louise Mackintosh as Mrs. Munsey
- Juliette Compton as Connie Holt
- Edgar Norton as Tipton
- Adele Watson as Mrs. Bird
- Virginia Sale as Maggie
Preservation
[edit]No film elements are known to survive.[citation needed] The soundtrack, which was recorded on Vitaphone disks, may survive in private hands.
References
[edit]- ↑ The AFI Catalog of Feature Films 1893-1993:Compromised..Retrieved July 10, 2018
External links
[edit]- Compromised at IMDb
- 1931 films
- 1931 drama films
- 1931 lost films
- 1931 American films
- 1931 English-language films
- American black-and-white films
- English-language drama films
- Films directed by John G. Adolfi
- Films scored by Oscar Potoker
- Films with screenplays by Florence Ryerson
- First National Pictures films
- Lost American drama films
- Warner Bros. films
- 1930s drama film stubs