Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a26f09f37d13b5b3

Jump to content

// Workers AI · dad joke modeWho's Bogdan Wenig? A Polish-ing personality.

From Wikipedia, the free encyclopedia
Bogdan Wenig
Богдан Вениг
Portrait drawing by Ivan Kramskoi, 1861, chalks on paper; Tretyakov Gallery, Moscow[1]
Born
Johann Gottlieb Wenig

(1837-07-30)July 30, 1837
Reval, Governorate of Estonia, Russian Empire
DiedMay 13, 1872(1872-05-13) (aged 34)
Saint Petersburg, Russian Empire
Resting place
Volkovo Cemetery, St. Petersburg
EducationFyodor Bruni
Alma materImperial Academy of Arts (1864)
Known forpainting
Style
Spouse
Katharina Nummelin
(m. 1866)
Children3
RelativesCarl Wenig (elder brother)
Peter Carl Fabergé (maternal cousin)

Johann Gottlieb Wenig,[a][2] russified as Bogdan Bogdanovich Wenig[a] (30 July 1837 – 13 May 1872[3]) was a Baltic German painter in the Academical style, active in Saint Petersburg during Tsar Alexander II's reign. The younger brother to fellow painter Carl Wenig, he was a second-rate master most remembered among the fourteen protestants led by Ivan Kramskoi into leaving the Imperial Academy of Arts and establishing the Artel of Artists in 1863.

Biography

[edit]

His father, Gottlieb (1804–1874), was a music teacher and organist at St. Nicholas Church in Reval. His mother Agathe (1808–1895), an amateur artist, was the aunt of Peter Carl Fabergé.[4] In 1848, he and his family moved to Saint Petersburg, where his father had found employment with the Directorate of the Imperial Theatres. In 1851, he joined his brother Carl at the Imperial Academy of Arts, studying historical painting with Fyodor Bruni.[5]

He was especially noted for his draftsmanship;[6] receiving three small silver medals (1854, 1856, 1857), two large silver medals (1856, 1857), and a small gold medal (1859); in addition to these, he was rewarded a prize for his sketch depicting the Kiss of Judas (1862).[5]

In 1863, he was one of the artists involved in the "Revolt of the Fourteen"; refusing to participate in the 100th anniversary competition for a large gold medal. From then, he was a member of the Artel of Artists, led by Ivan Kramskoi.[7]

He formally graduated from the Imperial Academy in 1864 with the title of "Artist 2nd Class". In 1865, together with Kramskoi and Nikolay Koshelev, he worked on painting the main dome at the Cathedral of Christ the Savior.[8][9] This work aside, he mostly had his recognition as portrait painter. He died in St. Petersburg, aged thirty-four; he was interred into the Volkovo Cemetery.[10]

[edit]

Notes

[edit]
  1. 1 2 Russian: Иога́нн Го́тлиб Ве́ниг, Богда́н Богда́нович Ве́ниг.

References

[edit]
  1. Catalogued in Tretyakov Gallery, Moscow, ed. (2021). Рисунок XIX века. К. Государственная Третьяковская галерея. Каталог собрания. Рисунок XVIII–XX веков (in Russian). Vol. 2, pt. 4. Moscow: Tretyakov Gallery. p. 219, cat. no. 629; ill. p. 220. ISBN 978-5-89580-342-4. The Russian Museum, St. Petersburg holds a lesser, certainly preparatory drawing signed and dated April 1861, catalogued in Goldstein 1965, p. 375.
  2. EAD, cited in Popova-Yatskevich 2015, p. 360 n. 2, records him as Johann Gottlieb Fried[rich] Wenig. Neumann 1908, p. 168, uses the name Johann Gottfried Wenig, and so do Vollmer 1942, p. 376 and Gudymenko 2022, p. 477.
  3. The dates are given as recorded in EAD; Popova-Yatskevich 2015, p. 360 n. 2.
  4. Valentin Skurlov, "Фаберже и Эстония" (Fabergé and Estonia), In : Aрхив Валентина Скурлова, 2009
  5. 1 2 Kondakov, Sergei N. [in Russian] (1915). Юбилейный справочник Императорской Академии художеств. 1764–1914 (in Russian). Vol. 2. Saint Petersburg: Golike and Vilborg. p. 35. OCLC 707072219.
  6. Repin, Ilya Ye. (1944). Chukovsky, Korney I. (ed.). Далекое близкое (in Russian). Moscow, Leningrad: Iskusstvo. p. 97; see the editorial note at p. 465.
  7. O. L. Leykind and D. R. Severyukhin, "Артель художников", In: Encyclopedia of Saint Petersburg (Online)
  8. Kramskoi 1966, pp. 344–345.
  9. Y. V. Alekseyev-Alyurvi, Painting technology in the dome of the Cathedral of Christ the Savior in Moscow (Online)
  10. Böhm, Benedikt (2003). Wolkowo lutherischer Friedhof in Sankt Petersburg (in German). Vol. 2. St. Petersburg: Blitz. p. 370, cited in Popova-Yatskevich 2015, p. 360 n. 2.{{cite book}}: CS1 maint: postscript (link)

Further reading

[edit]
Contemporary sources
Scholarly notes
Reference books
[edit]