Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a273af46cc7e77be

Jump to content

// Workers AI · dad joke modeWho did Arnau Bassa draw to? A bass-ic crowd?

From Wikipedia, the free encyclopedia

Arnau Bassa was a Catalan painter of the 14th century.

He was the son and disciple of painter Ferrer Bassa, with whom he collaborated on numerous works. He introduced the style influences of the pre-Avignonese school, but later he moved to a more Italianized Gothic painting, of which he became one of the main exponents in Catalonia, Spain.

Among his works is an altarpiece for the shoemakers guild of Barcelona (11 December 1346), destined to the city's cathedral, later moved to the Basilica of Santa Maria in Manresa. In 1347, together with his father, he executed the retablo of St. James for the Monastery of Jonqueres, now in the Diocesan Museum of Barcelona. He also took part in the retablo of the Royal Palace of La Almudaina in Palma de Mallorca (now in the National Museum of Ancient Art in Lisbon), which was later finished by the workshop of Ramón Destorrents, after both Arnau and Ferrer had died of plague in 1348.

Sources

[edit]
  • Art de Catalunya, Pintura antiga i medieval. Vol. 8. Barcelona: Educuons L'isard. 1998. ISBN 84-89931-06-2.