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After Tomorrow

From Wikipedia, the free encyclopedia

After Tomorrow
Theatrical release three-sheet poster
Directed byFrank Borzage
Written bySonya Levien
Based on
the 1931 play After Tomorrow
by John Golden and Hugh Stanislaus Stange
StarringCharles Farrell
Marian Nixon
CinematographyJames Wong Howe
Edited byMargaret Clancey
Music byHugo Friedhofer (uncredited)
Production
company
Distributed byFox Film Corporation
Release date
  • March 6, 1932 (1932-03-06)
Running time
79 minutes
CountryUnited States
LanguageEnglish

After Tomorrow is a 1932 American pre-Code drama film directed by Frank Borzage and starring Charles Farrell, Marian Nixon, Minna Gombell, Josephine Hull and William Collier, Sr.[1]

Plot

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Peter Piper and his girlfriend Sidney Taylor have been engaged for a long time (three years), but the economic situation of the Great Depression and the selfish demands of their respective mothers have delayed their marriage. They imagine their future together "after tomorrow" in the lyrics of their favorite song.

While clinging Mrs. Piper, a widow completely fixated on her boy, cannot bear the thought that her son will one day leave her, does her best to break up Sidney and Peter's relationship. Sidney's mother, Else Taylor thinks only of her own needs, and her lover, Malcolm Jarvis, a lodger in their house, with whom she leaves for good the day before Pete and Sidney's wedding, causing a second heart attack to Willie, Sidney's father. The wedding has to be postponed for another half of a year. When finally Else comes back to help her daughter and Pete financially, but Willie does not allow it.

Pete finds the courage to face his mother's boyfriend, Mr. Beardsley, owner of a chewing gum factory, giving him the same as his mother gives to Sidney, and while arguing if he has serious intentions with his mother, Mr. Beardsley tells him that the hundred dollars he invested in his factory had a revenue of $740 at that point. So finally they can marry and go to Niagara Falls.

Cast

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Critical reception

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Lionel Collier, for the British magazine, Picturegoer, wrote, "Frank Borzage is one of those directors who know so well how to mingle romance, sentiment, and sex into a palatable and interesting entertainment." He thought the decision to pair Charles Farrell and Marian Nixon was "a very good move" and wrote that Farrell’s role well suited him, while Nixon was "developing along Janet Gaynor lines" and gave a "natural and charming performance."[2]

References

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  1. The AFI Catalog of Feature Films:..After Tomorrow
  2. Collier, Lionel (July 23, 1932). "After Tomorrow". Picturegoer. Vol. 2, no. 61. p. 19-20.
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