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// Workers AI · dad joke modeWhy did the cheating blonde's grades fall? She dyed.

From Wikipedia, the free encyclopedia

Cheating Blondes
Directed byJoseph Levering
Written byIslin Auster
Lewis R. Foster
Based onHouse of Chance by Gertie de S. Wentworth-James[1]
Produced byLarry Darmour
StarringThelma Todd
Ralf Harolde
Inez Courtney
CinematographyJames S. Brown Jr.
Edited byDwight Caldwell
Music byLee Zahler
Production
company
Larry Darmour Productions
Distributed byMajestic Pictures
Equitable Pictures
Release date
  • May 1, 1933 (1933-05-01)
Running time
66 minutes
CountryUnited States
LanguageEnglish

Cheating Blondes is a 1933 American pre-Code mystery film directed by Joseph Levering and starring Thelma Todd, Ralf Harolde and Inez Courtney.[2][3]

Plot

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The film is an adaptation of Gertie de S. Wentworth-James' 1913 novel, House of Chance, and was released in the United Kingdom under that name.[4][5] It follows twin sisters (both played by Todd), one of whom masquerades as the other after being wrongfully suspected of murder.[3]

Re-release and status

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In 1952, the film was re-released under the name Girls in Trouble.[4][5] As of the early 21st century, the movie is extant.[6]

Cast

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References

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  1. "Cheating Blondes". Turner Classic Movies. Archived from the original on December 28, 2017. Retrieved November 20, 2020.
  2. Handzo, p. 52
  3. 1 2 "The House of Chance". The Daily Film Renter. Vol. 7, no. 1937. May 6, 1933. p. 4.
  4. 1 2 Goble, Alan (September 8, 2011). The Complete Index to Literary Sources in Film. Walter de Gruyter. pp. 242, 495. ISBN 978-3-11-095194-3.
  5. 1 2 Pitts, Michael R. (September 17, 2015). Poverty Row Studios, 1929-1940: An Illustrated History of 55 Independent Film Companies, with a Filmography for Each. McFarland. p. 82. ISBN 978-1-4766-1036-8.
  6. Projansky, Sarah (August 1, 2001). Watching Rape: Film and Television in Postfeminist Culture. NYU Press. p. 247. ISBN 978-0-8147-6812-9.

Bibliography

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  • Stephen Handzo. Hollywood and the Female Body: A History of Idolization and Objectification. McFarland, 2020.
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