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// Workers AI · dad joke modeWhy did Billy Teare go to the tear factory? Because he wanted to see the tear in action.

From Wikipedia, the free encyclopedia

Billy Teare is an Irish storyteller. Originally from Ballycarry, he now resides in Larne, County Antrim, Northern Ireland.[1] He has appeared on radio, stage, TV and film.

Life

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From his teens, Teare began a career on the Belfast stand up comedy circuit, and entered a number of talent shows, winning several, and performing throughout Northern Ireland, as well as gigs in Scotland and England, into the 1990s.

In the past thirty years, he has told stories in hundreds of early years settings, schools, libraries, community groups, council and cultural venues, as well as being a featured artist at many of the major folk and storytelling festivals around the world, including the far reaches of the Yukon. He incorporates songs, music, magic, juggling and other theatrical skills, to enliven a multi cultural feast of original, modern and traditional tales, monologues, rhymes, chants and audience participation. Teare has worked collaboratively with various other artists and groups, including BBC Northern Ireland and the Verbal Arts Centre, Derry.

Among his appearances have been: Storyteller in Residence, International Storytelling Centre, Tennessee, 2008, BBC Folk Proms event 2008, return performance at the Yukon International Storytelling Festival (2000, 2001, 2006), Beyond the Border: The Wales International Storytelling Festival (2005), The Toronto International Storytelling Festival, Sidmouth International Folk Festival (1999, 2001, 2003)

Publication

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In 2013 Teare co-wrote a volume of 'Antrim Folk Tales' with Kathleen O'Sullivan, his storytelling partner for over twenty years. The book was published by The History Press, Ireland. In 2020 stories from the book were included in 'The Anthology of Irish Folk Tales' also published by The History Press.[1]

References

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  1. 1 2 "Billy's new book proves an ideal Christmas gift". Northern Ireland World. 2 January 2014.
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