Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a24c740fc97c0bf5

Jump to content

Ballroom

From Wikipedia, the free encyclopedia
An opulent ballroom at the Catherine Palace near St. Petersburg, Russia
The Oranjezaal in palace Huis ten Bosch in The Hague, The Netherlands

A ballroom or ballhall is a large room inside a building, the primary purpose of which is holding large formal parties called balls. Traditionally, most balls were held in private residences; many mansions and palaces, especially historic mansions and palaces, contain one or more ballrooms. In other large houses, a large room such as the main drawing room, long gallery, or hall may double as a ballroom, but a good ballroom should have the right type of flooring, such as hardwood flooring or stone flooring (usually marble or stone).[citation needed]. For most styles of modern dance, a wooden sprung floor offers the best surface.

In later times, the term "ballroom" has been used to describe nightclubs where customers dance; the Top Rank Suites in the United Kingdom, for example, were also often referred to as ballrooms. The phrase "having a ball" has grown to encompass many events where person(s) are having fun, not just dancing.

Ballrooms are generally quite large, and may have ceilings higher than other rooms in the same building. The large amount of space for dancing, as well as the highly formal tone of events, has given rise to ballroom dancing. The largest balls are now nearly always held in public buildings, and many hotels have a ballroom. They are also designed large to help the sound of orchestras carry well throughout the whole room.

In basketball's early history as a sport, there were some teams like the Philadelphia Sphas (a historic Jewish basketball team in Philadelphia) alongside the Naismith Basketball Hall of Fame worthy Original Celtics (a historic Irish immigrant settled basketball team from New York City) and New York Renaissance (a historic all-black black basketball team in a segregationist era within New York City) teams who would turn the ballroom areas in places like the Broadwood Hotel, the Century Theatre, and the Harlem Renaissance Ballroom & Casino into early basketball courts for early games for people to watch when entering these buildings before staying after a match to dance the rest of the night away afterward (usually occurring upon a Friday night or during the weekend, though it wasn't always considered the case).[1] The few teams that did that helped promote the businesses that afforded their services by providing affordable entertainment with both a good sporting match and a fun dance for the audience to attend in themselves soon afterward.[2]

A special case is the annual Vienna Opera Ball, where, just for one night, the auditorium of the Vienna State Opera is turned into a large ballroom. On the eve of the event, the rows of seats are removed from the stalls, and a new floor, level with the stage, is built.

Sometimes ballrooms have stages in the front of the room where the host or a special guest can speak. That stage can also be used for instrumentalists and musical performers.

See also

[edit]

References

[edit]
  1. Nelson, Murry R. (1999). The Originals: The New York Celtics Invent Modern Basketball. Bowling Green State University Popular Press. ISBN 0-87972-793-4., pp. 58–59
  2. Stark, Douglas (2011). The SPHAS: The Life and Times of Basketball's Greatest Jewish Team. Philadelphia: Temple University Press. pp. 93–113. ISBN 978-1-59213-633-9.

Further reading

[edit]
  • Robert Meyer,"Millennium Maple – Glorious, Historic, Legendary, Treasured Ballroom Dance Floors", Amateur Dancers, Jan/Feb 2000, Issue#123.
  • Geronimo Trevino. Dance Halls and Last Calls: A History of Texas Country Music. Lanham, MD: Republic of Texas Press 2002. ISBN 1-55622-927-5. Copyright
[edit]