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Borrell 1 has received mixed reviews from critics. At Metacritic, which assigns a normalized rating out of 100 reviews from mainstream critics, the album received an average score of 49, based on 10 reviews.[1] Kitty Empire, writing for The Observer gave the album three out of five stars and commented that it was "a catchy little record".[12] She added "While Borrell 1 has many faults – too many sax solos, insufficient sackcloth and ashes – the jauntiness with which Zazou disport themselves often makes up for it."[12] Barry Nicolson from the NME gave the album five out of ten and stated "Ultimately, it's sketchy and uneven, ridiculous in as many of the wrong ways as the right, but not quite the disaster its tracklisting would suggest."[13]
Borrell 1 only sold 594 copies during its first week on sale and it failed to secure a place on the UK Top 100 album chart.[14] Speaking to Drowned in Sound about its poor sales, Borrell said "It is being heard and appreciated by as many people as possible! It is! If that’s 500 people, that’s 500 people. If those are the 500 people that are open enough at this point in time to hear this record, fucking fantastic man."[15]
↑As ever with Borrell, it's never less than weirdly, grippingly fascinating. [Sep 2013, p.90]
↑Nicolson, Barry (July 19, 2013). "Johnny Borrell - 'Borrell 1'". NME. Archived from the original on July 25, 2013. Retrieved November 27, 2025.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
↑This is a ludicrously enjoyable record, shedding Razorlight's US-targeted bluster and awkwardly stalking that curious mid-70s musical patch where pub rock and glam shaded into punk. [Aug 2013, p.97
