Edge Rewrite
// HTMLRewriter · presentation

This page was redesigned at the edge.

Cloudflare fetched the original article and streamed it through HTMLRewriter to apply an entirely new visual system without rebuilding the source page.

// request.cf · coarse context

A page that knows where it met you.

Only coarse request metadata is shown. This demo does not display or persist visitor IP addresses.

Country
US
Cloudflare location
CMH
Connection
HTTP/2
Language
Not provided

Ray ID: a22cdfe69b2dea0a

Jump to content

// Workers AI · dad joke modeWhat did the painting say at "A Private View"? I'm framed.

From Wikipedia, the free encyclopedia
A Private View
AuthorMichael Innes
LanguageEnglish
SeriesSir John Appleby
GenreDetective
PublisherGollancz
Dodd, Mead (US)
Publication date1952
Publication placeUnited Kingdom
Media typePrint
Preceded byOperation Pax 
Followed byAppleby Talking 

A Private View is a 1952 detective novel by the British writer Michael Innes.[1][2] It is the thirteenth in his series featuring John Appleby, now an Assistant Commissioner in the Metropolitan Police. It also features the characters of Inspector Cadover and the Duke of Horton who had previously appeared in What Happened at Hazelwood and Hamlet, Revenge! respectively. Appleby's wife Judith also plays a major role in the story.

Synopsis

[edit]

London, 1951. Appleby accompanies his wife to a Private view at an art gallery featuring an exhibition of paintings by a young artist murdered several days earlier. While he is there, the last work ever painted by him is stolen in plain view, which Appleby at first takes to be part of a publicity stunt by the gallery's owner. Intrigued, he visits the late painter's studio just off the King's Road in Chelsea. There he discovers a work by Stubbs which soon proves to have recently been stolen from a country house.

Before long Appleby is plunged into considerable danger, as he runs across the stolen canvas that three different gangs are after for their differing reasons, including international spies. Judith Appleby takes up the investigation herself and then takes part in a cross-country police pursuit to come to her husband's assistance.

References

[edit]
  1. Reilly p.845
  2. Hubin p.214

Bibliography

[edit]
  • Hubin, Allen J. Crime Fiction, 1749-1980: A Comprehensive Bibliography. Garland Publishing, 1984.
  • Reilly, John M. Twentieth Century Crime & Mystery Writers. Springer, 2015.
  • Scheper, George L. Michael Innes. Ungar, 1986.